@bahhtee_namanganskiy: 😱ТУЛИК ВЕРСИЯ 😢5 ЁШЛИ КИЗ 53 ЁШЛИ ОДАМ ТОМОНИДАН ЗУРЛАНДИ ОХИРГАЧА КУРАМИЗ ХАРОМИГА КАНАКА ЖАЗО БЕРИЛСИН КАМЕНТИМГА ЁЗАМИЗ✍️😱😢#namangan #rekaciq #rek #rek #rek

𝔹𝔸ℍ𝕋𝔼 ℕ𝔸𝕄𝔸ℕ𝔾𝔸ℕ𝕊𝕂İ✅️

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Friday 25 September 2026 17:17:39 GMT

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Зафар Туранов :

Тарбиячиларни хам камаш кераа

2026-09-25 18:33:55

80

Leyla Turk :

uf qoshim meni

2026-09-25 18:28:31

8

Muxammadyusuf Muxammadamin :

Nega xukumat jim

2026-09-25 19:09:33

25

ЖАСМИНА :

Она куюб еняпти ердам беринглар 😢😢😢😢😢

2026-09-25 18:54:56

39

Йўлбарс :

Давлат нега завхозни химоя қиляпти. Жиноятчи нега кўрсатмаяти.

2026-09-25 19:27:17

12

Nasibahon :

хечкимни бошига тушмасин

2026-09-25 19:17:17

23

Mira0093 :

jonm qizim ichim ezilib ketti

2026-09-25 18:39:44

16

ренушка :

приздент жим

2026-09-25 18:44:25

22

user36085602229613 :

xama ozini chekaga olyapdi

2026-09-25 19:29:12

5

gul :

Mudir bn tarbiyacini ham kilgan hammasi habardor

2026-09-25 19:28:42

8

Temirova Dilya :

Уша мудралари хам жавобгарлика тортиш керак

2026-09-25 19:37:32

5

СаБр :

Аллахм жазосин берсин илохим йош кизди нмага унак килади 🥺🥺

2026-09-25 18:23:52

20

@ 12345678910 :

Эээ оллохим юрагим эзилиб кетии😢😢😢😢😢😢😢😢😢😢😢

2026-09-25 18:48:35

11

Аллох Буюк :

щахсан президент томондан текширилсин

2026-09-25 18:30:31

13

👉Hamidov👈🤘🤘🤘 :

Бундай холатда болалани богчага хам бергани коркасан

2026-09-25 19:27:09

6

💫 surey@💫 :

каримов пайтида богчалаям мактабам тинч буган екан лекн астагфируллох Астагфируллох оллохим узи асрасин бунака холат куп бувоти халк ужи уйгонилик

2026-09-25 18:44:07

11

alixan :

zanchit u boxchada yaxshilab tekshirish qilish kerak eta ko'p narsa bo'lgan

2026-09-25 19:49:19

7

❤️merjan official ❤️ :

бунака педафилларди огир жазо БН улдирип йоквориш керек хоромини тириглайин кумиш керек

2026-09-25 17:50:33

13

Surayyo Nazirova :

Бунака маняакларни огир жазо беришкерак

2026-09-25 19:09:12

5

гавхарим :

пракратура кайтга караябди

2026-09-25 18:10:12

8

Uzb 1010 kabutar🇺🇿 :

qizzi otasi bormi

2026-09-25 19:44:17

1

Aslam Fayziev :

Men farzandimni bogchaga quyishga qurqib qoldim

2026-09-25 20:42:53

4

🇦🇿🇦🇿timur Azerbaijan 🇦🇿 :

namangandi qayerda boldi bilganlar yozvorsin

2026-09-25 18:53:30

2

ФАРЗОНА :

Детсад. Кичкинами. Бирхоналими.одамлар.ишловчилар.каерга.карганлар😳

2026-09-25 20:13:52

3

Layloxon Jumonova :

jazo beringlar bizni xam qizlarimiz bor

2026-09-25 19:45:54

4

To see more videos from user @bahhtee_namanganskiy, please go to the Tikwm homepage.

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#creatorsearchinsights #musicmatters Sometimes, freedom begins when you finally admit that what once attracted you is no longer enough to keep you there. In “Liberté,” Franco gives us the voice of a woman who looks back at a relationship that began with attraction to beauty and wealth. She openly admits, “Nawelaki kitoko nayo na bomengo eh” — “I rushed for your beauty and wealth.” But the excitement has faded. She has reached her limit: “Lelo nalembi na ngai oh” — “Today, I am tired.” And then comes her decisive declaration: “Lelo nalingi, na ngai liberté” — “Today, I want freedom.” She is not asking for another chance or negotiating her return. Her decision is final. She tells the man that he can even buy an airplane, but she will not come back: “Nakozonga te oh, nakei libela” — “I will not return, I am gone for good.” The airplane becomes a striking image of wealth and power, but neither can persuade her to surrender the freedom she has chosen. After the separation, the song changes from exhaustion to celebration. She repeatedly announces “Nakoma libre” — “I have become free.” The repetition makes the phrase feel like a personal victory. Whatever arguments existed between them, she is no longer trapped in that relationship. Then she reveals something important: she has found her own home. “Nazua ya ngai ndako eh” — “I got my own place.” Freedom is therefore not just an emotional feeling. She has established her own space and is building a life away from him. The most revealing part comes in the refrain: “Liberté, liberté eh, na lingi na tikala libre, Na sala oyo motema elingi.” She wants to remain free and do what her heart desires. That line gives the song its deeper meaning. She is no longer defining her life through the man she left. Her freedom means having the ability to make her own choices and live according to her own desires. She even challenges him: “Pako na ngai na futaka eh, eloko nini olingi na nzoto na ngai?” — “I pay my taxes; what more do you want from me?” It is almost as if she is saying: I take care of my responsibilities, I have my own place, and I have chosen my path — what else do you want from me? What makes “Liberté” so compelling is that the woman does not deny that she was once attracted to material things. She admits it openly. But the song shows that beauty and wealth can attract someone into a relationship, while freedom can ultimately become more valuable than both. By the end, there is no ambiguity. She has left, she has her own home, she considers herself free, and she wants to remain that way. “Nakoma libre” is no longer simply a statement about separation; it becomes an affirmation of independence. And as we continue celebrating the legacy of the Grand Maître, on October 9, Congo Sounds Radio and House of Rumba will hold Franco Makiadi’s 37th anniversary at Druids Lounge, Kangundo Road. It will be a celebration of the music, stories and enduring legacy of Franco and T.P. OK Jazz. #CongoSoundsRadio #RumbaWithoutBorders #Franco37thAnniversary

#creatorsearchinsights #musicmatters Sometimes, freedom begins when you finally admit that what once attracted you is no longer enough to keep you there. In “Liberté,” Franco gives us the voice of a woman who looks back at a relationship that began with attraction to beauty and wealth. She openly admits, “Nawelaki kitoko nayo na bomengo eh” — “I rushed for your beauty and wealth.” But the excitement has faded. She has reached her limit: “Lelo nalembi na ngai oh” — “Today, I am tired.” And then comes her decisive declaration: “Lelo nalingi, na ngai liberté” — “Today, I want freedom.” She is not asking for another chance or negotiating her return. Her decision is final. She tells the man that he can even buy an airplane, but she will not come back: “Nakozonga te oh, nakei libela” — “I will not return, I am gone for good.” The airplane becomes a striking image of wealth and power, but neither can persuade her to surrender the freedom she has chosen. After the separation, the song changes from exhaustion to celebration. She repeatedly announces “Nakoma libre” — “I have become free.” The repetition makes the phrase feel like a personal victory. Whatever arguments existed between them, she is no longer trapped in that relationship. Then she reveals something important: she has found her own home. “Nazua ya ngai ndako eh” — “I got my own place.” Freedom is therefore not just an emotional feeling. She has established her own space and is building a life away from him. The most revealing part comes in the refrain: “Liberté, liberté eh, na lingi na tikala libre, Na sala oyo motema elingi.” She wants to remain free and do what her heart desires. That line gives the song its deeper meaning. She is no longer defining her life through the man she left. Her freedom means having the ability to make her own choices and live according to her own desires. She even challenges him: “Pako na ngai na futaka eh, eloko nini olingi na nzoto na ngai?” — “I pay my taxes; what more do you want from me?” It is almost as if she is saying: I take care of my responsibilities, I have my own place, and I have chosen my path — what else do you want from me? What makes “Liberté” so compelling is that the woman does not deny that she was once attracted to material things. She admits it openly. But the song shows that beauty and wealth can attract someone into a relationship, while freedom can ultimately become more valuable than both. By the end, there is no ambiguity. She has left, she has her own home, she considers herself free, and she wants to remain that way. “Nakoma libre” is no longer simply a statement about separation; it becomes an affirmation of independence. And as we continue celebrating the legacy of the Grand Maître, on October 9, Congo Sounds Radio and House of Rumba will hold Franco Makiadi’s 37th anniversary at Druids Lounge, Kangundo Road. It will be a celebration of the music, stories and enduring legacy of Franco and T.P. OK Jazz. #CongoSoundsRadio #RumbaWithoutBorders #Franco37thAnniversary

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