@islow_football: #CapCut Samenyo #islowtalksfootball

islow talks football

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Wednesday 09 September 2026 07:06:42 GMT

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samawade 🇸🇴🇫🇷 :

Mar horan arkay 😂😂😂

2026-09-09 08:24:49

30

BoZzMaAX⚽️🔥 :

Ninkan waa in riyad mahrez loogeya si control ka looga dhiso

2026-09-09 07:32:54

3

😎 :

atleast doku

2026-09-09 14:52:52

0

Ak10 :

when he played RW becouse both wing become no solution and no one talk about it

2026-09-09 08:01:01

0

Saeed9️⃣ :

right back caadi ah wye 😂😂

2026-09-09 14:58:37

0

Weerrar ▄︻デ══━一 💨 :

Ninkan ani marhore arkey 😂

2026-09-09 15:58:09

0

fiidshe :

Hhhhh

2026-09-09 08:18:46

0

Zakariye~🤴🩷 :

Waa finished meel laga dhiso maba jirto 😂

2026-09-09 07:36:30

4

￴ ￴ ￴ ￴ ￴ ￴ ￴ ￴ :

Banoni Tennis ah mu ku dheloya is dhahe, CONTROL "0" wye Cwa maba kusii jirto, garab sheneynayo wxa nogu dambeysay STERLING x SANE era !

2026-09-09 09:10:29

3

Abdi Hafid :

Wuu fashilmi doona maalin dhow sug adi😂😂😂

2026-09-09 07:13:58

1

Rapic yuzuf 🇸🇴🇩🇪 :

100% sax weeye ninkaas banooni walba wuu ka dheerada wuu orad badan yahay bas ah ayuu koox wayn ugu ciyaarayaa hadii uu orad yaran lahaa ciyaal xafadeed ayuu la dheeli lahaa

2026-09-09 07:16:27

1

boyka :

🤣🤣🤣

2026-09-09 13:12:46

0

vvd :

🥰🥰🥰

2026-09-09 14:06:25

0

60liaa70¿¥ :

😂😂😂

2026-09-09 07:13:04

0

wadaNi deganka :

[Tears of joy][Tears of joy][Tears of joy]

2026-09-09 07:49:38

0

🔥_H_A_K_i_M_🔥 :

😂😂😂

2026-09-09 08:34:20

0

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#creatorsearchinsights #fypシ゚viral__ “Makambo Mibale” — “Two Problems” or “Two Great Troubles” — is one of the defining songs of Côme “Kosmos” Moutouari with Les Bantous de la Capitale. Kosmos joined Les Bantous in 1965, and “Makambo Mibale” was one of the recordings that established him as a major young voice. The song makes its argument immediately: “Makambo mibale ebomi mokili mobimba” — two problems have destroyed the whole world. Kosmos then identifies them as falanga — money — and basi — women. He immediately follows this provocative statement with a warning to his male listeners: baninga mibali, tokeba — my fellow men, let us be careful. But the song is more interesting than its title suggests. Kosmos is really examining how money and romantic relationships can become sources of conflict between people. His first example concerns friendship between men. Two men can be extremely close, but the arrival of a young woman between them can destroy that friendship. The woman is presented as entering the space that previously belonged to the two friends, creating jealousy, competition or separation. The point is not simply that women are “bad”; rather, Kosmos is describing how romantic desire can interfere with male friendship and loyalty. Then he turns to money, and here the argument becomes broader. Money is not merely something people need—it becomes something people fight over. The song suggests that disputes involving money are so common that the listener hardly needs an explanation: “Nakanisi bino moko boyebi” — I think you yourselves know. That line is important because Kosmos does not present himself as a philosopher speaking from above everyone else. He is speaking to his friends and asking them to recognize something they have probably already experienced. Money creates arguments because it touches almost every part of life: friendship, business, family and personal relationships. The refrain makes the social criticism even stronger. Kosmos tells his listeners that if they doubt him, they can look at the courts. The disputes being judged there repeatedly come back to money and women. In other words, he takes his observation from everyday life and points toward society's institutions as evidence of how frequently these conflicts occur. That is why the song's final warning—“La vie est un combat”, life is a struggle—is so important. Kosmos is not offering a romantic theory about men and women. He is telling his audience to remain vigilant because relationships and money can easily become sources of conflict. There is also an interesting gender perspective that should be understood in its historical context. The song places “women” alongside money as one of the two great problems, which reflects the male-centred social viewpoint of the period. It should not be read as an objective statement that women themselves are a problem. The actual situations described are about jealousy, competition, desire, money and the conflicts they can generate between people. Musically, the song is equally important. The voices of Kosmos and Pamelo Mounk'a work in parallel melodic lines, creating the celebrated vocal blend that became one of Les Bantous' trademarks. The instrumental lineup includes Saturnin Pandy on percussion, Alphonse Ntaloulou on bass, Samba Mascot on rhythm guitar, Mpassy Mermans on mi-solo, Gerry Gérard on solo guitar and Nino Malapet on saxophone. Ultimately, the song is a warning about human weakness rather than a simple condemnation of women or money. Money can become the reason friends fight; romantic relationships can divide people who were once inseparable; and both can produce disputes serious enough to reach the courts. And Kosmos leaves his listeners with the simplest possible advice: be careful, because life is a struggle. #CongoSoundsRadio #RumbaWithoutBorders #MakamboMibale

#creatorsearchinsights #fypシ゚viral__ “Makambo Mibale” — “Two Problems” or “Two Great Troubles” — is one of the defining songs of Côme “Kosmos” Moutouari with Les Bantous de la Capitale. Kosmos joined Les Bantous in 1965, and “Makambo Mibale” was one of the recordings that established him as a major young voice. The song makes its argument immediately: “Makambo mibale ebomi mokili mobimba” — two problems have destroyed the whole world. Kosmos then identifies them as falanga — money — and basi — women. He immediately follows this provocative statement with a warning to his male listeners: baninga mibali, tokeba — my fellow men, let us be careful. But the song is more interesting than its title suggests. Kosmos is really examining how money and romantic relationships can become sources of conflict between people. His first example concerns friendship between men. Two men can be extremely close, but the arrival of a young woman between them can destroy that friendship. The woman is presented as entering the space that previously belonged to the two friends, creating jealousy, competition or separation. The point is not simply that women are “bad”; rather, Kosmos is describing how romantic desire can interfere with male friendship and loyalty. Then he turns to money, and here the argument becomes broader. Money is not merely something people need—it becomes something people fight over. The song suggests that disputes involving money are so common that the listener hardly needs an explanation: “Nakanisi bino moko boyebi” — I think you yourselves know. That line is important because Kosmos does not present himself as a philosopher speaking from above everyone else. He is speaking to his friends and asking them to recognize something they have probably already experienced. Money creates arguments because it touches almost every part of life: friendship, business, family and personal relationships. The refrain makes the social criticism even stronger. Kosmos tells his listeners that if they doubt him, they can look at the courts. The disputes being judged there repeatedly come back to money and women. In other words, he takes his observation from everyday life and points toward society's institutions as evidence of how frequently these conflicts occur. That is why the song's final warning—“La vie est un combat”, life is a struggle—is so important. Kosmos is not offering a romantic theory about men and women. He is telling his audience to remain vigilant because relationships and money can easily become sources of conflict. There is also an interesting gender perspective that should be understood in its historical context. The song places “women” alongside money as one of the two great problems, which reflects the male-centred social viewpoint of the period. It should not be read as an objective statement that women themselves are a problem. The actual situations described are about jealousy, competition, desire, money and the conflicts they can generate between people. Musically, the song is equally important. The voices of Kosmos and Pamelo Mounk'a work in parallel melodic lines, creating the celebrated vocal blend that became one of Les Bantous' trademarks. The instrumental lineup includes Saturnin Pandy on percussion, Alphonse Ntaloulou on bass, Samba Mascot on rhythm guitar, Mpassy Mermans on mi-solo, Gerry Gérard on solo guitar and Nino Malapet on saxophone. Ultimately, the song is a warning about human weakness rather than a simple condemnation of women or money. Money can become the reason friends fight; romantic relationships can divide people who were once inseparable; and both can produce disputes serious enough to reach the courts. And Kosmos leaves his listeners with the simplest possible advice: be careful, because life is a struggle. #CongoSoundsRadio #RumbaWithoutBorders #MakamboMibale

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