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@mattraekelboom: Stimming and ADHD brains go pretty hand in hand as it’s the perfect example as to how little physical strain is actually needed to regulate your brain again. I love to view stimming as the “severity to which we need to regulate” if you can help it….youve got half a tank. If you really feel the urge…you’ve may have a quarter…..sometimes we just can’t sit still any longer and I definitely view this as being out of gas so while stimming I decided to talk about this and hopefully spark a few questions in your mind! With Love as Always! -Your Friendly Neighbourhood Raekelboom👊🏼🥰 #adhd #adhdawareness #adhdmemes #adhdbrain

MattRaekelboom
MattRaekelboom
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Region: CA
Friday 28 August 2026 23:41:36 GMT
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macroph
A.J. Macroph :
not me becoming aware I was stimming xD
2026-08-29 08:37:29
1
citywitchcraft
✨City Witchcraft✨ :
My go-to stem has always been bouncing my knee, specifically my left one, while wiggling my right side to side… so imagine the hell of having a spinal cord injury. Other wiggles just don’t hit the same, ya know?? Suuuuuucks, dude.
2026-09-08 13:44:18
0
curvespastdark
Curvespastdark :
I follow you and never see you on my feed :( what th TT
2026-08-31 10:11:15
0
wildfireartz
Sd~N💛 :
Yes
2026-08-29 00:55:05
0
michelledawn865
Michelle 🇨🇦 :
yes
2026-08-30 01:25:57
0
basshavak
HAVAK :
im just wondering how the ball feels doing that for 30 mins
2026-08-29 02:19:46
1
To see more videos from user @mattraekelboom, please go to the Tikwm homepage.

Other Videos

Makin lanjut ceritanya malah makin bikin nggak nyaman 😭 #BahayaJadiMunafik #MunafiknyaIndo #Filmmunafik #MunafikMelawanIblis #AryaSaloka
Makin lanjut ceritanya malah makin bikin nggak nyaman 😭 #BahayaJadiMunafik #MunafiknyaIndo #Filmmunafik #MunafikMelawanIblis #AryaSaloka


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Kyokanoko Musume Dōjōji (Excerpt #4: Furi-tsuzumi no Odori & Kaneiri); National Theatre, Tokyo; performed by Ranshou Fujima ー Kyokanoko Musume Dōjōji was first premiered in 1753, and it is the most important dance piece in kabuki (dance) history.
Kyokanoko Musume Dōjōji (Excerpt #4: Furi-tsuzumi no Odori & Kaneiri); National Theatre, Tokyo; performed by Ranshou Fujima ー Kyokanoko Musume Dōjōji was first premiered in 1753, and it is the most important dance piece in kabuki (dance) history. "Kabuki dance" refers to either the dance performances that take place in a kabuki play or a kabuki play centered on dance, also known as "shosagoto." It was developed after the Genroku period (1688-1704) and has always been closely tied to "onnagata," a form of performance in which male actors play female roles (The onnagata practice first emerged in the 17th century, when women were barred from acting in kabuki theatre). The most notable kabuki dance programs, such as Kyokanoko musume dōjōji (京鹿子娘道成寺), Shujyaku jishi (執着獅子), Sagi musume (鷺娘), and Sekinoto (積恋雪関扉), first premiered in the 18th century and were subsequently developed further by kabuki actors. Examples of early onnagata grandmasters include Segawa Kikunojō (1693-1749) and Nakamura Tomijūrō (1719-1786), both of whom established key programs in the Dōjōji genre—respectively, Keisei Dōjōji and Kyokanoko Musume Dōjōji. The structure of the programs was adapted from the noh play regarding a tragic love myth of Anchin and Kiyohime, but they veered away from "story-acting" but focusing "dance movement" with feminity as opposed to the noh masculine style. Nakamura Utaemon VI once said that Kyokanoko Musume Dōjōji is the king of onnagata and there's no greater piece of repertoire than it. #kabuki- #dance #nationaltheatre #theatre #classical #古典 #japan #History #ranshoufujima

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