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@zekesoboe: Tch 4 oboe solo! #oboe #music #classical #orchestra #tchaikovsky

Zeke’s Oboe
Zeke’s Oboe
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Region: US
Thursday 08 October 2026 23:50:27 GMT
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Comments

bo_boop
Joanna :
the oboe is so hypnotic and beautiful
2026-10-09 04:44:06
2
rosalie_avery
rosalie_avery :
One of my favorite excerpts for oboe and bassoon 💪
2026-10-09 02:22:07
2
lex4u2nv36
Lexluthor :
What’s your secret? To such a good tone please tell me
2026-10-09 00:12:14
6
bradley.rodgers53
Bradley Rodgers :
New POV unlocked, concert zoom in ✨️Nice tone 🙂
2026-10-09 00:00:54
1
jacob54751
jacob :
So good. I especially loved the attention and shimmer you gave to the C natural at the beginning of the solo. So much personality in your sound :)
2026-10-10 18:25:02
1
salmamansour22
Salma Mansour :
Bravo
2026-10-13 10:05:26
0
irfsy08
Irfan Syed :
Bravo!!
2026-10-09 02:53:40
1
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I’m developing a taxonomy of visuals that connects images through the techniques and ideas behind them. I think we all want to understand the thinking behind the references we collect, and how we can apply those ideas to our own work. How can we give an image more meaning? How can we translate an idea into a visual? None of this is entirely new. The principles and techniques themselves have been taught for decades. There are creatives, designers, and art directors who are masters at it. But so much of that knowledge is instinctual. Visually mapping the mechanisms behind an image’s style and aesthetic, and connecting those techniques to what it communicates, is the part I’m developing. That’s the part that I haven’t seen anyone do in this specific way. And it feels especially valuable now, when we’re inundated with imagery. Understanding why visuals work helps us make deliberate choices, explain our thinking, and direct the work as the tools and possibilities keep changing. This is small piece of the next big chapter of Modern Art Direction, and I’ll be sharing more as it develops. The tool is still in beta with my current bootcamp students. Honestly I’m not sure if it’ll ever be entirely public outside of my programs. That might depend on demand. But I’ll be sharing more and more of the taxonomy and frameworks behind it here and in the newsletter. Visit visuals.modernartdirection.com to join the waitlist for updates and glimpses into what I’m building.
I’m developing a taxonomy of visuals that connects images through the techniques and ideas behind them. I think we all want to understand the thinking behind the references we collect, and how we can apply those ideas to our own work. How can we give an image more meaning? How can we translate an idea into a visual? None of this is entirely new. The principles and techniques themselves have been taught for decades. There are creatives, designers, and art directors who are masters at it. But so much of that knowledge is instinctual. Visually mapping the mechanisms behind an image’s style and aesthetic, and connecting those techniques to what it communicates, is the part I’m developing. That’s the part that I haven’t seen anyone do in this specific way. And it feels especially valuable now, when we’re inundated with imagery. Understanding why visuals work helps us make deliberate choices, explain our thinking, and direct the work as the tools and possibilities keep changing. This is small piece of the next big chapter of Modern Art Direction, and I’ll be sharing more as it develops. The tool is still in beta with my current bootcamp students. Honestly I’m not sure if it’ll ever be entirely public outside of my programs. That might depend on demand. But I’ll be sharing more and more of the taxonomy and frameworks behind it here and in the newsletter. Visit visuals.modernartdirection.com to join the waitlist for updates and glimpses into what I’m building.

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