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@marilahijadelrey: #3 step#sckin#parivie

mariturcio la hija del Rey
mariturcio la hija del Rey
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Thursday 08 October 2026 00:18:07 GMT
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The Patient Zero video is finally out in the world! Getting to work with Emmanuel Lubezki was something out of a dream sequence, and I learned so much from getting to watch his genius in action. I want to thank Dakota and Colin for trusting me with their time, taste, and talent (Giggling with your friend because you’re twinning for an entire shoot was a new and truly delightful experience). And Colin’s turn as a villain is even more impressive when you get to be around him. He’s an absolute light and as kind as they come. Cara, thank you for agreeing to play the lusty other woman. That’s what friends are for? With the Patient Zero video, I got to explore the cinematic and literary genres I love so much. I wanted to incorporate elements of gothic ghost stories, true crime, psychological thrillers all in a setting I hadn’t really shot in much. The house was a metaphor for the coldness of a relationship that’s faded and atrophied. Thank you to Ethan Tobman for your insightful production design, and bringing that feeling to life. My editor Chancler Haynes has outdone himself. And lastly, thank you to the VMAs for giving us a World Premiere at the place where celebrating music videos became a thing. And so much love for you guys, always.
The Patient Zero video is finally out in the world! Getting to work with Emmanuel Lubezki was something out of a dream sequence, and I learned so much from getting to watch his genius in action. I want to thank Dakota and Colin for trusting me with their time, taste, and talent (Giggling with your friend because you’re twinning for an entire shoot was a new and truly delightful experience). And Colin’s turn as a villain is even more impressive when you get to be around him. He’s an absolute light and as kind as they come. Cara, thank you for agreeing to play the lusty other woman. That’s what friends are for? With the Patient Zero video, I got to explore the cinematic and literary genres I love so much. I wanted to incorporate elements of gothic ghost stories, true crime, psychological thrillers all in a setting I hadn’t really shot in much. The house was a metaphor for the coldness of a relationship that’s faded and atrophied. Thank you to Ethan Tobman for your insightful production design, and bringing that feeling to life. My editor Chancler Haynes has outdone himself. And lastly, thank you to the VMAs for giving us a World Premiere at the place where celebrating music videos became a thing. And so much love for you guys, always.

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