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High in the Catalan Pyrenees, nine centuries ago, Italian masons climbed a mountain valley and built churches that are still standing. Boí Taüll is better known as a ski resort, and hosted the 71st Ski Club International des Journalistes competition earlier this year. Few visitors expect to find Lombard craftsmanship here. The journey is demanding: a flight to Barcelona, four hours by bus, and a final taxi ride uphill. UNESCO listed the Vall de Boí as a World Heritage Site in 2000. “In the eleventh and twelfth centuries this was a contested frontier,” said Andrià, a guide at the valley’s Romanesque centre in Erill la Vall. “Local lords commissioned churches to mark their land. Sant Climent and Santa Maria de Taüll were consecrated a day apart in December 1123. The valley lacked the skills to build them, so masons and stonecutters came from northern Italy, where early Romanesque had taken shape around Como, Pavia and the Val Camonica.” They brought walls of split stone, blind arches, and towers pierced by twin and triple windows. Catalan artists then embellished them with colourful frescoes. Italian skill saved those frescoes too. In the early 1900s the paintings at Sant Climent were damaged by damp and neglect, and there were fears they would be sold abroad. From 1919, Italian restorers expert in the strappo technique, which peels the painted layer from the wall while preserving its colour, were entrusted with their removal. The original Pantocrator now hangs in the Museu Nacional d’Art de Catalunya in Barcelona, and the valley shows reproductions with a light show. A key chapter of Spanish art history survived thanks to skills honed in Italy. Credits: Italy Now By Benigna Mallebrein Sign up to get Italy news at www.italynow.co.uk @romanicvalldeboi  @alina_trabattoni  @scastelfranco  @scij.ski  @benigna.mallebrein  @italy_now_ #ItalyNow #BoiTaull #ValDeBoi #Pyrenees #Catalonia
High in the Catalan Pyrenees, nine centuries ago, Italian masons climbed a mountain valley and built churches that are still standing. Boí Taüll is better known as a ski resort, and hosted the 71st Ski Club International des Journalistes competition earlier this year. Few visitors expect to find Lombard craftsmanship here. The journey is demanding: a flight to Barcelona, four hours by bus, and a final taxi ride uphill. UNESCO listed the Vall de Boí as a World Heritage Site in 2000. “In the eleventh and twelfth centuries this was a contested frontier,” said Andrià, a guide at the valley’s Romanesque centre in Erill la Vall. “Local lords commissioned churches to mark their land. Sant Climent and Santa Maria de Taüll were consecrated a day apart in December 1123. The valley lacked the skills to build them, so masons and stonecutters came from northern Italy, where early Romanesque had taken shape around Como, Pavia and the Val Camonica.” They brought walls of split stone, blind arches, and towers pierced by twin and triple windows. Catalan artists then embellished them with colourful frescoes. Italian skill saved those frescoes too. In the early 1900s the paintings at Sant Climent were damaged by damp and neglect, and there were fears they would be sold abroad. From 1919, Italian restorers expert in the strappo technique, which peels the painted layer from the wall while preserving its colour, were entrusted with their removal. The original Pantocrator now hangs in the Museu Nacional d’Art de Catalunya in Barcelona, and the valley shows reproductions with a light show. A key chapter of Spanish art history survived thanks to skills honed in Italy. Credits: Italy Now By Benigna Mallebrein Sign up to get Italy news at www.italynow.co.uk @romanicvalldeboi @alina_trabattoni @scastelfranco @scij.ski @benigna.mallebrein @italy_now_ #ItalyNow #BoiTaull #ValDeBoi #Pyrenees #Catalonia

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