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@elifsgarden: RANKING THE BEST FIVE GENERATIONS MUMS.#MUMMY #FUNNY #COMEDY #VIRALTIKTOK #TRENDING

bigbobster
bigbobster
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Region: GB
Thursday 08 October 2026 06:11:00 GMT
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Comments

lacey_docker1
𝓛𝓪𝓬𝓮𝔂🍂🦢 :
“Hi, where’s my mom?” AWH 😭
2026-10-08 18:52:26
74
its_minandlana
𝓬𝓸𝓫𝓻𝓪 𝓴𝓪𝓲 ☯ :
"hi! wheres my mom.? "
2026-10-08 07:09:33
136
branbaran1
branbaran1 :
yo yo yo
2026-10-08 21:27:22
586
kebab.1111
konstantynopolitańczykowianek✨ :
where is my mom mom:
2026-10-09 19:47:32
27
lari3532
Lari :
Numbers 2 and 3 are the best.
2026-10-08 11:54:50
32
emily_privat.137
Emily 🌸 :
i can't do this trend maybe in 60 years. since my mom is already dead
2026-10-08 08:12:01
4
miamoo_xoxo0
mia :
Wait what!
2026-10-08 07:17:37
13
summer.rutter
𝑆𝑢𝑚𝑚𝑒𝑟🌸 :
This was putting the newspaper of me my Mum my Nan, my great Nan and my great great Nan and now there’s only two of us
2026-10-08 19:12:10
1
aurelyah18
Aurelyah :
Hi seitiges
2026-10-08 11:49:57
1
cr70yviduca
soydavix7 :
yo yo yo
2026-10-13 17:47:33
1
jesaja55kwiek
Don-Al PacinoValentino-Cellini :
Die Spanische Familie hat mich umgehauen alle 4 Generation jung
2026-10-09 09:46:18
2
amyjoulieniller
Amelie 😜 :
2 yo yo yo 🤣
2026-10-09 18:44:36
3
lilly.rae924
Lilly Rae :
Yo yo yo 😂😂
2026-10-08 19:58:01
31
_l_e_o_o_o
_leo_ :
They must be having kids so young?
2026-10-11 20:58:53
1
katharina.mrb
Katharina⭐️🪽 :
@Kit ✞
2026-10-09 22:57:27
1
molle749
molle :
❤️❤️❤️
2026-10-09 18:52:31
1
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Zaman sekarang beli es cekek aja harus pakai aplikasi 😭📱 Dari yang tadinya tinggal bilang “Pak, es cekek satu” sekarang malah disuruh download aplikasi, masukin nama belakang, baru bisa minum. 😭 Teknologi makin maju, tapi jangan sampai Es Cekek ikut-ikutan ribet. 🗿 #bapakpalingjujur #punyabapakjujur #bpjclip #andovidalopez #agengcarlitos
Zaman sekarang beli es cekek aja harus pakai aplikasi 😭📱 Dari yang tadinya tinggal bilang “Pak, es cekek satu” sekarang malah disuruh download aplikasi, masukin nama belakang, baru bisa minum. 😭 Teknologi makin maju, tapi jangan sampai Es Cekek ikut-ikutan ribet. 🗿 #bapakpalingjujur #punyabapakjujur #bpjclip #andovidalopez #agengcarlitos
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When a mountain scene looks flat on paper, it is often because every ridge has the same sharp edges and dark shading. A simple way to build depth is to draw the landscape in layers, starting with the farthest shapes and working toward the viewer.

Look at your reference and find three groups: distant peaks, middle slopes, and the nearest land. Lightly trace each group’s outer shape first. Pay close attention to where one ridge crosses in front of another. That overlap is a clear clue about what sits closer.

Then give each layer a different treatment:

1. Distant mountains: Keep the pencil pressure light, details sparse, and edges soft. Let their shapes feel quieter than the ones in front.

2. Middle slopes: Use a little more contrast. Add a few visible ridges or bands of shading, but leave some open paper so the forms do not all merge together.

3. Foreground: Use your darkest accents here, along with the clearest edges and most specific details. You do not need to darken every part. A few carefully placed shadows can make the nearest shapes stand forward.

For a quick check, squint at the reference and your sketch. If all three layers blend into one value, gently strengthen the contrast between them. If the far peaks are as dark and crisp as the foreground, lighten them with an eraser and soften a few edges. Keep the changes gradual rather than outlining every mountain heavily.

Try this with a small section of a photo first. Even an imperfect first pass can teach you to notice overlaps, edges, and light more carefully. Save this for your next landscape sketch, and comment with the scene you would like to draw next. Follow Audrey Dubois for more calm, practical drawing practice.
When a mountain scene looks flat on paper, it is often because every ridge has the same sharp edges and dark shading. A simple way to build depth is to draw the landscape in layers, starting with the farthest shapes and working toward the viewer.

Look at your reference and find three groups: distant peaks, middle slopes, and the nearest land. Lightly trace each group’s outer shape first. Pay close attention to where one ridge crosses in front of another. That overlap is a clear clue about what sits closer.

Then give each layer a different treatment:

1. Distant mountains: Keep the pencil pressure light, details sparse, and edges soft. Let their shapes feel quieter than the ones in front.

2. Middle slopes: Use a little more contrast. Add a few visible ridges or bands of shading, but leave some open paper so the forms do not all merge together.

3. Foreground: Use your darkest accents here, along with the clearest edges and most specific details. You do not need to darken every part. A few carefully placed shadows can make the nearest shapes stand forward.

For a quick check, squint at the reference and your sketch. If all three layers blend into one value, gently strengthen the contrast between them. If the far peaks are as dark and crisp as the foreground, lighten them with an eraser and soften a few edges. Keep the changes gradual rather than outlining every mountain heavily.

Try this with a small section of a photo first. Even an imperfect first pass can teach you to notice overlaps, edges, and light more carefully. Save this for your next landscape sketch, and comment with the scene you would like to draw next. Follow Audrey Dubois for more calm, practical drawing practice.

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