@yantastic: 48 hours in Paris with the iPhone 18 Pro. I shot this entire film in Apple Log, then colour graded everything in DaVinci Resolve. What I love about shooting Log is how much more room it gives me to shape the final look, especially the colours, contrast and overall mood. It still amazes me how far iPhone video has come. Being able to shoot something this cinematic with a phone, then bring it into the same grading workflow I use for my other cameras, gives me so much creative freedom. There’s also a longer version of this film on my YouTube channel if you want to see more. And if you shoot Apple Log and want an easier starting point for your grade, check out my iPhone Apple Log LUTs, linked in my bio. #iphone18pro #iphone18promax #applelog #shotoniphone

Dakota :

17 pro max does the same! That’s why i didn’t upgrade

👑ᴛʜᴇ ᴋɪɴɢ👑 :

iPhone 16 pro could do the same

Karolina :

Its not the phone - its the camera man

Sureee :

I bet the iPhone 12 Pro can beat this by 100x

zeeeeeeeeeeeeeev :

Add as much artistic color as you want it still looks like a video from a phone

Aren🇦🇲 :

How you make a filter like a movie ?

Mr.Islandboy :

Iphone 11 could achieve the same🤷🏽‍♂️

reacher. :

have been waiting for someone to test the log. how did u find the variable aperture compared to iphone 17pro footage? Did it make any huge difference whatsoever?

RT :

Same as 17 pro

VizualMinds :

This lut tho 😏🤌🏼. Any tips with creating these color tones?

Devin :

This is insane oml

Marcos Cervantes :

That so cool

_mrio :

How do you manage to keep the frames so stable

Rodny Bautista :

🏁🏎️blackwolf🏁🏎️ :

I was waiting for this lol

Marko :

Incredible

Dick Turpin :

This is very good

. :

Merab waiting

karlosonly :

Es el mismo que el iPhone. 17 pro

kiarra 🐝 exton :

ñaño :

TA bueno ah

PeezyPickem :

This is so cold!!! 🔥🔥🔥

pavloss✝️ :

first holt pezk

Apdk :

All the IGrammers do the same shot, apply their presets and call it a day. Mid. They still live on 1 or 2 great shot they did and is sad.