@_bibaa_68: спасибо за самую лучшую катку в жизни @ravencl1ps #faceit #рекомендации #cs2

_bibaa_68

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Sunday 20 September 2026 18:33:54 GMT

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444 :

покажи настройки графики

2026-09-21 06:55:37

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MarKarKar :

легенда он

2026-09-20 21:02:20

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@&!;”#%*]+=[ :

2026-09-20 21:28:20

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_bibaa_68 :

@Rav3Nus 🥰

2026-09-23 11:14:23

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Người tình mùa đông ơiii #seonghyeon #cortis #xuhuong

Người tình mùa đông ơiii #seonghyeon #cortis #xuhuong

استمع الاستاذ المحامية وحقوقية والباحثة فاطمة زهراء بن براهم توضح اسباب دمار بعض البيوت بسب براهيش كارثة والله مستعان. #حقوق_الانسان #الناشط_الاجتماعي_خليل_هشام

استمع الاستاذ المحامية وحقوقية والباحثة فاطمة زهراء بن براهم توضح اسباب دمار بعض البيوت بسب براهيش كارثة والله مستعان. #حقوق_الانسان #الناشط_الاجتماعي_خليل_هشام

Dient zur Bildung!!!!#warishell #notpolitical #ww2 #HistoryTime #ww2history

Dient zur Bildung!!!!#warishell #notpolitical #ww2 #HistoryTime #ww2history

Franco & TPOK Jazz — “Les Rumeurs (Baiser ya Juda)” “Les Rumeurs” is Franco confronting the rumours surrounding his illness — and he does it chronologically, allowing the gossip to expose itself. The song opens with Kinshasa spreading news about him. “Mboka epanzani sango…” — the city is spreading rumours. They say Franco has entered hospital; others claim they have seen him at Ngaliema. Then the stories move beyond Kinshasa: he has supposedly gone to Brussels, been seen in Antwerp, travelled to Paris, appeared in Geneva, and finally gone to America, with the State allegedly paying for his ticket. Franco then reflects on the attitude of the people around him. He says that many Zaireans love you when you are enjoying good times, but when illness comes, they laugh at you. His sickness has become news for the whole country, and he asks: What can I do with this world? The rumours then become even darker. Franco says that some people are laughing and insulting him because he is suffering. He declares that the people of Zaire have already pronounced him dead six times, yet God has not allowed it. Franco sees this as divine protection. Then comes one of the most striking parts: people are already discussing his will while he is still alive. The rumour says that he has called his children together, prepared his testament and given each child whatever inheritance they wanted. Franco responds almost in disbelief: Who was saying these things — were they dreaming? He then cries out against the gossip coming from Kinshasa. The song goes further, describing a society where people can laugh at sickness and suffering. Franco asks why people behave this way and contrasts the cruelty of those around him with the reality that everyone is vulnerable to illness and suffering. Finally, Franco speaks directly. He recalls the six occasions on which people had effectively declared him finished — three times while he was in Kinshasa and three times in Europe. Yet he is still there. “Nazali moto lokola bino” — I am a human being just like you. He asks who never suffers and who never becomes sick. Then comes his answer: God heard his prayers. So the progression is: Kinshasa spreads the rumours → hospital and foreign-travel stories → people declare him dead → his enemies rejoice → the will and inheritance rumours appear → Franco questions the cruelty → he recalls being “killed” six times → he credits God for keeping him alive. That is what makes “Les Rumeurs” so powerful. Franco is not simply complaining about gossip; he is documenting how rumours can transform someone's illness into a public spectacle — even to the point of dividing his possessions and announcing his death before he has died. As we remember Franco, “Les Rumeurs” allows us to hear the man behind the legend: confronting illness, gossip and betrayal, while insisting that his life remained in God's hands. October 9 — Franco Makiadi’s 37th Anniversary Congo Sounds Radio & House of Rumba Druids Lounge, Kangundo Road, Nairobi #LesRumeurs #BaiserYaJuda #djalithemokonzi #congolaise🇨🇩 #kinshasa🇨🇩

Franco & TPOK Jazz — “Les Rumeurs (Baiser ya Juda)” “Les Rumeurs” is Franco confronting the rumours surrounding his illness — and he does it chronologically, allowing the gossip to expose itself. The song opens with Kinshasa spreading news about him. “Mboka epanzani sango…” — the city is spreading rumours. They say Franco has entered hospital; others claim they have seen him at Ngaliema. Then the stories move beyond Kinshasa: he has supposedly gone to Brussels, been seen in Antwerp, travelled to Paris, appeared in Geneva, and finally gone to America, with the State allegedly paying for his ticket. Franco then reflects on the attitude of the people around him. He says that many Zaireans love you when you are enjoying good times, but when illness comes, they laugh at you. His sickness has become news for the whole country, and he asks: What can I do with this world? The rumours then become even darker. Franco says that some people are laughing and insulting him because he is suffering. He declares that the people of Zaire have already pronounced him dead six times, yet God has not allowed it. Franco sees this as divine protection. Then comes one of the most striking parts: people are already discussing his will while he is still alive. The rumour says that he has called his children together, prepared his testament and given each child whatever inheritance they wanted. Franco responds almost in disbelief: Who was saying these things — were they dreaming? He then cries out against the gossip coming from Kinshasa. The song goes further, describing a society where people can laugh at sickness and suffering. Franco asks why people behave this way and contrasts the cruelty of those around him with the reality that everyone is vulnerable to illness and suffering. Finally, Franco speaks directly. He recalls the six occasions on which people had effectively declared him finished — three times while he was in Kinshasa and three times in Europe. Yet he is still there. “Nazali moto lokola bino” — I am a human being just like you. He asks who never suffers and who never becomes sick. Then comes his answer: God heard his prayers. So the progression is: Kinshasa spreads the rumours → hospital and foreign-travel stories → people declare him dead → his enemies rejoice → the will and inheritance rumours appear → Franco questions the cruelty → he recalls being “killed” six times → he credits God for keeping him alive. That is what makes “Les Rumeurs” so powerful. Franco is not simply complaining about gossip; he is documenting how rumours can transform someone's illness into a public spectacle — even to the point of dividing his possessions and announcing his death before he has died. As we remember Franco, “Les Rumeurs” allows us to hear the man behind the legend: confronting illness, gossip and betrayal, while insisting that his life remained in God's hands. October 9 — Franco Makiadi’s 37th Anniversary Congo Sounds Radio & House of Rumba Druids Lounge, Kangundo Road, Nairobi #LesRumeurs #BaiserYaJuda #djalithemokonzi #congolaise🇨🇩 #kinshasa🇨🇩

#islamabadbeautyofpakistan #foodie

#islamabadbeautyofpakistan #foodie

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