@rebini_shirin_is_me: تۆ تەنها ئەو بەشەی ژیانی مرۆڤەکان دەبینیت کە نیشانیان داویت؛ هیچ لە بارەی ئەو شەوانەی نازانیت کە بە بێ دەنگ گریاوە، هەموو ئەو ترسانەی کە شاردوویەتیەوە، هەموو ئەو شکانانەی کە بە پێکەنین دای پۆشیوە... مرۆڤ تەنها ئەوە نییە کە لە دەرەوە دەیبینیت؛ لە پشت هەر هەڵسوکەوتێکەوە چیرۆکێک هەیە، لە پشت هەر بێدەنگییەک هۆکارێک و لە پشت هەر بڕیارێکەوە ژیانێک هەیە کە تۆ لێی ئاگادار نیت... کاتێ لە ژیانی کەسێکدا نەژیاویت، واتە تەنها بینەرێکی دەرەوەیت؛ و بینەر نابێت خۆی بکاتە دادوەری ژیانێک کە چیرۆکەکەی بە تەواوی نەخوێندووەتەوە… من ئەڵێم: باشترین شێوەی مرۆڤایەتی ئەوەیە کە لەبارەی کەسەوە هیچ بڕیارێک نەدەیت؛ تەنها بێدەنگ بمێنیتەوەو تێبگەیت و ڕێگە بدەیت هەر مرۆڤێک بە چیرۆکی خۆیەوە ، بەبێ دەستکاری تۆ بژی…#rebinishirin #rebini_shirin

Rebini_shirin

Open In TikTok:

Region: IQ

Friday 28 August 2026 19:44:07 GMT

9180

977

23

97

Music

Download

No Watermark .mp4 (1.89MB) No Watermark(HD) .mp4 (1.95MB) Watermark .mp4 (3.81MB) Music .mp3

Comments

♡𝐍𝐔𝐐𝐋𝐀♡ :

ئەو هەموو شتێکی کرد ه دڵی شکانم زۆر بە خراپی بەڵام هیچ کات خۆی بە خەتابار نەزانی .....

2026-08-28 19:54:27

7

هەر گوڵ جوان نیە :

بێ شعورن خۆیان بەخەتابار نازانن 💔

2026-08-28 20:35:07

2

S🤍CH🩵M :

تۆ بۆ ئەوەنە قسەکانت لەجێی خۆیەتی 🥹

2026-08-28 20:27:09

2

Dav 🆔 :

قسەیەکم دا لە ڕوی کەسێک زامەکەی زۆر زیاتر بو لە هەزان فیشەک سوتانی کەسەکەم بینی بە چاوی خۆم هەر گیز نەمتوانی قەرەبوی بکەمەوە هەرگیزیش ناتوانم قەرەبوی قسەکەم بکەمەوە.

2026-08-28 22:23:25

1

Sozy :

خودا حةقم بكات و هةرچي كرد بيتةوة پيشي

2026-08-28 20:55:43

1

alaa :

ئەم کچە ئەوەنە بەنرخە هەست ناکەم هیچ کەسێک هەبێ شایەنی بێت ..

2026-08-28 23:11:04

0

arabic_Ferba :

هەندێ بابەت قەرەبوو ناکرێتەو...

2026-08-28 21:07:25

0

Mriam Said :

راستە وتە کانت زیڕن

2026-08-28 21:54:59

0

kh💗 :

mamusta rebini gulll zor zorm xoshdawet❤️‍🔥🥰

2026-08-28 22:21:12

0

mastan_store🛍 :

❤

2026-08-28 22:01:53

0

yahya shamerani :

🌹🌹🌹

2026-08-28 21:33:37

0

.... :

🌹🌹🌹

2026-08-28 21:22:01

0

Heshu🖤 :

🥰🥰

2026-08-28 21:21:28

0

𝜞𝜢𝜜𝝞𝜜𝜥 :

🌹🌹🌹

2026-08-28 21:00:42

0

shagull RIzgar :

👏🏻👏🏻👏🏻👏🏻

2026-08-28 20:55:57

1

Ahmad :

🖤🩶

2026-08-28 20:46:12

0

ڕێبوار بیاوێڵەیی :

🥰🥰🥰

2026-08-28 20:08:22

0

ℛ𝒪ℳ𝒜𝒩🦂⚛ :

🌸🌸🌸

2026-08-28 20:05:41

0

حسین محمودی :

👌👌👌

2026-08-28 19:56:44

0

♚Rebeen.Jaff♚ :

👏👏👏

2026-08-28 19:47:23

0

rebin sherin :

🥰

2026-08-28 22:56:35

0

To see more videos from user @rebini_shirin_is_me, please go to the Tikwm homepage.

Other Videos

HEYY #gurwm #gcshow #fyp #relatable

HEYY #gurwm #gcshow #fyp #relatable

#creatorsearchinsights #foryou

#creatorsearchinsights #foryou

طبع بيا سامح #

طبع بيا سامح #

#creatorsearchinsights Few Franco songs carry as much political and personal subtext as “Princesse Kikou.” Recorded around 1980–1981, the song emerged during a particularly turbulent period in Franco’s life, after his imprisonment at Makala. Rather than simply being a story about an ordinary woman, Princesse Kikou has long been interpreted as Franco speaking through a female character while addressing the rumours, denunciations and forces he felt were working against him. Kikou repeatedly complains about biloba-loba—rumours and talk—and songi-songi, the insinuations and whispering surrounding her. She says that her name has been spread throughout Kinshasa and asks why she is being condemned when she does not even understand the reason. She also speaks of her appearance, her work and the hostility she encounters from people around her. Then comes one of the song's most revealing passages: her presence frightens certain people, and accusations have resulted in her being removed from her job. She asks, in effect, what these people gain from attacking her when she has helped them and fulfilled what was expected of her. And the timing matters. Franco had just endured imprisonment and a serious rupture with the political establishment. Contemporary retrospective accounts describe Princesse Kikou as part of the music through which he released the emotions accumulated during that period, followed by other pointed songs such as Loboko and Babotoli ye tonga. His later “Lettre à Monsieur le Directeur Général” continued this confrontational conversation with power and the people around it. The identity behind “Princesse Kikou” is where the story becomes even more fascinating. A number of Congolese accounts identify Kikou with Marie-Rose Kasa-Vubu Kiatazabu, daughter of Joseph Kasa-Vubu, the first President of the independent Congo. Marie-Rose was born into one of the country's most prominent political families: her father was the historic leader of ABAKO and served as president from 1960 to 1965, while her mother was Hortense Ngoma Massunda. Marie-Rose herself later entered public life and politics. She was also known as “Princesse Kiku du Mayombe,” connecting the nickname in Franco's song with her Kongo/Mayombe heritage. That is why “Princesse Kikou” deserves to be heard beyond its infectious OK Jazz groove. Beneath the guitars and memorable refrain is Franco the storyteller—and perhaps Franco the wounded man—using a princess, rumours and social persecution as a coded language for the political and personal battles surrounding him. 🇨🇩🎸 And if these stories behind the classics are your kind of music history, September 12 is another date to remember. Congo Sounds Radio and House of Rumba will host Scottsdale Rumba Royale — Karen Edition at One Stop Arcade, Karen. Come celebrate the music, culture and stories that keep Congolese rumba alive. 🇨🇩🇰🇪🎶 #TPOKJazz #RumbaWithoutBorders #CongoSoundsRadio

#creatorsearchinsights Few Franco songs carry as much political and personal subtext as “Princesse Kikou.” Recorded around 1980–1981, the song emerged during a particularly turbulent period in Franco’s life, after his imprisonment at Makala. Rather than simply being a story about an ordinary woman, Princesse Kikou has long been interpreted as Franco speaking through a female character while addressing the rumours, denunciations and forces he felt were working against him. Kikou repeatedly complains about biloba-loba—rumours and talk—and songi-songi, the insinuations and whispering surrounding her. She says that her name has been spread throughout Kinshasa and asks why she is being condemned when she does not even understand the reason. She also speaks of her appearance, her work and the hostility she encounters from people around her. Then comes one of the song's most revealing passages: her presence frightens certain people, and accusations have resulted in her being removed from her job. She asks, in effect, what these people gain from attacking her when she has helped them and fulfilled what was expected of her. And the timing matters. Franco had just endured imprisonment and a serious rupture with the political establishment. Contemporary retrospective accounts describe Princesse Kikou as part of the music through which he released the emotions accumulated during that period, followed by other pointed songs such as Loboko and Babotoli ye tonga. His later “Lettre à Monsieur le Directeur Général” continued this confrontational conversation with power and the people around it. The identity behind “Princesse Kikou” is where the story becomes even more fascinating. A number of Congolese accounts identify Kikou with Marie-Rose Kasa-Vubu Kiatazabu, daughter of Joseph Kasa-Vubu, the first President of the independent Congo. Marie-Rose was born into one of the country's most prominent political families: her father was the historic leader of ABAKO and served as president from 1960 to 1965, while her mother was Hortense Ngoma Massunda. Marie-Rose herself later entered public life and politics. She was also known as “Princesse Kiku du Mayombe,” connecting the nickname in Franco's song with her Kongo/Mayombe heritage. That is why “Princesse Kikou” deserves to be heard beyond its infectious OK Jazz groove. Beneath the guitars and memorable refrain is Franco the storyteller—and perhaps Franco the wounded man—using a princess, rumours and social persecution as a coded language for the political and personal battles surrounding him. 🇨🇩🎸 And if these stories behind the classics are your kind of music history, September 12 is another date to remember. Congo Sounds Radio and House of Rumba will host Scottsdale Rumba Royale — Karen Edition at One Stop Arcade, Karen. Come celebrate the music, culture and stories that keep Congolese rumba alive. 🇨🇩🇰🇪🎶 #TPOKJazz #RumbaWithoutBorders #CongoSoundsRadio

I understand it now || Song: MONTANGEM COZES ABECE #anime #animeedit #boruto #borutoedit

I understand it now || Song: MONTANGEM COZES ABECE #anime #animeedit #boruto #borutoedit

About

Robot
API

Legal

Privacy Policy