@shahzadigulapsha: What do you think about my new look? 🥰🤍🥀

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Monday 07 September 2026 06:49:01 GMT
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Follow @bestofopera for the voices that refuse to be forgotten. 🎵
Follow @bestofopera for the voices that refuse to be forgotten. 🎵 "Sous le dôme épais" - Regula Mühlemann & Patricia Nolz Sous le dôme épais, où le blanc jasmin, Doucement glissons de son flot charmant, suivons le courant fuyant Under the thick dome, where white jasmine, Gently we glide on its charming flow, Follow the fleeting current Two voices rise together, so close they seem like the same singer doubled, singing in canon with herself. That's what any untrained ear assumes when hearing the Flower Duet. Delibes didn't write it that way. He wrote it for two different voice types: a soprano and a mezzo-soprano — two ranges, not two copies of the same one. On stage, to the left is Patricia Nolz, mezzo-soprano; to the right, Regula Mühlemann, soprano. One sings Mallika, the servant; the other, Lakmé, daughter of a Brahmin priest — the voice difference also marks the difference in place between the two. If both were the same voice type, the lines would overlap point by point. The effect that sustains the entire piece — two colors crossing the same passage without merging — would disappear with them. That's why you can point out who is who without looking at the name on screen: the deeper is Nolz, the higher is Mühlemann. The two lines cross the entire piece and never blur — each keeps its own color to the end. Without this difference, the work falls apart: you don't get two voices, you get one alone, repeated. Delibes could have written both parts equally. He chose not to. That choice is why you can tell the two voices apart now, even without ever hearing the piece before. Can you tell the mezzo from the soprano just by listening, without looking at the screen? Work: "Sous le dôme épais" (Flower Duet, Lakmé, 1883) Composer: Léo Delibes 🇫🇷 Performers: Regula Mühlemann 🇨🇭, soprano · Patricia Nolz 🇦🇹, mezzo-soprano Recording: live in Vienna, 2022 Written 143 years ago. It stopped you today. #BestOfOpera #FlowerDuet #Lakmé #Opera

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