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Elements Review
Elements Review
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Sunday 23 August 2026 02:30:00 GMT
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Witches’ Sabbath (1797–1798) By Francisco Goya 📍 Museo Lázaro Galdiano, Madrid The goat looks like the monster. But Goya may be pointing at something worse. Women gather beneath the night sky. Children are offered toward a giant black goat. Bats circle above the ritual. Everything looks like a nightmare. But Goya was not documenting real witchcraft. He was painting superstition. This scene belonged to a series of witchcraft paintings made for the Dukes of Osuna. Its imagery may echo old stories connected with the Logroño witch trials of 1610. The real horror is not only the goat. It is the society willing to believe fear as truth. Which is more dangerous: the monster, or the fear that created it? 👉 Follow @bymuseum for vivid stories and hidden meanings in classical art.
Witches’ Sabbath (1797–1798) By Francisco Goya 📍 Museo Lázaro Galdiano, Madrid The goat looks like the monster. But Goya may be pointing at something worse. Women gather beneath the night sky. Children are offered toward a giant black goat. Bats circle above the ritual. Everything looks like a nightmare. But Goya was not documenting real witchcraft. He was painting superstition. This scene belonged to a series of witchcraft paintings made for the Dukes of Osuna. Its imagery may echo old stories connected with the Logroño witch trials of 1610. The real horror is not only the goat. It is the society willing to believe fear as truth. Which is more dangerous: the monster, or the fear that created it? 👉 Follow @bymuseum for vivid stories and hidden meanings in classical art.

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