@orvyx3: say less 😭

oryvx 🙉
oryvx 🙉
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Sunday 09 August 2026 00:08:26 GMT
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34.pelle.teria..fjb
34.Pelle Teria. fur :
real question tho how much yall actually making per day on average
2026-08-11 07:50:47
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snazzyyshelbyykk
snazzyyshelbyy :
somone show me prooof cuz i keep seeing this everwhere
2026-08-11 07:50:36
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ashleylou.092n
Ashley Lou, RN | Lupus Warrior :
is this reall or am i abt to waste my time on sum fake app
2026-08-11 07:50:36
0
alshayhutchinson1j
🇿🇦 Elshe' 🇿🇦 :
ok honest review the offers take a little time but once u unlock scrolling its a whole different game
2026-08-11 07:50:51
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jenniferjourdan87cx
jenniferjourdan87 :
me and my boys all got on this now we literally competing to see who makes the most each week
2026-08-11 07:50:58
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danamendez046a
Dana :
someone in my class saw me on it and was like whats that and now half the class downloaded it 😂
2026-08-11 07:07:17
0
aflynnfoxc9
aflynnfox :
STOP POSTING THIS EVERYWHERE omg its gonna get ruined 😭😭😭
2026-08-11 07:06:57
0
maria_incrocci4u
Maria 🌻 :
does the scroll offer go away if u dont use it for a while??
2026-08-11 07:07:20
0
hellpsyqu7
Alejandra.Breton :
bro if u cant figure out how to unlock the scroll thing u need help its literally just do the offers first
2026-08-11 07:50:36
0
brat_4ever_v4
Brat_4ever💕 :
this is the definition of work smarter not harder
2026-08-11 07:50:58
0
ohlookitsrebeccaeb
Mary.jade420 :
used this to pay for my gym membership this month W
2026-08-11 07:50:47
0
sarah_rose_freespiritg8
Sarah Rosenaur :
i was gonna get a second job but nah this is enough fr
2026-08-11 07:07:23
0
baabsyourunclef3
Amanda 🧸 :
the grind on this is so much better than doordash no gas no nothing just ur phone
2026-08-11 07:50:40
0
_ananyavarma__z4
Ananya Varma :
they really just paying us to use our phones which we already do 24/7 anyway
2026-08-11 07:50:56
0
love_universe_rainbowstz
love_universe_rainbows :
not tryna sound dramatic but this changed how i think about free time
2026-08-11 07:50:56
0
gabbymbarretoo6
Gabriela Barreto, MS, RD, CSSD :
i keep telling myself ill stop but then i see the money come in and im like ok one more hour 💀
2026-08-11 07:07:22
0
aprillucinhr
April Lucin :
ran this up at the airport waiting for my flight no wifi needed just data
2026-08-11 07:50:56
0
brends45567l
brends :
everyone wanna talk about side hustles but nobody wanna actually do them smh
2026-08-11 07:50:51
0
i.am.hotelgirl.sarahkn
I.am.hotelgirl.sarah :
just unlocked the scroll thing FINALLY lets gooo 🔥🔥
2026-08-11 07:07:16
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_cheetahtvik
CheetahTV :
how come nobody told me about this earlier honestly annoyed lol
2026-08-11 07:07:14
0
hkcxrb8z
Heather<3 :
my barber asked why i was on my phone the whole cut told him im getting paid to scroll he downloaded it right there 😂
2026-08-11 07:50:59
0
on1ynikitas2
Nikita :
this covered my groceries this week im actually shook
2026-08-11 07:07:16
0
immortalmajestytj
Tiffany💙 :
told my coworker about it and he thinks im in a pyramid scheme LMAO
2026-08-11 07:07:15
0
rukkye_k3
Rukevwe🩷 :
for the time it takes this is actually insane like the effort to reward ratio is crazy
2026-08-11 07:07:17
0
hkcxrb8z
Heather<3 :
everyone says its real but nobody ever shows proof 🤔 anyone?
2026-08-11 07:06:57
0
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Other Videos

‘Joe Is Dead’, 2016 Julius von Bismarck, Julian Charrière, Felix Kiessling Presented in ‘Polyphonic Views’ at Funkhaus until the 5th of October curated by @passage_art  A treadmill, a fan, and a tumbleweed are brought together in an absurd closed circuit. The treadmill runs endlessly, the fan blows, and the tumbleweed, usually a symbol of freedom, chance, and wandering across barren landscapes, spins in place, trapped in perpetual motion. The work stems from a collaboration between three Berlin-based artists who share an interest in exposing the paradoxes of human interaction with nature. Julius von Bismarck manipulates perception through machines and media; Julian Charrière explores ecological and geological extremes; Felix Kiessling investigates spatial phenomena and the limits of seeing.  Together, they staged natural forces being displaced and domesticated inside artificial systems. Joe The Dead crystallizes this approach. The tumbleweed, a plant that survives through dispersal, is removed from its ecological context and subjected to technological captivity. The treadmill, normally a device of self-optimization, becomes a stage for futility. The title lends the work a tragicomic tone: the tumbleweed is animated yet lifeless, a character condemned to repeat its performance. At once humorous and unsettling, the piece critiques the way modernity simulates and controls the natural world. What appears as progress collapses into circular exhaustion; what symbolizes freedom becomes spectacle. Immediate in its absurdity yet layered in meaning, Joe The Dead reveals the contradictions at the heart of contemporary life, where even nature is drawn into loops of endless repetition. Documentation by Adrian Escu @addilette @juliusvonbismarck @julian.charriere @felix_kiessling
‘Joe Is Dead’, 2016 Julius von Bismarck, Julian Charrière, Felix Kiessling Presented in ‘Polyphonic Views’ at Funkhaus until the 5th of October curated by @passage_art A treadmill, a fan, and a tumbleweed are brought together in an absurd closed circuit. The treadmill runs endlessly, the fan blows, and the tumbleweed, usually a symbol of freedom, chance, and wandering across barren landscapes, spins in place, trapped in perpetual motion. The work stems from a collaboration between three Berlin-based artists who share an interest in exposing the paradoxes of human interaction with nature. Julius von Bismarck manipulates perception through machines and media; Julian Charrière explores ecological and geological extremes; Felix Kiessling investigates spatial phenomena and the limits of seeing. Together, they staged natural forces being displaced and domesticated inside artificial systems. Joe The Dead crystallizes this approach. The tumbleweed, a plant that survives through dispersal, is removed from its ecological context and subjected to technological captivity. The treadmill, normally a device of self-optimization, becomes a stage for futility. The title lends the work a tragicomic tone: the tumbleweed is animated yet lifeless, a character condemned to repeat its performance. At once humorous and unsettling, the piece critiques the way modernity simulates and controls the natural world. What appears as progress collapses into circular exhaustion; what symbolizes freedom becomes spectacle. Immediate in its absurdity yet layered in meaning, Joe The Dead reveals the contradictions at the heart of contemporary life, where even nature is drawn into loops of endless repetition. Documentation by Adrian Escu @addilette @juliusvonbismarck @julian.charriere @felix_kiessling

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