@x_ma.rw.an._.x._0.3: #مروان_الغنودي #لايك_اذا_حبيتو_الفيديو🖤

﮼مـــــروان||𝑴𝒂𝒓𝒘𝒂𝒏🎹🔥.
﮼مـــــروان||𝑴𝒂𝒓𝒘𝒂𝒏🎹🔥.
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Wednesday 15 July 2026 00:20:43 GMT
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hossam.al5
ويسو/Wissow :
فنان❤️❤️
2026-08-04 13:56:17
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grirasebig
🦊 ثعلب الصحراء :
بيانوا orG
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norafaris5
Nora Faris :
افتح التنزيل بليز
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usert2isras7zq
ً :
شنو اسم البرنامج
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aaaaaaaaaoo01
القذافي 💚 :
ابدعت
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ali_ali15._1
ali 💚💚 :
ابداع 💯
2026-07-15 22:27:03
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.m618878
مسعود اقِـليًـوٌنM🤍👥❤️‍🔥✅ :
كيف انزل الملف
2026-07-15 13:56:10
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al3rosyal3rosy
zxcvbnmzxcvbnm :
🌹🌹🌹السيت يا قائد لو ما في مانع و دمتم سالمين تحياتي لك
2026-07-15 08:05:46
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dy5vfuyxhlys
الحاج احمد❤️‍🔥 :
غالي بتريس نبو لكي كنت قمره في ضلام👌
2026-07-16 00:10:04
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i_3_x6
𝓐𝓫𝓪𝓭𝓲 𝓑𝓮𝓵𝓵𝓫𝓪𝓳𝓳 :
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user2366711156583
💀❤سراج//𝑆𝑒𝑟𝑎𝑗📮📎 :
@شريف 🦅🔥
2026-07-31 09:02:39
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_8._a_b_
عبد اللطيف اآلنعوت 🫀🩵🥀 :
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Mssawra Karim :
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My personal account :
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www_ar_0
lawyer ﮼ ألـف ﮼👩🏻‍⚖️ :
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2026-09-10 12:58:20
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"Among the oldest and most archaic musical testimonies of humanity." This is how Chilean ethnomusicologist María Ester Grebe described Kawésqar songs in 1974. The language reflects the antropological framework of its time, but the fieldwork behind it documented a very concrete process. The Kawésqar are an Indigenous people of southern Patagonia whose ancestors have lived and travelled through its fjords and channels for at least 6,000 years. In 1971, Grebe travelled to Puerto Edén carrying six Kawésqar songs recorded there by Coon and Medina in 1959. When she played the tapes, some community members recognised the songs and performed their own versions. Yet other songs from the earlier collection had already disappeared from the active repertoire. Grebe connected this loss to the transformation of Kawésqar daily life. As activities such as canoe travel, hunting and children's games lost their place or changed, the occasions to sing and transmit the songs associated with them also diminished. The recordings remained on magnetic tape at the University of Chile until they were restored and digitised. In 2021, fifty years after Grebe's expedition, copies were formally returned to representatives of Kawésqar communities. So if a song survives in an archive but is no longer part of living memory, has the song been preserved, or only its sound? Audio excerpts: "Canción de amor" and "Canción del juego de la ronda" - Margarita Molinare "Canción para hacer fuego" - Teresa Paterito Field recordings by María Ester Grebe, Puerto Edén, 1971. From Kawésqar (1971) Registros de María Ester Grebe. Fondo María Ester Grebe, Universidad de Chile. Produced by Etnomedia, 2017. Audio accessed via Museo Precolombino on SoundCloud. Sources: María Ester Grebe, "La música alacalufe: aculturación y cambio estilístico," Revista Musical Chilena, 1974; Ministerio de las Culturas, las Artes y el Patrimonio de Chile, 2021. #musicculture #kawesqar #indigenousmusic #ethnomusicology #soundhunter

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