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Báo và PT,TH Tây Ninh
Báo và PT,TH Tây Ninh
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Region: VN
Thursday 24 September 2026 07:24:16 GMT
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nhan_animalhospital
Okarun bá khí💕🥶🥶 :
Tại sao trên cao tốc lại có người?
2026-09-24 08:23:41
687
anhmetroi1234
tồi tệ • Bạn bè :
thật là trùng hợp
2026-09-24 07:28:24
2356
haiidang.09
Hai Dang :
Tội nghiệp quá hỏng xe rồi
2026-09-24 08:28:06
535
satanlucifer.11
ೄྀђạ๏tђịภђкเ๓Đế᭕𓏲༄ :
cao tốc mà kiểu này chịu
2026-09-24 08:23:37
115
insta001h
THIÊN Ân 🧸 :
Có xe cấp cứu vừa tới luôn kìa
2026-09-24 09:40:07
77
khang_le93
khanglefood :
tính ra ngay chổ tai nạn củ luôn kìa, có dấu vẽ
2026-09-24 08:14:34
125
fdsgbbbbgkguuf
ko tên . Đang follow :
Tai nạn ngay chỗ,có vết tai nạn cũ luôn.ghê thật
2026-09-24 08:32:04
119
huutho296
Hữu Thọ :
không giảm đuợc tý tốc độ nào. gọi là không có 1 tí phản xạ hay xử lý phanh xe nào.
2026-09-24 08:43:49
23
ttnguyen482
ThyThy :
Cao tốc mà có người qua đường làm sao mà thắng kịp? 🙏🙏🙏
2026-09-24 07:31:19
269
hoangthugian99
HOÀNG THƯ GIÃN :
Đánh lái một cái chết thêm mấy mạng
2026-09-24 11:56:12
66
tonganhyeu1912
Tống Anh Yêu❤️ :
Ko sao ko sao. Xe cứu thương đỗ bên cạnh rồi
2026-09-24 08:48:39
18
khachoang06
GRA*Hoàng>.< :
khớp😂😂
2026-09-24 11:40:09
6
nhitrng12638
Thích chơi pickleball🏐🏏🏓 :
Trường hợp này lái xe nếu đi đúng tốc độ và ko có cồn và tập trung lái thì ko phải bồi thường cho nạn nhân nhà nạn nhân phải bồi thường thiệt hại cho lái xe
2026-09-24 12:14:41
14
phan.nhn.media.47
Phan Nhơn Media 47 :
Dừng được rồi ạ
2026-09-24 10:34:45
6
hoangphankys
Hoang Phan :
Này dư sức thắng lại đánh lái nhẹ qua để né
2026-09-24 11:03:56
5
hoangtinh6565
hoangtinh6565 :
thấy mà k giảm tốc độ
2026-09-24 10:25:55
5
thh2306._
hhuu. :
móp cả xe, kbt có sao k
2026-09-24 09:01:12
5
s.khnh.sang
Fan người chơi play together :
Đưa xe đi cấp cứu đi
2026-09-24 09:17:51
5
pqb212
qbinh :
có đi tù ko
2026-09-24 10:06:45
10
hai.quan.1
Nhật Ký740 :
Đi bộ trên cao tốc, còn băng qua đường; đem cái ý thức đường lộ lên cao tốc thì chịu
2026-09-24 08:44:19
8
quc.i8007
Quốc Đại :
có cấp cứu kế bên luôn
2026-09-24 07:27:56
45
tm.nguyn0979
Tâm Nguyễn :
Xe bên phải đã giảm tốc
2026-09-24 08:14:32
10
dthien213
Hồi chiều trời mưa :
Mn ơi cụ có s k ạ💔
2026-09-24 11:17:36
10
vanan_863
Phượng 🍀🍀🍀 :
Người đi bộ sai nhưng tài xế cũng k đúng quy định nua nha,
2026-09-24 12:54:31
1
duyle210105
Tớ là Duy :
Tại sao không giảm tốc độ nhỉ ? Có thể né được luôn á
2026-09-24 13:27:29
0
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Maamɛŋ is not just another Ga ceremony. It is the sacred day when the King of the Ga people communes with the departed Ga Monarchs, royals and ancestors who have crossed into the ancestral world. A week after the Ga Mantse celebrates Homowo on Saturday, the following Saturday is reserved for Maamɛŋ. It is a ceremony of great spiritual and historical importance to the Ga State. The King dispatches from Ussher Town with his entourage, Asafo and a long convoy, passing through the markets. As the King approaches, thousands of people from different tribes and walks of life can be seen chanting, appellating and praising him. The atmosphere is magnificent, and witnessing the King move through the people in this manner is something truly beautiful. When the King arrives at the Ancestral Mausoleum of Ga Mantse Tackie Tawiah I at Tesano, you begin to witness Ga spirituality in its deepest form. The King sprinkles kpokpoi on the graves of the departed royals and past Ga Monarchs, then goes from grave to grave. A representative of the departed person stands beside the grave with schnapps and a traditional club, and when the King arrives, he uses them in praying for the departed, the family and the Ga State. This is where the spiritual dimension of Maamɛŋ becomes very profound. At this moment, the King is believed to be communing with the ancestors, and the words he utters are regarded as coming directly from the ancestral realm. He can commend those doing good and speak directly to those who are doing wrong. The atmosphere can become so spiritually intense that people may experience what they understand as ancestral possession. When the Tesano rites are completed, the King proceeds directly to Accra Brewery, where the 20th Ga Mantse and members of his family were buried. There, he performs the same sacred rites on their remains. Some may ask why the King uses a club when performing rites connected to the Ga Mantse Stool. This is because the club has become a distinctive part of rites associated specifically with the Ga Mantse Stool. When those buried there are consulted in connection with rites of the Ga Mantse Stool, the club is used. It is not an object that just anyone is permitted to use in such rites. After completing the rites at Accra Brewery, the King moves around the area with his Asafo and the royals who accompanied him, sprinkling kpokpoi and continuing the sacred observances. From there, the King walks as the landowner towards the Tackie Tawiah Statue at Rawlings Park, where thousands of people from all walks of life gather to chant, appellate and praise him. The King does not sit in a palanquin during this part of the journey. He walks on the earth because he is connected to Mother Earth. There is a symbolism in that walk that cannot be explained merely by what the eyes see. It represents the relationship between the King, the land, the ancestors and the Ga State. Yesterday, I witnessed part of Maamɛŋ myself, and honestly, it was amazing. Kwabenya Asafo were on full heat, firing their Asafo songs with tremendous energy. They are really men with balls! Their performance made the entire ceremony even more powerful, meaningful and beautiful. Eventually, the King completes the rites at the Ga Paramount Stool House. What we witness in Maamɛŋ is not simply a procession or a gathering. It is history, tradition, kingship, ancestral communion and Ga spirituality coming together. Let those who think they can become like the King continue wasting their time. They can try a billion times, but they can never be the Ga Mantse. No one is like him, and no one can ever be like him, except his Creator and the ancestors who continue to give him strength. Long Live The King
Maamɛŋ is not just another Ga ceremony. It is the sacred day when the King of the Ga people communes with the departed Ga Monarchs, royals and ancestors who have crossed into the ancestral world. A week after the Ga Mantse celebrates Homowo on Saturday, the following Saturday is reserved for Maamɛŋ. It is a ceremony of great spiritual and historical importance to the Ga State. The King dispatches from Ussher Town with his entourage, Asafo and a long convoy, passing through the markets. As the King approaches, thousands of people from different tribes and walks of life can be seen chanting, appellating and praising him. The atmosphere is magnificent, and witnessing the King move through the people in this manner is something truly beautiful. When the King arrives at the Ancestral Mausoleum of Ga Mantse Tackie Tawiah I at Tesano, you begin to witness Ga spirituality in its deepest form. The King sprinkles kpokpoi on the graves of the departed royals and past Ga Monarchs, then goes from grave to grave. A representative of the departed person stands beside the grave with schnapps and a traditional club, and when the King arrives, he uses them in praying for the departed, the family and the Ga State. This is where the spiritual dimension of Maamɛŋ becomes very profound. At this moment, the King is believed to be communing with the ancestors, and the words he utters are regarded as coming directly from the ancestral realm. He can commend those doing good and speak directly to those who are doing wrong. The atmosphere can become so spiritually intense that people may experience what they understand as ancestral possession. When the Tesano rites are completed, the King proceeds directly to Accra Brewery, where the 20th Ga Mantse and members of his family were buried. There, he performs the same sacred rites on their remains. Some may ask why the King uses a club when performing rites connected to the Ga Mantse Stool. This is because the club has become a distinctive part of rites associated specifically with the Ga Mantse Stool. When those buried there are consulted in connection with rites of the Ga Mantse Stool, the club is used. It is not an object that just anyone is permitted to use in such rites. After completing the rites at Accra Brewery, the King moves around the area with his Asafo and the royals who accompanied him, sprinkling kpokpoi and continuing the sacred observances. From there, the King walks as the landowner towards the Tackie Tawiah Statue at Rawlings Park, where thousands of people from all walks of life gather to chant, appellate and praise him. The King does not sit in a palanquin during this part of the journey. He walks on the earth because he is connected to Mother Earth. There is a symbolism in that walk that cannot be explained merely by what the eyes see. It represents the relationship between the King, the land, the ancestors and the Ga State. Yesterday, I witnessed part of Maamɛŋ myself, and honestly, it was amazing. Kwabenya Asafo were on full heat, firing their Asafo songs with tremendous energy. They are really men with balls! Their performance made the entire ceremony even more powerful, meaningful and beautiful. Eventually, the King completes the rites at the Ga Paramount Stool House. What we witness in Maamɛŋ is not simply a procession or a gathering. It is history, tradition, kingship, ancestral communion and Ga spirituality coming together. Let those who think they can become like the King continue wasting their time. They can try a billion times, but they can never be the Ga Mantse. No one is like him, and no one can ever be like him, except his Creator and the ancestors who continue to give him strength. Long Live The King

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