@c_ilr: #اكسبلور #ترند #المغرب #تونس #الجزائر

أ.خالد الدخــيل 🤍 🇸🇦⛈️

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Sunday 27 September 2026 16:04:11 GMT

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أبو فايز :

دايما توقعاته عكسها الي يصير 👍🏻👍🏻👍🏻👍🏻

2026-09-28 20:05:15

3

الوسم :

الله كريم

2026-10-02 16:30:28

1

عبدالمحسن العتيبي :

بارك الله فيك يا ابن الوطن البار ٠٠٠٠٠٠ وجزاك الله خير الجزاء

2026-09-27 17:01:03

3

ابن عزيز :

كل يوم يبعد هالتوقع😂

2026-09-27 20:01:45

2

يوسف محمد بناي :

اللهم صل وسلم وبارك على سيدنا محمد

2026-10-04 17:46:12

0

H⚔️💯 :

يجي اليمن

2026-09-27 17:40:54

1

مهدي الأ حمد الرمضان الجبور :

والعراق عليه اسم الله

2026-10-02 20:27:44

0

الله يرحمك جدي😭🥺 :

🥰🥰🥰

2026-09-27 16:10:18

1

ابو عناد الجميلي :

💞💞💞

2026-09-27 17:28:36

1

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The album cover immortalizes Tenya Iida, the disciplined, honorable and relentlessly energetic President of Class 1-A, at the center of a magnificent Imperial Austrian ceremonial parade, celebrating his victory of the MTV C1A (Class 1-A) President Award for his commanding performance of Johann Strauss I’s Radetzky March, Op. 228. Few pieces in the nineteenth-century orchestral repertoire could complement Iida’s combination of leadership, military-like discipline, extraordinary speed and unmistakably precise movements more naturally. The composition’s unstoppable forward momentum also mirrors the tremendous mechanical power of Ingenium’s Engine Quirk. Just as Strauss’ march continually drives forward without losing its rhythmic precision, Iida accelerates with controlled mechanical force, transforming disciplined movement into extraordinary speed. At the center stands Tenya Iida in a heroic full-body portrait, his tall athletic figure immediately recognizable from the reference image. Rather than wearing his usual complete hero costume, Iida has been transformed into a nineteenth-century Imperial Austrian ceremonial musician and officer inspired by Johann Strauss I. He wears an elegant midnight-blue military tailcoat with a high collar, silver-white piping, polished gold buttons, ornate shoulder epaulettes and a brilliant white waistcoat. A formal crimson-and-gold sash crosses his torso, while immaculate white trousers and polished black cavalry boots complete the historical ensemble. Elements of his Ingenium identity remain integrated into the clothing. Sleek silver mechanical armor protects his forearms and shoulders, while the unmistakable exhaust engines along his calves emerge through specially constructed openings in his ceremonial boots. Small brass and steel details subtly transform Strauss-era military ornamentation into ingenious U.A. support technology. Behind Iida stretches a spectacular nineteenth-century Viennese ceremonial avenue lined with monumental Habsburg-inspired architecture, imperial banners and enormous crowds. A gigantic symphony orchestra has become part concert ensemble and part military procession. At the center rear, a grand conductor raises his baton. Every musician appears perfectly synchronized. Left. Right. Left. Right. The entire composition seems to march directly out of the album cover. Ingenium — Full Throttle The lower portion of the artwork transforms the ceremonial march into an explosion of speed. Iida’s calf engines ignite. VRRRRROOOOOOM! Musical notes, drumbeats and golden orchestral staves stretch backward like speed trails, visually merging Strauss’ marching tempo with Ingenium’s mechanical acceleration. Behind him, several translucent afterimages of Iida appear in successive running positions, suggesting that the President of Class 1-A is moving faster than the viewer can properly follow. The Class President Motif Above the orchestra rises an enormous ceremonial crest combining the identities of the album. The entire background becomes increasingly monumental toward the horizon. Thousands of spectators line balconies and ceremonial stands, clapping rhythmically in homage to the famous audience participation traditionally associated with the Radetzky March. CLAP — CLAP — CLAP — CLAP Their synchronized applause visually echoes Iida’s mechanical running rhythm. ENGINE — ENGINE — ENGINE — ENGINE Above them, brilliant fireworks explode in blue, white, silver and gold, illuminating enormous clouds over Vienna. The finished album cover feels like Johann Strauss I, an Imperial Austrian military parade, a monumental Viennese concert and U.A. High School’s Class 1-A have collided at full Ingenium speed. It is disciplined without being static. Ceremonial without losing excitement. Regal without losing Iida’s unmistakable mechanical identity. The rigid formations of the orchestra represent his devotion to order. The ceremonial officer imagery represents his leadership. The relentless march represents his determination.

The album cover immortalizes Tenya Iida, the disciplined, honorable and relentlessly energetic President of Class 1-A, at the center of a magnificent Imperial Austrian ceremonial parade, celebrating his victory of the MTV C1A (Class 1-A) President Award for his commanding performance of Johann Strauss I’s Radetzky March, Op. 228. Few pieces in the nineteenth-century orchestral repertoire could complement Iida’s combination of leadership, military-like discipline, extraordinary speed and unmistakably precise movements more naturally. The composition’s unstoppable forward momentum also mirrors the tremendous mechanical power of Ingenium’s Engine Quirk. Just as Strauss’ march continually drives forward without losing its rhythmic precision, Iida accelerates with controlled mechanical force, transforming disciplined movement into extraordinary speed. At the center stands Tenya Iida in a heroic full-body portrait, his tall athletic figure immediately recognizable from the reference image. Rather than wearing his usual complete hero costume, Iida has been transformed into a nineteenth-century Imperial Austrian ceremonial musician and officer inspired by Johann Strauss I. He wears an elegant midnight-blue military tailcoat with a high collar, silver-white piping, polished gold buttons, ornate shoulder epaulettes and a brilliant white waistcoat. A formal crimson-and-gold sash crosses his torso, while immaculate white trousers and polished black cavalry boots complete the historical ensemble. Elements of his Ingenium identity remain integrated into the clothing. Sleek silver mechanical armor protects his forearms and shoulders, while the unmistakable exhaust engines along his calves emerge through specially constructed openings in his ceremonial boots. Small brass and steel details subtly transform Strauss-era military ornamentation into ingenious U.A. support technology. Behind Iida stretches a spectacular nineteenth-century Viennese ceremonial avenue lined with monumental Habsburg-inspired architecture, imperial banners and enormous crowds. A gigantic symphony orchestra has become part concert ensemble and part military procession. At the center rear, a grand conductor raises his baton. Every musician appears perfectly synchronized. Left. Right. Left. Right. The entire composition seems to march directly out of the album cover. Ingenium — Full Throttle The lower portion of the artwork transforms the ceremonial march into an explosion of speed. Iida’s calf engines ignite. VRRRRROOOOOOM! Musical notes, drumbeats and golden orchestral staves stretch backward like speed trails, visually merging Strauss’ marching tempo with Ingenium’s mechanical acceleration. Behind him, several translucent afterimages of Iida appear in successive running positions, suggesting that the President of Class 1-A is moving faster than the viewer can properly follow. The Class President Motif Above the orchestra rises an enormous ceremonial crest combining the identities of the album. The entire background becomes increasingly monumental toward the horizon. Thousands of spectators line balconies and ceremonial stands, clapping rhythmically in homage to the famous audience participation traditionally associated with the Radetzky March. CLAP — CLAP — CLAP — CLAP Their synchronized applause visually echoes Iida’s mechanical running rhythm. ENGINE — ENGINE — ENGINE — ENGINE Above them, brilliant fireworks explode in blue, white, silver and gold, illuminating enormous clouds over Vienna. The finished album cover feels like Johann Strauss I, an Imperial Austrian military parade, a monumental Viennese concert and U.A. High School’s Class 1-A have collided at full Ingenium speed. It is disciplined without being static. Ceremonial without losing excitement. Regal without losing Iida’s unmistakable mechanical identity. The rigid formations of the orchestra represent his devotion to order. The ceremonial officer imagery represents his leadership. The relentless march represents his determination.

Mình mới đổi qua bộ đôi gội xả muối hồng Himalaya @Verdantpark Official này và thấy khá ổn. #verdantpark #daugoi #daugoikiemdau #daugoiphongtoc #verdantparkshampoo

Mình mới đổi qua bộ đôi gội xả muối hồng Himalaya @Verdantpark Official này và thấy khá ổn. #verdantpark #daugoi #daugoikiemdau #daugoiphongtoc #verdantparkshampoo

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