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Dosen Kalcermu 👨🏻‍🎓😎
Dosen Kalcermu 👨🏻‍🎓😎
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Friday 04 September 2026 12:29:48 GMT
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After being discovered by Robert Altman, who gave him a role in “M*A*S*H” and then the following year the lead, opposite Altman’s latest discovery and eventual muse, Shelley Duvall, in “Brewster McCloud,” Walter Edward Cox, better known as Bud Cort, landed the role that would, for better or worse, define the rest of his career. Paired with another eccentric woman, this time a recent Oscar winner — the endlessly delightful Ruth Gordon — they would have a powerful, palpable chemistry in “Harold and Maude” that would propel the film to cult status and cement the both of them as icons. But being an icon isn’t as easy as it sounds. The film “was a blessing and a curse,” he told the LA Times in 1996. “It closed a lot of doors in terms of my development as an actor, but on the other hand, it gave me the cachet to walk in a lot more doors than I would have been able to had I not made it.” One door it opened, in an odd plot turn straight out of one of his films, was that of comedy legend Groucho Marx. Returning to New York from his father’s funeral, he found an invitation from a mutual friend to a party at Groucho’s Bel-Air home. Maybe meeting one of his heroes was just what he needed.
After being discovered by Robert Altman, who gave him a role in “M*A*S*H” and then the following year the lead, opposite Altman’s latest discovery and eventual muse, Shelley Duvall, in “Brewster McCloud,” Walter Edward Cox, better known as Bud Cort, landed the role that would, for better or worse, define the rest of his career. Paired with another eccentric woman, this time a recent Oscar winner — the endlessly delightful Ruth Gordon — they would have a powerful, palpable chemistry in “Harold and Maude” that would propel the film to cult status and cement the both of them as icons. But being an icon isn’t as easy as it sounds. The film “was a blessing and a curse,” he told the LA Times in 1996. “It closed a lot of doors in terms of my development as an actor, but on the other hand, it gave me the cachet to walk in a lot more doors than I would have been able to had I not made it.” One door it opened, in an odd plot turn straight out of one of his films, was that of comedy legend Groucho Marx. Returning to New York from his father’s funeral, he found an invitation from a mutual friend to a party at Groucho’s Bel-Air home. Maybe meeting one of his heroes was just what he needed. "I had hair down to my shoulders and a beard,” he told Venice Magazine in 2005. “I took a cab up to his house in Bel-Air, and the minute my fist connected with the door, the door opened, and there stood Groucho. He looked at me, his mouth flew open, he gasped and he slammed the door in my face.“ Bud was stunned. He didn’t know what to do. Fortunately, former Columbia Records president Goddard Lieberson informed Groucho that Bud was a friend of Ruth Gordon. As Cort told The New York Times Magazine in 2000, Groucho responded, "Ruth had the hots for Harpo. I'm sorry, I thought you were Charles Manson. Come on in." They became fast friends and Cort eventually moved in with him, staying with Marx for nearly six years, which he called a "Fulbright scholarship in comedy.” "He actually died in my arms,” he told SFGate in 2009. It was a good thing he had a place to stay, because he just wasn’t getting offered the roles he wanted. “I was typecast to the point where I didn’t make a film for five years after ‘Harold and Maude,’” he told the LA Times. “I should have done everything that I was offered,” he said. “But I didn’t want to be [a character type like] Tony Perkins, Maynard Krebs or Peter Lorre.” And all he was being offered were the oddball roles, so he stuck to working in theater, aggressively turning down kooky roles, while waiting for an opportunity to work in something really great. That opportunity came in 1974, when he was offered a role that would be life changing - Billy Bibbit in “One Flew Over the Cuckoo’s Nest.” And he turned it down. It went on to be nominated for nine Oscars, including one for Brad Dourif in the role Bud turned down. So, 1975 was a make-or-break moment, a real turning point for him. And when he had an opportunity to be in the John Sturges war film, “The Eagle Has Landed,” he went all-in. He headed the famous Gold’s Gym in Venice, California, to try and put on some muscle and a more masculine appearance. This was actually not at all common back then. He was way ahead of his time. It was there that he met Arnold Schwarzenegger, who began training him, and they became good friends. He didn’t end up getting the role, but when George Butler and Robert Fiore came to the gym to see Arnold about their movie, “Pumping Iron,” they recognized Cort. They also saw the easy chemistry between the two men, and they thought maybe that was their angle for the film - a nerd to stud story. So they offered him a part. (continues in comments…) #popculturehistorian #arnoldschwarzenegger #pumpingiron #budcort #haroldandmaude


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