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@hayotjon.akbarov4:
Hayotjon Akbarov
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Region: UZ
Saturday 19 September 2026 14:25:53 GMT
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Ahmadali Mahmudov :
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2026-09-20 13:00:07
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The shows on tap for the fall demonstrate a clear interest in how best to survive the turbulence and violence in much of the world. “The World-Chaos” is the subtitle given this season to a Kurt Schwitters retrospective at Paris’s Musée Picasso, but it could just as well be applied to shows for Inji Efflatoun, Annemirl Bauer, Marion Wagschal, Ali Cherri, Monir Shahroudy Farmanfarmaian, and Amar Kanwar, all of whom have responded to disturbing displays of power in their own singular ways. Other artists have sought visual pleasure in the face of so much chaos. London’s Royal Academy of Arts is mounting a survey of artists’ responses to the French Riviera in the 19th and 20th centuries, Switzerland’s Kunstmuseum Bern is surveying European artist colonies during an overlapping time period, and Helsinki’s Ateneum Art Museum is exhibiting Nordic women’s spiritualist art of the era. Perhaps the dour mood of the present is what has caused so many shows to turn to the past, often with a revisionist gaze. MUDAM in Luxembourg is taking a look at Japanese women artists from the postwar era, Milan’s Fondazione Prada will view antiquity through a globalist lens, and the Palazzo Strozzi in Florence has an exhibition of broken artworks from years past. Fragmentary though they may be, these pieces are a lot of fun to view. At the link in our bio, take a look at 84 museum exhibitions and biennials to see this fall.
#فولفو_فخر_الصناعة_السويد
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