1. Home
  2. Detail

@limam806: بين صيف يرحل وشتاء ات #اقتباسات #اقتباسات_عبارات_خواطر #حكم #كلام_من_القلب

Ka///
Ka///
Open In TikTok:
Region: DZ
Tuesday 22 September 2026 23:33:00 GMT
7262
377
5
69

Music

Download

No Watermark .mp4 (0.49MB) Watermark .mp4 (0.97MB) Music .mp3

Comments

muna.yusef
Muna Yusef :
اللهم امين يارب العالمين
2026-09-23 05:14:23
0
ayet.allahjaballah07
ayet allah jaballah 07 :
الحمدلله على كل حال ربي يصلح حالنا وربي يفرحنا نشاله.
2026-09-23 03:35:34
0
user4439524953918
مهند الشحاري :
اللهم آمين يارب العالمين
2026-09-23 02:25:20
0
dyo1k4untz4o
بن لسعد :
اللهم امين
2026-09-23 00:29:36
0
mouhamed.nays
mouhamed nays :
❤️❤️❤️
2026-09-22 23:34:53
0
zaszasz8
frah :
🤲🤲🤲🌿
2026-09-23 00:30:59
0
To see more videos from user @limam806, please go to the Tikwm homepage.

Other Videos

#CapCut #fypシ゚viral🖤tiktok #omgttttt😭🌷💕 #sumayooooooooos🫶🏼✨️🤍 ##Urrmucjizo @ᗰᗩ ᘜᑌᗪᑌᗷT𝗼𝗛🦇🥀🦦
#CapCut #fypシ゚viral🖤tiktok #omgttttt😭🌷💕 #sumayooooooooos🫶🏼✨️🤍 ##Urrmucjizo @ᗰᗩ ᘜᑌᗪᑌᗷT𝗼𝗛🦇🥀🦦


🩷😍 #الشعب_الصيني_ماله_حل😂😂 #eidmubarak #tranding #transition #قصص_رعب_جزائرية
🩷😍 #الشعب_الصيني_ماله_حل😂😂 #eidmubarak #tranding #transition #قصص_رعب_جزائرية
🎶 của @TBO STUDIO 🍌🍌🍌
🎶 của @TBO STUDIO 🍌🍌🍌
Guess This Hindi Song? | Satisfying Animation #musicsquare #ringtone #DhoomMachale #mtbeat
Guess This Hindi Song? | Satisfying Animation #musicsquare #ringtone #DhoomMachale #mtbeat
It’s safe to say I haven’t had a piece of potter fail this spectacularly in a while. Normally, the tenmoku glaze that I use, despite having a very high iron content, (16%), is relatively stable, as in it tends to stay where put even when fired to cone ten. Yet, in combination with a heap of bronze being wedged into the clay, adding a considerable amount of copper and potentially tin to the mix, the glass flowed off the vase terribly, welding it securing in place on the kiln shelf.   I wasn’t positive I’d be able to remove the pot safely and without destroying it as it’s one thing when just glaze sticks pots to the shelf but it’s another thing entirely when metal does, it sinks into the batt-wash, (the white surface that covers the silicon carbide kiln shelves), fusing the pot down firmly.   This means the removal process was rather strenuous, both from the shelf, and thereafter cleaning the base up with diamond grinding disks, (@DiamondCore Tools) and then a Dremel, (@Dremel). The way the glaze stuck meant that I had to grind away a considerable amount in places, layer by layer, revealing parts of the grey stoneware clay body underneath, which isn’t ideal… I knew at this point that this pot would never be one I’d be able to sell, yet it can remain happily in the workshop, and the thus one easy fix, to make sure the stoneware didn’t stand out too much, was to draw over the bright tones with a Sharpie, which I then wipe back and sand over so it doesn’t stand out quite so much.   The end results are sort of extraordinary. It’s metallic, rich in character and surface quality and it’s covered in these beautiful flecks and blossoms of iron and copper and tin. It’s a shame about the foot and the ‘bodgering’ as I’ve heard potters call it, to quickly fix the discolouration, but you’d be amazed by the techniques I’ve heard and seen ceramicists do in order to fix similar issues.   Let me know what you think and thanks so much for both watching and reading along!   #pottery #oddlysatisfying #glaze #handmade #craft
It’s safe to say I haven’t had a piece of potter fail this spectacularly in a while. Normally, the tenmoku glaze that I use, despite having a very high iron content, (16%), is relatively stable, as in it tends to stay where put even when fired to cone ten. Yet, in combination with a heap of bronze being wedged into the clay, adding a considerable amount of copper and potentially tin to the mix, the glass flowed off the vase terribly, welding it securing in place on the kiln shelf.   I wasn’t positive I’d be able to remove the pot safely and without destroying it as it’s one thing when just glaze sticks pots to the shelf but it’s another thing entirely when metal does, it sinks into the batt-wash, (the white surface that covers the silicon carbide kiln shelves), fusing the pot down firmly.   This means the removal process was rather strenuous, both from the shelf, and thereafter cleaning the base up with diamond grinding disks, (@DiamondCore Tools) and then a Dremel, (@Dremel). The way the glaze stuck meant that I had to grind away a considerable amount in places, layer by layer, revealing parts of the grey stoneware clay body underneath, which isn’t ideal… I knew at this point that this pot would never be one I’d be able to sell, yet it can remain happily in the workshop, and the thus one easy fix, to make sure the stoneware didn’t stand out too much, was to draw over the bright tones with a Sharpie, which I then wipe back and sand over so it doesn’t stand out quite so much.   The end results are sort of extraordinary. It’s metallic, rich in character and surface quality and it’s covered in these beautiful flecks and blossoms of iron and copper and tin. It’s a shame about the foot and the ‘bodgering’ as I’ve heard potters call it, to quickly fix the discolouration, but you’d be amazed by the techniques I’ve heard and seen ceramicists do in order to fix similar issues.   Let me know what you think and thanks so much for both watching and reading along!   #pottery #oddlysatisfying #glaze #handmade #craft

About

Legal