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@itsxqac: Meus amores 🤏🏼🤍 #leticiacolin #marianaximenes #QuemAmaCuida

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Friday 02 October 2026 10:17:07 GMT
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A (mostly!) complete history of western aesthetics! Aestheticians Discussed (their texts in parentheses): Plato: representation and truth (Phaedrus, Ion, Republic) Aristotle: Mimetic catharsis (Poetics) Plotinus: Beautification of the soul (Enneads, On Beauty) Augustine: imitation of divine signs (On Christian Doctrine) Aquinas: Proportion and principle (Summa Theologica) Hume: No objective beauty (Of the Standard of Taste) Kant: Free play of perceptions (Critique of Judgment) Hegel: Thought (Spirit) adequate to Perception (Lectures on Aesthetics) Schopenhauer: imitation of the Will (World as Will and R.) Dewey: Art as Experience (Ibid.) Heidegger: Worldhood disclosure (Origin of the Work of Art) Eliot: Tradition and the Individual Talent (Ibid.) Danto: the Artworld (Ibid.) Lyotard: metanarrative collapse (The Postmodern Condition) Baudrillard: Collapse of symbols/references (Simulacra and Simulation) Debord: Society of Spectacle (Ibid.) Benjamin: Mechanical destruction of aura (Work of Art in the Age of Mechanical Reproduction) Cavell: Filmic Automatism (The World Viewed) Jameson: homogenous
A (mostly!) complete history of western aesthetics! Aestheticians Discussed (their texts in parentheses): Plato: representation and truth (Phaedrus, Ion, Republic) Aristotle: Mimetic catharsis (Poetics) Plotinus: Beautification of the soul (Enneads, On Beauty) Augustine: imitation of divine signs (On Christian Doctrine) Aquinas: Proportion and principle (Summa Theologica) Hume: No objective beauty (Of the Standard of Taste) Kant: Free play of perceptions (Critique of Judgment) Hegel: Thought (Spirit) adequate to Perception (Lectures on Aesthetics) Schopenhauer: imitation of the Will (World as Will and R.) Dewey: Art as Experience (Ibid.) Heidegger: Worldhood disclosure (Origin of the Work of Art) Eliot: Tradition and the Individual Talent (Ibid.) Danto: the Artworld (Ibid.) Lyotard: metanarrative collapse (The Postmodern Condition) Baudrillard: Collapse of symbols/references (Simulacra and Simulation) Debord: Society of Spectacle (Ibid.) Benjamin: Mechanical destruction of aura (Work of Art in the Age of Mechanical Reproduction) Cavell: Filmic Automatism (The World Viewed) Jameson: homogenous "theory" (Postmodernism and Consumer Society) Sontag: Pastiche and Surprise (Notes on Camp, Against Interpretation) Adorno: Art as capitalist critique (Dialectic of Enlightenment) #philosophy #art #aesthetics #society #culture #analysis

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