@daricozzi_official: Con la incredibile partecipazione della vera voce di Thor Massimiliano Manfredi e @Mr. V nei panni di Tony Stark #avengers #daffyduck #BugsBunny #politicallyincorrect

daricozzi_official

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Region: IT

Friday 04 September 2026 11:10:19 GMT

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daricozzi_official :

2026-09-04 11:15:50

599

Yell_ :

Ma qua siamo saliti di livello alla grande

2026-09-04 15:33:40

141

Alessandro :

Daffy ritornera a Avengers Doomsday

2026-09-05 11:18:51

0

piodoriana_🩰 :

PERCHÈ NON È VIRALE

2026-09-04 11:12:52

82

Rosa Li Sacchi :

io voglio una serie con loro due stile multiverso che finiscono nelle scene dei film 🤣

2026-09-04 19:11:45

39

🦁🧒🏻 :

troppo bello per vederlo gratis

2026-09-04 11:17:20

30

meschio.paolo :

Hahahahhahgahhhaahah

2026-09-04 17:47:18

0

Mattia.A :

ASPE' MA QUELLO È MR.V?

2026-09-04 11:19:10

7

Aurea-ai :

CHELL CHE CI FAI LI

2026-09-04 12:10:39

1

Andrea :

Tutto questo è qualcosa di meraviglioso 🤣❤️

2026-09-04 11:36:47

17

Beni GLD :

ma è un film?

2026-09-05 11:53:48

0

Matteo :

mi puoi salutare mi chiamo matteo ❤️

2026-09-04 11:18:38

1

Chiara-mente :

La suoneria del telefono di Tony 😂😂😂😂😂😂😂

2026-09-04 20:04:28

2

⦻Giul⦻ :

geniale

2026-09-04 11:13:27

3

⚔️Desy cosplay💚 :

Thor sconvolto mi spacca 😂

2026-09-05 09:05:24

1

angelosabrina0 :

Ahahahahahah non capisco come tu non sia già famoso😂

2026-09-04 11:39:22

3

ꪜ𝑎𝒑𝑝𝑙𝑒𝐡𝑒𝑎𝑑ᥫ᭡🎤🍎 :

2026-09-04 12:52:21

4

kris :

Non capisco perché questo video non sia patrimonio dell'UNESCO. FATE UNA STATUA A QUEST'UOMO!!!

2026-09-04 17:23:15

4

Rospo Sassolino 🐸 :

È BELLISSIMO 🦆

2026-09-04 11:47:58

1

Michael Gualandris :

TI GIURO MI HAI FATTO PIANGERE AHAHAHA

2026-09-04 21:38:33

1

To see more videos from user @daricozzi_official, please go to the Tikwm homepage.

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No tent? No problem. Here's a crash course in cowboy camping 🤠 1️⃣ Check the forecast. There's no rain fly to save you here. 2️⃣ Pack a pad. Cold ground steals body heat faster than cold air. 3️⃣ Pick your spot. Flat, open ground with no dead branches overhead. 4️⃣ Sip something warm. Because some things are just part of the ritual. 5️⃣ Look up. The Milky Way doesn't disappoint. So, tell us: would you try it #HomeIsWhereYouStakeIt

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I got signed in 1986 to a small subsidiary of EMI Records called Manhattan. I was 22. The budget for my first album was less than six figures. I actually made the album for slightly less than the budget because I co-produced it myself (with David Cole) and did so much prep there was no time wasted in the studio. The album spawned four top 3 singles, ending with my first number one pop single, “Hold on to the Nights” on July 23, 1988. I posted a brief clip from that song’s original music video yesterday morning to celebrate its 38th anniversary of going to #1 and @universalmusicgroup immediately shut it down from being viewed in over 200 countries including the US. My debut album sold four million copies making EMI over $40,000,000 and while I did well (thanks to writing all the songs and owning my publishing) I made very little on the actual sales of the album. EMI basically loaned me high five figures and made back tens of millions. The punchline? I still don’t own that album. EMI was bought by UMG in 2012 for $2 billion so now they own my original masters. I was smart enough to re-record all my hits years ago (even before Taylor Swift thought of it!) and I’ve done my best to license only my new masters (which sound identical btw) to film and tv and commercials. Little by little it’s really made a difference and is the next best thing to owning the originals, but still not a remote comparison financially. The truth is, it’s just the way the business worked for decades. However, the level of greed, short-sightedness and just downright lameness of UMG to block artists from posting their own creations is immense. It’s exactly why the few major labels clinging to relevance and existence are viewed by us, the actual creators, with such disdain. Thanks to all of you who voiced their support for me yesterday. And hey UMG…come and get me. 😒

I got signed in 1986 to a small subsidiary of EMI Records called Manhattan. I was 22. The budget for my first album was less than six figures. I actually made the album for slightly less than the budget because I co-produced it myself (with David Cole) and did so much prep there was no time wasted in the studio. The album spawned four top 3 singles, ending with my first number one pop single, “Hold on to the Nights” on July 23, 1988. I posted a brief clip from that song’s original music video yesterday morning to celebrate its 38th anniversary of going to #1 and @universalmusicgroup immediately shut it down from being viewed in over 200 countries including the US. My debut album sold four million copies making EMI over $40,000,000 and while I did well (thanks to writing all the songs and owning my publishing) I made very little on the actual sales of the album. EMI basically loaned me high five figures and made back tens of millions. The punchline? I still don’t own that album. EMI was bought by UMG in 2012 for $2 billion so now they own my original masters. I was smart enough to re-record all my hits years ago (even before Taylor Swift thought of it!) and I’ve done my best to license only my new masters (which sound identical btw) to film and tv and commercials. Little by little it’s really made a difference and is the next best thing to owning the originals, but still not a remote comparison financially. The truth is, it’s just the way the business worked for decades. However, the level of greed, short-sightedness and just downright lameness of UMG to block artists from posting their own creations is immense. It’s exactly why the few major labels clinging to relevance and existence are viewed by us, the actual creators, with such disdain. Thanks to all of you who voiced their support for me yesterday. And hey UMG…come and get me. 😒

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