@sukakereta09: KREDIT FOTO/VIDEO ADA DI BAWAH!! CC 203 adalah lokomotif yang di produksi oleh General Electric pada tahun 1995. Lokomotif ini merupakan hasil pengembangan dari lokomotif CC 201, yang terdapat pada bentuk kabin lokomotif yang lebih aerodinamis dan lebar. Loko ini di produksi sebanyak 41 unit. Lokomotif ini diadakan pertama kali pada tahun 1995 untuk memperkuat armada kereta api eksekutif Perumka pada saat itu. Hal ini berkaitan dengan peluncuran dua KA Argo generasi pertama, yaitu JS950 Argo Bromo dan JB250 Argo Gede (saat ini Parahyangan) Setelah sukses merakit 12 lokomotif pertama di GE Transportation, produksi lokomotif kemudian dialihkan ke PT GE Lokomotif Indonesia (GELI). Selain menarik kereta api kelas Argo, lokomotif ini sering juga ditugaskan menarik rangkaian kereta api kereta api unggulan lainnya. Hal ini menyebabkan lokomotif ini sering muncul di berbagai iklan komersial PT KA. Namun perannya dalam menarik kereta api-kereta api unggulan mulai tergantikan, semenjak lokomotif CC 206 banyak menggantikan perannya sebagai penarik kereta unggulan. TERIMA KASIH TELAH MENONTON!!! • Sound/Music : A-ha - Take On Me • Credit video/foto : FB- Iklan Jadul Indonesia (https://www.facebook.com/iklanjadul/photos/kereta-api-argobromo-1998/1375708657347472/) IG- rioprabowohrp (https://www.instagram.com/p/DJzFCGsJ7qc/?igsh=MTM5bWt0YWU3cGdsdg==) FB- Iklan jadul 2000 (https://www.facebook.com/iklan2000/photos/ekspor-perdana-lokomotif-buatan-indonesiapara-pengamat-kereta-pasti-kenal-dengan/1648564476125464/) YT- @OffcialiNews (Official iNews) (https://youtu.be/2CkvjzUCACA?si=RnAVNAm-I6I1_Oq8) YT- @daniter9202 (Daynighter) (https://youtu.be/nGmMAMND2ls?si=nHEIELPitYlsb487) (https://youtu.be/Kgv9HteQNC4?si=IreJpXy4guEWCJdz) (https://youtu.be/oZcF9wGjenY?si=XUAf2Ty-ZJpBCJRD) YT- @jatiwarnarailfans (Jatiwarna Railfans) (https://youtu.be/if0D-JV2W80?si=pH4YfIJWH3AYkVCk) (https://youtu.be/MF2MxsfF_to?si=B_WHYuInQqq42hUK) (https://youtu.be/iZqrK3Gtiw4?si=hC4Ie9rMDMBFweIv) (https://youtu.be/QkEWPYoDZmw?si=17xN8f1WVeG2QhPO) ©All videos belong to their respective owners. Ig : @sukakereta09 Tiktok : @sukakereta09 YT : sukakereta09 #keretaapi #edit #railway #train #fyp

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Saturday 08 August 2026 03:18:34 GMT
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jens1lvv
Jenson :
Kala itu, CC203 juga dapat disebut sebagai lok junior 🤩
2026-08-08 04:47:34
4
apal4h_13
★𝐃𝐇𝐈𝐋𝐙𝐙★💫 :
pertama wok🗿👍
2026-08-08 03:21:59
1
fans_ge
SamS :
kabin aeronya bener" punya aura ka cepat🤩
2026-08-28 04:41:21
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Added this Drake portrait to a leg sleeve for my bro @Alex F. Lucero  One of the most important things when building a leg sleeve is creating a composition where every new piece connects to the work from the previous session. That can be done through the same type of filler, continuing similar filler design, or simply knowing how to morph two completely different ideas together in a way that makes sense instead of just filling the empty spaces with dark shading or black ink. Whether the whole leg is finished in a few months or over two years, the goal is for it to still look like one complete piece. That takes a lot of additional time in the design process, or simply having the skillset to freehand connections that are visually appealing and don’t look rushed. Especially with larger projects built over a long period of time, every new piece has to make sense with what is already there. You don’t want the final result to look like a bunch of different designs were placed around the body and then rushed together with filler in between, like a bunch of stickers on a laptop. The entire piece should feel intentional, connected, and make sense as one composition. That’s probably the biggest issue I see with larger projects, and one of the most common mistakes artists make when building them over time. That’s why I always take the extra time to think ahead and build something that will still make sense later, so the client ends up with the best possible final result. 💯  To book your next tattoo text 480-742-2556 Located in Phoenix, Arizona 📍 #tattoo #tattooartist #phoenix #arizona #realism
Added this Drake portrait to a leg sleeve for my bro @Alex F. Lucero One of the most important things when building a leg sleeve is creating a composition where every new piece connects to the work from the previous session. That can be done through the same type of filler, continuing similar filler design, or simply knowing how to morph two completely different ideas together in a way that makes sense instead of just filling the empty spaces with dark shading or black ink. Whether the whole leg is finished in a few months or over two years, the goal is for it to still look like one complete piece. That takes a lot of additional time in the design process, or simply having the skillset to freehand connections that are visually appealing and don’t look rushed. Especially with larger projects built over a long period of time, every new piece has to make sense with what is already there. You don’t want the final result to look like a bunch of different designs were placed around the body and then rushed together with filler in between, like a bunch of stickers on a laptop. The entire piece should feel intentional, connected, and make sense as one composition. That’s probably the biggest issue I see with larger projects, and one of the most common mistakes artists make when building them over time. That’s why I always take the extra time to think ahead and build something that will still make sense later, so the client ends up with the best possible final result. 💯 To book your next tattoo text 480-742-2556 Located in Phoenix, Arizona 📍 #tattoo #tattooartist #phoenix #arizona #realism

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