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@sar.bookishthings: Rereading Crown of Midnight is realizing that knowing what happens doesn’t make it hurt less… it makes EVERYTHING hurt more. 💔 I’m watching Celaena and Chaol fall in love while already mourning their relationship. I’m watching Dorian discover his magic and realizing just how completely alone he is. I’m watching Nehemia knowing every conversation is one of the last. That’s what is destroying me about this Throne of Glass reread: they don’t know what they’re about to lose yet. But I do. And we’re only on book two. 🥀⚔️ #ThroneOfGlass #CrownOfMidnight #CelaenaSardothien #ChaolWestfall #dorianhavilliard

SARAH | LORESTRUCK 📚🎧
SARAH | LORESTRUCK 📚🎧
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Region: US
Wednesday 09 September 2026 11:00:00 GMT
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joshreadsnstuff
Joshua Shane :
That’s why I am a firm believer of reading AB 3rd. You know she goes to Endovier but the trauma of the ending hits so much harder when you know what it entails.
2026-09-09 17:03:11
2
belladona8799
Belladona :
I feel so bad for Dorian. He wanted celaena to love him so bad. And then he feels so alone cuz his bestie got his girl… then he starts panicking he has magic. Nahemia is gone before he can even go be her friend when he needed someone… poor Dorian. I’m 3/4 of the way thru my reread of crown of midnight
2026-09-09 20:26:48
2
kscar47
KT ❤️‍🔥 :
great I’m crying
2026-09-10 02:19:54
0
lyndsreads_
Lynds🧸☕️📖 :
ugh dorian is my baby. this book is so good tho
2026-09-13 13:38:12
1
luckylovesbooks
luckylovesbooks📚✨ :
Knowing what’s going to happen does make it hit harder!
2026-09-11 15:27:07
1
abislibrary0
Abi📚🖤 :
GIRL YES😭😭😭
2026-09-09 14:16:07
2
samanthasreadingchair
Samantha 📖🫶🏼✨ :
Dorian
2026-09-09 11:50:11
2
booktokbren
B📚🫶 :
crown of midnight is soo good 😭😭
2026-09-11 00:50:28
1
brittanys.library
Brittany’s Library 📚 :
100% yes!!! I’m rereading ACOTAR and it’s making me feel so many more feels!
2026-09-09 11:39:53
1
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The Storehouse of Loyal Retainers Act 3 by Utagawa Kunisada II, dated to 1865, captures a dramatic moment of tension and hidden emotion from the classic saga of the forty-seven ronin. In this third act of the theatrical narrative, the illicit lovers Hayano Kampei and the maidservant Okaru are forced to flee the palace grounds following a series of tragic misunderstandings and a disastrous breach of etiquette by Kampei's master. The composition focuses on the intense emotional state of the characters as they navigate their desperate flight, highlighted by the ominous presence of the villainous retainer Sagisaka Bannai, who attempts to thwart their escape. Kunisada II uses expressive facial expressions, traditional theatrical postures, and meticulously patterned garments to emphasize the psychological stakes of the scene, reflecting the high drama and high stakes of duty versus passion that defined nineteenth-century kabuki theater. 歌川国貞二世による1865年の作「仮名手本忠臣蔵 三段目」は、四十七士の古典的な物語から、緊迫感と秘められた感情が交錯する劇的な瞬間を捉えています。この演目の第三段では、不義の恋に落ちた早野勘平と腰元のおかるが、勘平の主君による悲劇的な誤解と致命的な不調法をきっかけに、城内からの逃亡を余儀なくされます。画面は必死の逃避行を続ける登場人物たちの強烈な心理状態に焦点を当てており、二人の行く手を阻もうとする悪役の鷺坂伴内の不穏な存在感が際立っています。国貞二世は、豊かな表情、伝統的な見得のポーズ、そして緻密に描かれた着物の文様を用いることで、場面の心理的な葛藤を強調し、十九世紀の歌舞伎において定義された義理と人情の壮絶なドラマを見事に表現しています。#anime #kabuki #japan #japanese #arthistory
The Storehouse of Loyal Retainers Act 3 by Utagawa Kunisada II, dated to 1865, captures a dramatic moment of tension and hidden emotion from the classic saga of the forty-seven ronin. In this third act of the theatrical narrative, the illicit lovers Hayano Kampei and the maidservant Okaru are forced to flee the palace grounds following a series of tragic misunderstandings and a disastrous breach of etiquette by Kampei's master. The composition focuses on the intense emotional state of the characters as they navigate their desperate flight, highlighted by the ominous presence of the villainous retainer Sagisaka Bannai, who attempts to thwart their escape. Kunisada II uses expressive facial expressions, traditional theatrical postures, and meticulously patterned garments to emphasize the psychological stakes of the scene, reflecting the high drama and high stakes of duty versus passion that defined nineteenth-century kabuki theater. 歌川国貞二世による1865年の作「仮名手本忠臣蔵 三段目」は、四十七士の古典的な物語から、緊迫感と秘められた感情が交錯する劇的な瞬間を捉えています。この演目の第三段では、不義の恋に落ちた早野勘平と腰元のおかるが、勘平の主君による悲劇的な誤解と致命的な不調法をきっかけに、城内からの逃亡を余儀なくされます。画面は必死の逃避行を続ける登場人物たちの強烈な心理状態に焦点を当てており、二人の行く手を阻もうとする悪役の鷺坂伴内の不穏な存在感が際立っています。国貞二世は、豊かな表情、伝統的な見得のポーズ、そして緻密に描かれた着物の文様を用いることで、場面の心理的な葛藤を強調し、十九世紀の歌舞伎において定義された義理と人情の壮絶なドラマを見事に表現しています。#anime #kabuki #japan #japanese #arthistory
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lil mama so dope i messed around nd got addicted 😇
lil mama so dope i messed around nd got addicted 😇

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