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MADE IN AFRICA 1
MADE IN AFRICA 1
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Thursday 16 July 2026 09:56:19 GMT
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This card was always about more than winning. The oldest surviving versions were titled “Il Carro Triumphale”: The Triumphal Chariot. Rooted in the Roman triumph: one of antiquity’s most precisely regulated ceremonies.  To receive one, a general had to win a legitimate war, achieve a decisive victory, and secure Senate approval. Most generals never received one. On the day of the triumph, the general rode through Rome in a chariot. His face was painted red to mimic the terracotta statue of Jupiter atop the Capitoline Hill. He was, for that day, treated as god-like.  Standing directly behind him was a slave whose sole responsibility was to hold a laurel wreath above the general’s head and whisper continuously: “Respice post te. Hominem te esse memento. Memento mori.” Look behind you. Remember you are a man. Remember you must die.  The most well-known written source for this practice is Tertullian, a second-century writer. Ancient sources on the precise details of triumphal ceremonies are incomplete and vary, but the practice is widely recorded. The earliest Chariot card may depict a real procession: Bianca Maria Visconti’s wedding entry into Cremona. The Chariot follows The Lovers in the trump sequence because of Petrarch’s poem “I Trionfi” (The Triumphs, c.1374), in which Chastity defeats Love in an allegorical parade. The man who chose duty in The Lovers became the warrior riding in The Chariot.  In Waite’s 1909 version, the sphinxes pulling the chariot have no reins. The only thing holding opposing forces in line is the charioteer’s will.  Victory was always built on a whispered reminder that it would end. —— The Chariot comes today to say: You already know where you’re going. Commit. What’s pulling you in two directions right now? #tarot #witchtok #arttok #tarothistory #darkacademia
This card was always about more than winning. The oldest surviving versions were titled “Il Carro Triumphale”: The Triumphal Chariot. Rooted in the Roman triumph: one of antiquity’s most precisely regulated ceremonies. To receive one, a general had to win a legitimate war, achieve a decisive victory, and secure Senate approval. Most generals never received one. On the day of the triumph, the general rode through Rome in a chariot. His face was painted red to mimic the terracotta statue of Jupiter atop the Capitoline Hill. He was, for that day, treated as god-like. Standing directly behind him was a slave whose sole responsibility was to hold a laurel wreath above the general’s head and whisper continuously: “Respice post te. Hominem te esse memento. Memento mori.” Look behind you. Remember you are a man. Remember you must die. The most well-known written source for this practice is Tertullian, a second-century writer. Ancient sources on the precise details of triumphal ceremonies are incomplete and vary, but the practice is widely recorded. The earliest Chariot card may depict a real procession: Bianca Maria Visconti’s wedding entry into Cremona. The Chariot follows The Lovers in the trump sequence because of Petrarch’s poem “I Trionfi” (The Triumphs, c.1374), in which Chastity defeats Love in an allegorical parade. The man who chose duty in The Lovers became the warrior riding in The Chariot. In Waite’s 1909 version, the sphinxes pulling the chariot have no reins. The only thing holding opposing forces in line is the charioteer’s will. Victory was always built on a whispered reminder that it would end. —— The Chariot comes today to say: You already know where you’re going. Commit. What’s pulling you in two directions right now? #tarot #witchtok #arttok #tarothistory #darkacademia

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