@wrenelisecarter: Paul Young was the 1980s pop superstar whose voice defined a generation with "Every Time You Go Away" —until changing music trends transformed the path of his career. Let's look back at his rise, the pressure of fame, and everything that followed. #PaulYoung #EveryTimeYouGoAway #1980s #80sMusic #tv

wrenelisecarter

Open In TikTok:

Region: US

Tuesday 21 July 2026 06:31:23 GMT

9152

110

5

2

Music

Download

No Watermark .mp4 (8.13MB) No Watermark(HD) .mp4 (7.43MB) Watermark .mp4 (7.56MB) Music .mp3

Comments

Milton Zaft :

❤️❤️❤️

2026-07-21 07:56:55

0

Aneta Szymańska :

sciema . on tak nie wyglada

2026-07-21 20:39:22

0

jeanpierresiboun :

😂😂😂

2026-07-21 22:48:11

0

Zoe :

😁😁😁

2026-07-21 10:46:00

0

Tiziana Ianniccheri :

[Cuore rosso][Cuore rosso][Cuore rosso]

2026-09-22 14:40:07

0

To see more videos from user @wrenelisecarter, please go to the Tikwm homepage.

Other Videos

السيد بخيت

السيد بخيت "الله يرحمه"💔 كبير مشجعي نادي الاتحاد السكندرى فالزمن الجميل .. على موسيقى اغنية يا اسكندرانى غناء "الشيخ أمين" الله يرحمه، رقصة "السيد حلال عليه" الله يرحمه من فيلم أبو احمد - مقطع اسكندرانى 100%✨ #الاتحاد_السكندري

Keripik Peyek Khas Yamazaki #ueaofficial #margauea #xeantra #xeantraofficial #lookismedit #lookism #yamazakishingen #yamazaki #edit #manhwa #manhwareccomendation #fyp #lewatberanda #kimgabryongfistgang #fristgang #lookismwebtoon

Keripik Peyek Khas Yamazaki #ueaofficial #margauea #xeantra #xeantraofficial #lookismedit #lookism #yamazakishingen #yamazaki #edit #manhwa #manhwareccomendation #fyp #lewatberanda #kimgabryongfistgang #fristgang #lookismwebtoon

Evil Couple Realizes Cops Found Their Torture Bedroom #fyp #cops #police #bodycam

Evil Couple Realizes Cops Found Their Torture Bedroom #fyp #cops #police #bodycam

🩵🩵🩵

The rear cargo door opened with a hydraulic hiss. A ramp extended slowly to the tarmac. For a long moment, nothing moved. Then the elders began to sing, voices cracked with age and fatigue, rising in the ancient Luganda funeral hymn that had been sung for Kabakas since long before the British came. The song floated into the hot air, unbroken and timeless. The soldiers felt the hair rise on the backs of their necks. The casket appeared in the doorway, draped in the black, red, and white of the Uganda flag. Eight men of the Uganda army carried it, moving in perfect unison. As it emerged into the sunlight, the crowd beyond the fence let out a collective exhalation that seemed to press against the airport walls. The soldiers raised their right hands in a single, synchronised salute. Idi Amin, raised his hand too. On the tarmac, separated from the soldiers by a small but deliberate space, stood the Nnabagereka. Damali Kisosonkole, widow of the Kabaka, wore black from head to toe, not the shapeless grief of exile, but the formal mourning of a queen. Her posture was straight despite the heat. She did not weep. Today she would show the world that a Nnabagereka does not break. Beside her, small for his fifteen years but standing very straight, was Prince Ronald Mutebi. The boy had been a child when his father was forced from the palace, a child when the kingdom fell, a child when the news came from London that the Kabaka was dead. Now he watched the casket descend, his face blank and unreadable, his jaw clenched so tightly that the muscles stood out like cords beneath his skin. The casket was lowered onto the tarmac, and the Nnabagereka stepped forward. She approached it slowly, deliberately, and placed both hands upon the flag that covered it. For a long moment, she simply stood there, her head bowed. Then she leaned down and pressed her forehead to the fabric. The crowd beyond the fence began to weep, a low moan that swelled into a great keening that rolled across the airport. Prince Ronald stepped forward to stand beside his mother, his hand finding hers, the two of them alone in the midst of soldiers and officials. He was fifteen years old, and he was watching his father come home for the first time in five years. Idi Amin stood apart, his bulk unmistakable among the officers, the black band on his arm already beginning to slip. He raised his hand in a slow, formal salute, not a military salute, but a gesture of respect, or the performance of it, and held it for a long moment. Then he turned and walked away without looking back. The casket was carried not to a hearse, but to a waiting military helicopter, its rotor blades already beginning to turn. The soldiers in starched white uniforms guided the casket aboard. The door slid shut with a soft, final click. The helicopter rose slowly, its rotors beating against the morning air, and banked toward Namirembe, toward Kasubi, toward the final resting place of a king who had finally come home. The Nnabagereka and the prince remained standing on the tarmac, watching as the aircraft carried the Kabaka into the sky, smaller and smaller until it was only a speck against the pale horizon. The soldiers broke formation and stood at ease, their black armbands flapping in the wind. They had not just escorted a body. They had witnessed the return of a King. #ughistory #Buganda #Kabaka @Buganda Kingdom @Charles Peter Mayiga

The rear cargo door opened with a hydraulic hiss. A ramp extended slowly to the tarmac. For a long moment, nothing moved. Then the elders began to sing, voices cracked with age and fatigue, rising in the ancient Luganda funeral hymn that had been sung for Kabakas since long before the British came. The song floated into the hot air, unbroken and timeless. The soldiers felt the hair rise on the backs of their necks. The casket appeared in the doorway, draped in the black, red, and white of the Uganda flag. Eight men of the Uganda army carried it, moving in perfect unison. As it emerged into the sunlight, the crowd beyond the fence let out a collective exhalation that seemed to press against the airport walls. The soldiers raised their right hands in a single, synchronised salute. Idi Amin, raised his hand too. On the tarmac, separated from the soldiers by a small but deliberate space, stood the Nnabagereka. Damali Kisosonkole, widow of the Kabaka, wore black from head to toe, not the shapeless grief of exile, but the formal mourning of a queen. Her posture was straight despite the heat. She did not weep. Today she would show the world that a Nnabagereka does not break. Beside her, small for his fifteen years but standing very straight, was Prince Ronald Mutebi. The boy had been a child when his father was forced from the palace, a child when the kingdom fell, a child when the news came from London that the Kabaka was dead. Now he watched the casket descend, his face blank and unreadable, his jaw clenched so tightly that the muscles stood out like cords beneath his skin. The casket was lowered onto the tarmac, and the Nnabagereka stepped forward. She approached it slowly, deliberately, and placed both hands upon the flag that covered it. For a long moment, she simply stood there, her head bowed. Then she leaned down and pressed her forehead to the fabric. The crowd beyond the fence began to weep, a low moan that swelled into a great keening that rolled across the airport. Prince Ronald stepped forward to stand beside his mother, his hand finding hers, the two of them alone in the midst of soldiers and officials. He was fifteen years old, and he was watching his father come home for the first time in five years. Idi Amin stood apart, his bulk unmistakable among the officers, the black band on his arm already beginning to slip. He raised his hand in a slow, formal salute, not a military salute, but a gesture of respect, or the performance of it, and held it for a long moment. Then he turned and walked away without looking back. The casket was carried not to a hearse, but to a waiting military helicopter, its rotor blades already beginning to turn. The soldiers in starched white uniforms guided the casket aboard. The door slid shut with a soft, final click. The helicopter rose slowly, its rotors beating against the morning air, and banked toward Namirembe, toward Kasubi, toward the final resting place of a king who had finally come home. The Nnabagereka and the prince remained standing on the tarmac, watching as the aircraft carried the Kabaka into the sky, smaller and smaller until it was only a speck against the pale horizon. The soldiers broke formation and stood at ease, their black armbands flapping in the wind. They had not just escorted a body. They had witnessed the return of a King. #ughistory #Buganda #Kabaka @Buganda Kingdom @Charles Peter Mayiga

انتي قمر من يوم كنتي صغيره.....♡منشن@ #شريان_الديحاني #شعروقصايد #شعر #قصيده #بوح #هواجيس

انتي قمر من يوم كنتي صغيره.....♡منشن@ #شريان_الديحاني #شعروقصايد #شعر #قصيده #بوح #هواجيس

About

Robot
API

Legal

Privacy Policy