@ashu2026dmv: #ኢትዮጵያ_ለዘለዓለም_ትኑር🇪🇹🇪🇹🇪🇹 #oromotiktok #ethiopian_tik_tok #ኦርቶዶክስ_ተዋህዶ_ፀንታ_ለዘለዓለም_ትኑር #protestantmezmur

ቆርጠህ ላክለት 🎧

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Saturday 12 September 2026 19:22:03 GMT

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Comments

temu :

god is ane 1

2026-09-12 21:51:32

0

esraeltepi :

ewnte new❤️

2026-09-12 20:27:02

1

Ermias :

yes yes🥰🥰🥰🥰

2026-09-12 20:13:03

0

user8404049814676 :

አሜን

2026-09-12 19:37:03

2

belete ቁጫው 🇺🇾🇺🇾🇺🇾ሺጫው :

2026-09-12 19:36:33

1

zelalembelay893 :

ተባረክ ዴቭ። የጀዘቡትን ያብራላቸው

2026-09-12 20:14:19

1

user4619805049998 :

ትለያለህ ሁሌም ስበክ

2026-09-12 20:47:44

1

bemnetasfaw :

ያወጣን ጌታ ይመስገን እኔ ግማሹን ድመት ዘላ ቀደደችዉና መጣልም ቸገረኝ ጠቅለዬም ማስቀመጥ ቸገረኝ አይይይይይይይይ

2026-09-12 19:36:20

2

Xenaye shufer :

tebareki 👍👍👍

2026-09-12 21:04:27

0

እኔ በክርስቶስ ዋጋዬ ታላቅ ነው። ዘፍ 15፥1 :

ኢየሱስ ጌታ ነው።

2026-09-12 23:37:52

0

emebetgmariam429 ኢየሱስ አማላጄ :

ጆሮ ያለው ይስማ

2026-09-12 21:58:20

0

Seni In Christ :

EGZIABEHER YEMESGEN Sele Wongel na Sele Agelegayoche!!!

2026-09-12 23:41:13

0

ASE :

አሜን አሜን

2026-09-12 22:08:05

0

Teka Eromo1 :

eyesus yedinal

2026-09-12 20:06:24

0

SISAY :

2026-09-12 20:02:46

0

Heaven :

እረ በሪ የሚየክል ቤቱ ላይ የሚየስቀምጥስ ይገርማል ኮ 😳😳😳እኔ እ/ር በልቤ በደሜ ነው የለው

2026-09-12 21:30:03

0

user3021636954370 :

negarachaw

2026-09-12 19:32:44

1

ermiyas endashaw :

ትለያለህ ፓስተር ደብ

2026-09-12 21:50:47

0

Genet Jesus :

🥰🥰🥰

2026-09-12 21:00:28

1

Daggafaa Addunyaa Magarsaa :

💯💯💯

2026-09-12 20:49:53

1

Gammechu21 :

🥰🥰🥰

2026-09-12 20:32:43

1

Ephta :

😂😂😂

2026-09-12 21:24:52

0

ANDUALEM AGEGNHEU :

🥰🥰🥰

2026-09-12 22:00:45

0

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NYANGA DANCE = The nyanga dance, also known as ngororombe, is a collective musical and choreographic tradition of the Nyungwe people, found in central Mozambique, eastern Zimbabwe, and southern Malawi. More than simple entertainment, it represents an important social and cultural practice linked to group cohesion and the transmission of community identity. In various historical contexts, especially during periods of conflict and life in refugee camps, this dance has also served as a form of resilience, providing a shared space for social interaction, relief, and the processing of everyday hardships. From a performative perspective, nyanga is based on a collective and cyclical structure. Participants arrange themselves in a circle and play pan flutes of different sizes, each with a specific role within the musical ensemble. Musicians and dancers stand very close to one another to better perceive the interlocking rhythmic parts, creating a strong sense of interdependence. This is complemented by the use of rattles attached to the calves, often handmade from small tin cans filled with pebbles, which accompany leg movements and reinforce the rhythmic pulse of the dance. The performance alternates between energetic instrumental sections, characterized by jumps and vigorous movements, and sung sections led by a soloist. During these vocal passages, dancers continue moving with a simpler, more regular step, walking around the circle and often maintaining physical contact with one another in preparation for the return of more complex movements. A distinctive feature of the dance is its repertoire of steps, frequently inspired by animals, natural elements, or everyday situations. Through these movements, nyanga becomes a form of symbolic narration and social commentary, capable of integrating references to tradition, modernity, and the historical experiences of The physical energy, individual creativity, and collective coordination combine to make the dance a dynamic experience in which music, movement, and social relationships merge into a shared cultural practice. #nyangadance #traditionalmusic #africanmusic #ethnomusicology #soundhunter

NYANGA DANCE = The nyanga dance, also known as ngororombe, is a collective musical and choreographic tradition of the Nyungwe people, found in central Mozambique, eastern Zimbabwe, and southern Malawi. More than simple entertainment, it represents an important social and cultural practice linked to group cohesion and the transmission of community identity. In various historical contexts, especially during periods of conflict and life in refugee camps, this dance has also served as a form of resilience, providing a shared space for social interaction, relief, and the processing of everyday hardships. From a performative perspective, nyanga is based on a collective and cyclical structure. Participants arrange themselves in a circle and play pan flutes of different sizes, each with a specific role within the musical ensemble. Musicians and dancers stand very close to one another to better perceive the interlocking rhythmic parts, creating a strong sense of interdependence. This is complemented by the use of rattles attached to the calves, often handmade from small tin cans filled with pebbles, which accompany leg movements and reinforce the rhythmic pulse of the dance. The performance alternates between energetic instrumental sections, characterized by jumps and vigorous movements, and sung sections led by a soloist. During these vocal passages, dancers continue moving with a simpler, more regular step, walking around the circle and often maintaining physical contact with one another in preparation for the return of more complex movements. A distinctive feature of the dance is its repertoire of steps, frequently inspired by animals, natural elements, or everyday situations. Through these movements, nyanga becomes a form of symbolic narration and social commentary, capable of integrating references to tradition, modernity, and the historical experiences of The physical energy, individual creativity, and collective coordination combine to make the dance a dynamic experience in which music, movement, and social relationships merge into a shared cultural practice. #nyangadance #traditionalmusic #africanmusic #ethnomusicology #soundhunter

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