@kerance06:

Kerance 🃏🎴
Kerance 🃏🎴
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Friday 25 September 2026 19:54:45 GMT
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hiloulou16
𝒪𝒞ℰ́𝒜𝒩𝒵🖤🐚 :
Toutes les trends d’amour j’ai jamais fait
2026-09-26 21:59:17
367
royale0983
royale0983 :
Je peux être ta girl 🫶🏽🤞🏽
2026-09-27 12:23:48
68
_benedicte4
𝓫𝓮𝓷𝓮𝓭𝓲𝓬𝓽𝓮🌺🤍 :
viens on fais connaissance 😭
2026-09-26 20:24:03
13
divinekdm
♡︎𝒦𝒟𝑀♡︎ :
faut prier
2026-09-26 12:28:43
67
elvine13
Elvine🦋🤍 :
Pourtant je suis là
2026-09-26 21:09:09
20
mikilove326
💦N~a~w~e~l~🧸🦋~242🇲🇱 :
Je veux me faire des amis
2026-09-27 10:40:45
17
ndx3ndo_doll
miss k4ren :
moi meme j’ai pas de boy
2026-09-27 19:50:32
16
black.barbie0754
𝐃𝐈𝐎𝐑🎀 :
Moi je peux être ta girl
2026-09-30 17:07:57
2
miss_kitoko3
M~a~r~i~e~c~l~a~i~r~e🦋 :
mm pas une sœur ?
2026-09-27 10:00:04
10
dariane119
Dariane :
Et si je devenai ta bestie 😅
2026-09-29 14:43:48
3
ntsalynaz3s
Big riri :
Je suis la girl de personne 😭
2026-09-27 18:05:15
2
la.ministar.242
La mini~star🎀 +242🇨🇬 :
Sommes toute là ☺️
2026-09-27 12:51:20
1
girl.derrrrrr0
𝔓𝔯𝔢𝔱𝔱𝔶 𝕲𝖎𝖗𝖑 😻🌺🥀 :
[En larmes][Cœur brisé]
2026-09-27 21:09:01
1
zapydollars
Mr Samuel 🇧🇪🇨🇲 :
La déception n’est pas l’amie de l’homme. Peu importe ce que tu penses bien faire, ce ne sera jamais assez. L’autre m’a dit que je m’étais « donné en spectacle » lorsque je me suis mis à genoux pour demander pardon… Ce n’est pas facile, mais je pense que je fais l’effort de passer à autre chose et d’améliorer certains aspects de moi-même pour ma future relation. Car chaque rupture devrait être considérée comme une nouvelle leçon de vie, ou encore comme un nouveau départ. Ne jamais regretter le départ d’une personne. Prenez soin de vous et restez positifs. 💚💚💚
2026-09-30 19:47:03
2
bebechristy00
Christy 🫶🏻❤️ :
Je suis là 😭
2026-10-01 00:53:27
0
user.s4raah
𝕾𝖆𝖗𝖎𝖙𝖆🪢💞 :
Tellement 😭
2026-09-28 11:23:51
2
adostar243
ADOSTAR 243🇨🇩✨ :
j'ai le fais finalement et je suis heureux
2026-09-26 14:16:53
5
nxo849
𝓝’🧞‍♀️ :
Et moi alors…
2026-09-27 00:22:46
3
temple_des_recits_243
Joo_Ina ⓥ :
je suis partante
2026-09-27 15:21:46
1
xxx545kss2
.🥷🏾 :
les commentaires m'ont découragé 😔🫡
2026-09-27 13:43:31
3
live4474
Nõ~~Rules~~bby 🌹❤️✨🍫 :
pourtant je suis là 😭🤲🏽
2026-09-27 13:58:48
1
rosalial67
marie🥰🇨🇵🇪🇸 :
je peux être ta girl si tu veux
2026-10-01 02:07:34
2
m5229881
ÃŁM 🇨🇩🇨🇩 :
moi chuis la
2026-10-02 18:54:12
2
dav_ina010
ღ𝑫𝒂𝒗’𝒊𝒏𝒂✰🐆 :
Aah moi hein 😭💔
2026-09-27 08:26:54
2
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Other Videos

One of the stranger things about learning to collect art is realizing how much time you can spend trying to look like you already know what you’re doing. I remember walking into galleries and wondering whether I was supposed to introduce myself, whether asking about prices was considered rude, whether the person behind the desk could tell that I had absolutely no intention of spending $20,000 on a painting. There seemed to be an entire set of rules that everyone else had been given and I had somehow missed. Of course, the longer I’ve spent collecting art, the more I’ve realized that the rules are considerably less interesting than the people. Today, two new interviews are live in Volume II of Art Rookie, On Windows and Doors, and they’re conversations I wish I’d been able to read when I was first figuring things out. First, I spoke with Sibilla Maiarelli, an art advisor and the voice behind the New Collectors newsletter. We talked about what art advisors actually do, how someone begins building an art collection, and why developing your own taste is so much more important than trying to buy whatever the market has decided is worth having. Then there’s Sam Wilson of Klaus von Nichtssagend Gallery, a contemporary art gallery in New York that’s been around since 2004. We talked about the business of running a gallery, supporting artists, building relationships with collectors, and what happens behind the scenes in spaces that can sometimes feel a little mysterious from the outside. I find these two conversations particularly interesting together because they approach the same art world from different sides. One helps people figure out what they want to live with. The other helps artists make careers out of the things they create. And somewhere in the middle is the collector, who is not necessarily wealthy, not necessarily an expert, and perhaps not even sure they’re a collector yet. One of the reasons I started Art Rookie was that I wanted to document what I was learning while I was still learning it. Not after I’d developed a perfectly polished collection or acquired an impressive vocabulary. While I was still asking questions, changing my mind, making decisions, and occasionally feeling quite out of place. I think there’s real value in learning out loud. Particularly in an art world where so much useful information is passed privately between people who already know one another. Anyway, these are two conversations with people who know considerably more than I do, and who were generous enough to share some of that knowledge. Both interviews are now available to read for free at art-rookie.com. You don’t have to own a single piece of art to find something useful in them. #ArtRookie #ArtCollecting #ContemporaryArt #ArtGalleries #ArtAdvisory
One of the stranger things about learning to collect art is realizing how much time you can spend trying to look like you already know what you’re doing. I remember walking into galleries and wondering whether I was supposed to introduce myself, whether asking about prices was considered rude, whether the person behind the desk could tell that I had absolutely no intention of spending $20,000 on a painting. There seemed to be an entire set of rules that everyone else had been given and I had somehow missed. Of course, the longer I’ve spent collecting art, the more I’ve realized that the rules are considerably less interesting than the people. Today, two new interviews are live in Volume II of Art Rookie, On Windows and Doors, and they’re conversations I wish I’d been able to read when I was first figuring things out. First, I spoke with Sibilla Maiarelli, an art advisor and the voice behind the New Collectors newsletter. We talked about what art advisors actually do, how someone begins building an art collection, and why developing your own taste is so much more important than trying to buy whatever the market has decided is worth having. Then there’s Sam Wilson of Klaus von Nichtssagend Gallery, a contemporary art gallery in New York that’s been around since 2004. We talked about the business of running a gallery, supporting artists, building relationships with collectors, and what happens behind the scenes in spaces that can sometimes feel a little mysterious from the outside. I find these two conversations particularly interesting together because they approach the same art world from different sides. One helps people figure out what they want to live with. The other helps artists make careers out of the things they create. And somewhere in the middle is the collector, who is not necessarily wealthy, not necessarily an expert, and perhaps not even sure they’re a collector yet. One of the reasons I started Art Rookie was that I wanted to document what I was learning while I was still learning it. Not after I’d developed a perfectly polished collection or acquired an impressive vocabulary. While I was still asking questions, changing my mind, making decisions, and occasionally feeling quite out of place. I think there’s real value in learning out loud. Particularly in an art world where so much useful information is passed privately between people who already know one another. Anyway, these are two conversations with people who know considerably more than I do, and who were generous enough to share some of that knowledge. Both interviews are now available to read for free at art-rookie.com. You don’t have to own a single piece of art to find something useful in them. #ArtRookie #ArtCollecting #ContemporaryArt #ArtGalleries #ArtAdvisory

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