@la4teza.jeong: #SALISH | AEEUUGHH, NAGING SALISH MATTER SHA #fyppppppppppppppppppppppp #xyzbca #salishmatter #fypシ

ali 📌 || #BTSDISBAND
ali 📌 || #BTSDISBAND
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Region: PH
Sunday 20 September 2026 02:08:24 GMT
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ssy_701
დ•*•𝑆𝑠𝑦•*•დ :
FILIPINO SALISH FAN??!!!?
2026-09-20 04:13:57
790
itsmejuliannakule
𝒥𝓊𝓁𝒾ᥫ᭡ :
I FEEL IN HEAVEN WHEN I SEE A SALISH FILIPINO FAN
2026-09-20 04:41:58
192
luvz_amber67
𝖆🌬 :
NEXT MILA FAN
2026-09-20 06:29:06
6
.shangxinn
sʜᴀɴɢ౨ৎ :
it feels so good when i see filipino salish fans
2026-09-20 04:27:12
159
starl1ghtlov3
alice ♡ :
finally a fan of salish in the Philippines 😭
2026-09-20 05:48:50
10
cloui3ceniza717
🅒🅛🅞🅤🅘🅔 :
sameeuu
2026-09-20 03:39:27
17
salish.matter2252
Salish Matter editor :
What it pumunta si Salish sa Philippines
2026-09-20 13:35:44
4
julia_lonzaga
eilyoj :
proud to be a salish matter fan
2026-09-20 04:27:09
1
team_ryzza7
Never Grow Bold :
I thought the first one is real
2026-09-20 06:43:08
2
.icouldsayidk
. :
Anyone wanna be friends? I am a Salish fannnn
2026-09-20 08:20:16
1
qrxzs_
Acace💥🦈 :
UY PROUD FILIPINO SALISH FAN HERE 🙋:
2026-09-20 06:48:21
6
azaleayhane
the beautiful girl :
Same ako yan
2026-09-20 02:12:52
13
athenaalleahhavana
★·𝒜𝓉𝒽𝑒𝓃𝒶·★ :
filipino ako but I'm fans salish
2026-09-20 10:24:09
12
kylie.gibsx
gibsx :
akoo rinn
2026-09-20 04:06:02
17
salisheditor37
salishmatter :
Permission to copy po pwede po ba?
2026-09-20 07:18:09
1
vyiela_
￴ ￴ ￴ ￴ ￴ ￴ ￴ :
mee too
2026-09-20 05:13:40
4
liannelavigne
😝GIRLY😝 :
SAMEEEEEE
2026-09-20 06:26:38
2
ash052136
⚜️Sct.Ash⚜️ :
2026-09-20 04:19:52
1
pr3tty_ch3ls3a3
chelseaaaa !¹⁰⁰⁹🐤 :
HAHAHHA
2026-09-20 04:30:44
2
cheena.michela.lo2
ITZzur_saysay :
me too bro
2026-09-20 04:59:50
1
l0ovi3ee_
🦕 :
seymmm
2026-09-20 04:18:20
1
itsmebharbby
itz me_faith💞💐✨ :
SAMEEE
2026-09-20 04:34:01
1
.pink_glitterbomb
urgoatedjudeyaa𐙚 :
SAMEEE
2026-09-20 04:24:40
1
elsa.a..pascual
Elsa A. Pascual :
sameeeeee
2026-09-20 04:33:29
2
polzkie21
★ :
TRUE😝
2026-09-20 04:16:28
2
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Other Videos

Perhaps impact is not always something you can count. Sometimes, it stands before you in the form of a little girl, not yet ten, holding a microphone and reciting words you once wrote. At the opening of my pre-book launch in Abuja, Zara performed Be Gentle With Your Parents, a poem from A Poet’s Attempt to Freeze Time. As I watched her, I found myself thinking about the thirteen-year-old girl I once was: writing, dreaming and finding her voice because her mother believed that what she had to say was worth listening to. Years later, I am watching another young girl begin even earlier supported not only by her mother, but by both her parents, who are making room for her gift to grow. For me, this is deeply significant, particularly in Northern Nigeria, where many young girls possess extraordinary voices but do not always encounter the environments that allow those voices to be heard. Zara’s presence on that stage represented more than a performance. It represented a quiet cultural shift: parents seeing art not as a distraction from a child’s future, but as one of the ways that future can be built. Perhaps this is how impact travels. A mother nurtures a thirteen-year-old girl. That girl grows and creates work of her own. Years later, an even younger girl finds herself inside those words and is given the confidence to stand before a room and make them hers. Watching Zara reminded me that our responsibility is not simply to become visible. It is to make possibility more visible to those coming behind us. And sometimes, the most meaningful evidence that your work has travelled is hearing your words return to you in the voice of a new generation.
Perhaps impact is not always something you can count. Sometimes, it stands before you in the form of a little girl, not yet ten, holding a microphone and reciting words you once wrote. At the opening of my pre-book launch in Abuja, Zara performed Be Gentle With Your Parents, a poem from A Poet’s Attempt to Freeze Time. As I watched her, I found myself thinking about the thirteen-year-old girl I once was: writing, dreaming and finding her voice because her mother believed that what she had to say was worth listening to. Years later, I am watching another young girl begin even earlier supported not only by her mother, but by both her parents, who are making room for her gift to grow. For me, this is deeply significant, particularly in Northern Nigeria, where many young girls possess extraordinary voices but do not always encounter the environments that allow those voices to be heard. Zara’s presence on that stage represented more than a performance. It represented a quiet cultural shift: parents seeing art not as a distraction from a child’s future, but as one of the ways that future can be built. Perhaps this is how impact travels. A mother nurtures a thirteen-year-old girl. That girl grows and creates work of her own. Years later, an even younger girl finds herself inside those words and is given the confidence to stand before a room and make them hers. Watching Zara reminded me that our responsibility is not simply to become visible. It is to make possibility more visible to those coming behind us. And sometimes, the most meaningful evidence that your work has travelled is hearing your words return to you in the voice of a new generation.

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