@anhtuan.020294: #adidaphat🙏🙏🙏

anh tuấn
anh tuấn
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Sunday 26 July 2026 12:07:12 GMT
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adidaphat8x
Sen Giữa Bùn :
chẳng phải bài kệ đầu sai. chỉ là họ đang ví tâm của mình đó thôi. người chưa ngộ hết thảy thì hàng ngày phải lao chùi. ❤️còn người đã giác ngộ thì tâm ko còn dính bụi nhơ. A Di Đà Phật ❤️
2026-07-26 13:44:35
12
a807277a
♠️Tôi Là Ai♠️ :
Khi con mê thì thầy độ. khi con ngộ con tự độ.🤝🤝🤝
2026-07-26 12:19:41
9
l.cnh.nam3
Lữ Cánh Nam :
xưa nay ko một vật chỗ nào dính bụi nhơ
2026-07-26 18:56:15
2
minh.chu4732
Minh Chu :
bồ đề vốn không cây, gương sáng cũng chẳng đài sưa nay không môt vật chỗ nào dĩnh bụi nhơ
2026-07-26 23:32:01
2
ijdhdhfhff
Học Tập :
Nguyện cho người mù thấy được ánh sáng, người điếc nghe được tiếng động, người bệnh mau bình phục, người nghèo được ấm no, người già không phải bệnh tật, trẻ em luôn bình an. Người người mạnh khỏe, nhà nhà hạnh phúc, cầu mong cho các sinh linh nhỏ bé đang phải lang thang bữa đói bữa no có một mái nhà ấm. Nam Mô Bổn Sư Thích Ca Mâu Ni Phật. Nam Mô Cầu Sám Hối Bồ Tát Ma Ha Tát. A Di Đà Phật.🙏🙏🙏❤️❤️❤️
2026-07-27 00:52:50
0
caonhuy.happy
CaoNhuy happy :
Adidaphat
2026-07-27 01:36:18
0
otngo0
ớt Ngô :
nam mô a di đà phật
2026-07-27 01:41:42
0
trantsymono
Kiều Lan :
nam mô a Di Đà Phật
2026-07-26 13:06:45
1
.hng.ngn95
สวัสดี Hương Ngân :
Thầy Lục Tổ Huệ Năng
2026-07-27 01:25:26
0
user77u876cmgz
Hà Kim Suối :
Nam mô a Di Đà Phật
2026-07-27 01:26:24
0
le.lieu_6679
Lê Liễu :
Nam mô a Di Đà Phật
2026-07-27 01:24:49
0
roblox_ducanh12
Lê Thiện sĩ :
Nam mô a Di Đà Phật
2026-07-27 00:51:51
0
tuankieutiktik
Tuấn Kiêù 94 :
A DI ĐÀ PHẬT
2026-07-27 01:05:14
0
vng.i.lng.l
VÒNG ĐỜI LẶNG LẼ :
NAM MÔ A DI ĐÀ PHẬT 🙏🙏🙏💞
2026-07-27 00:36:09
0
huongmai.1993
Hoàng Hương Mai :
Xem mà rơi nước mắt 🙏
2026-07-27 00:29:04
0
.thy.nguyn38
Thúy Nguyễn :
Nam Mô A Di Đà Phật
2026-07-26 12:32:18
0
l.anh.ch0
Lê Anh chí :
tâm bề đề kien cố trí từ học vững bền xa nên khổ ải về nơi Bình An
2026-07-27 00:29:02
0
ntttuyet0702
Tuyết Nguyễn :
Nam mô a di đà Phật 🙏
2026-07-27 01:24:19
0
lamduy808
duylâm808 :
nam mô a Di Đà Phật
2026-07-27 00:14:12
0
hoa.nguyen03444
Hoa nguyen :
Hay
2026-07-27 00:26:42
0
tuongvy_01234
Châu.Muội :
Nam mô A Di Đà Phật
2026-07-27 00:27:45
0
nguyenchi_84
Tâm Đạo Shop. :
Adidaphat
2026-07-27 00:16:27
0
khnguynvn948
Nguyễn Văn Khả :
Nam mô a Di Đà Phật 🙏🙏🙏
2026-07-27 01:48:58
0
triet.minh182
(Minh triết) (@) :
nam mô a Di Đà Phật 🙏🙏🙏
2026-07-27 01:34:44
0
liquc38
Quốc Lợi 81 :
Nam Mô A Di Đà Phật
2026-07-26 14:28:34
0
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Other Videos

Today we Remembering Doyen Of Theatre,
Today we Remembering Doyen Of Theatre, "Hubert Ogunde" the father of Owobo Ogunde also known as the father of Nigeria theatre 35 Years After His Dèath Today Hubert Ogunde was born in Ososa, near Ijebu-Ode, Ogun State, Nigeria, to the family of Jeremiah Deinbo and Eunice Owotusan Ogunde. His father was a Baptist pastor, and his maternal grandfather was a pr|est of Ifa, an African tradit|onal relig|on. Ogunde briefly lived within the precīncts of his grandfather's compound and was exp0sed to Ifá, Ogun and many other traditional relīgious celebrations. Both the Chrìstian and traditi0nal religi0n of the Yoruba influenced his upbringing. His first contact with performance art was as a member of Egun Alarinjo during his elementary school days. After completing his education, he worked as a pupil-teacher at St. John's School and was also a church choirmaster and organist. He later joined the Nigerian p0lice f0rce in March 1941 in Ibadan Ogunde's African Music Research Party, founded in 1945 was the first contemporary professional theatre company in Yorubaland. Previous performance groups were masked theatre troupes called Alarinjo who were dependent on the court or church for support, and who grew in popularity as a result of word of mouth Ogunde distinguished his group by using promotion methods such as advertisements and posters, and by changing the round stage used by alarinjo performers to one with a pr0scenium. In addition, he introduced dramatic action and realism in his plays, depending on the audience for commercial support. Through these acts Ogunde began the rise of modern professional theatre in Nigeria, a movement in which he remains the most influential practitioner After leaving his job as a police constable, Ogunde moved away from his earlier focus on rèligious themes and started writing plays that were nati0nalistic and ànti-c0lonial in outlook, a trend in Lagos during the furi0us f0rties. During this period, many of his early operas were co-directed by G. B. Kuyinu. In early 1945, he produced W0rse than Cr|me, a po|itical play infused with Yoruba dance and ancient folk songs. Like most of his early plays, it premiered at Glover Memorial Hall, Lagos. Later in that year, he wrote The Black Forest and Journey to Heaven, two Yoruba operas that also improved his use of traditional Yoruba fo|klore. The latter also had a strong Christian influence. In November 1945, he wrote a pro-labour play, Str|ke and Hung£r, motivated by the events of a general strike by labour unions led by Michael Imoudu. In 1946 he wrote and produced Tiger's Empire. Premiering on 4 March 1946, Tiger's Empire was produced by The African Music Research Party and featured Ogunde, Beatrice Oyede and Abike Taiwo. The advertisement for the play was the result of Ogunde's call for "paid actresses". It marked the first time in Yoruba theatre that women were billed to appear in a play as professional artists in their own right. Tiger's Empire was an attàck on col0nial rule. He followed Tiger's Empire with Dàrkness and Light This writeup(Caption) is from Ayeni Abayomi page Later, in 1946, he produced D£vil's Money, an African story about a man who entered into a contract with an £vil spirit so in an effort to get rich. The folk opera was successful and had a set of twenty-four actors donning costumes. After the d£ath of Herbert Macaulay, he wrote the opera Herbert Macaulay to commemorate the life of the nationalist, who di£d in 1946. He then released another politīcally-themed play, Towards Liberty, in 1947. Before 1948, Ogunde's plays were staged in Lagos and occasionally in Abeokuta, but his growing popularity in other Western Nigeria pr0vinces made him think about traveling to other cities with his theatre troupe. In 1948, he went on a tour of major Western Nigerian cities with his group, including stops at Abeokuta, Ibadan, Oyo, Ede and Ogbomosho #yorubanollywood #nollywood #fyp #everyone #nollywoodactors

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