𝔊𝔄𝔅𝔒 :
As a Gracie fan since 2021, I think you're right, and the lyrics were good as always. But I think Gracie should expand her sound, like in "Look at My Life," "Hit the Wall," "Minibar," and "Daughter from Hell." I feel like "Death Wish" would be better with a darkpop sound, but I did like it, to be honest. However, I found it very monotonous—too much acoustic guitar and too many instruments, which aren't necessarily bad, but it gets tedious to listen to, like in "What If It's Right?" I feel like the melody was too weak and it was kind of boring to listen to, even though the lyrics were incredible. "Humming" was great; I loved the lyrics and the concept, but I think the production should have been better. It falls short compared to the lyrics. "Men Like You" and "Good Reason" are masterpieces. "Sober" was nice; it reminded me of Amelie or Augusta, but it was boring. "Mews" was more to my liking; the production is captivating but very monotonous. I liked "Break My Heart"; the melody is very good. I feel like "Cold Goodbyes" could have been incredible with a different production, like "Right Now" or "Unsteady," and I really think the production was weak. I feel like Aaron and Gracie should take more risks. It has the lyrics and the concept, but the production falls short and is very monotonous. I liked "The Knife"; it reminded me a lot of "Good Riddance" and "Good Luck Charlie," but I was expecting something more orchestral like "Full Machine." Also, the visual aspect of this era, in terms of covers, was very weak. The music videos were Gracie's best. To be honest, I don't know, I feel like the sound and melody fall short of the potential of the lyrics.
2026-07-17 19:42:46