@miguel.chinea63: @Mely_Vlogs

Miguel Chinea
Miguel Chinea
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Tuesday 13 October 2026 16:08:51 GMT
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The first commercial recording was in 1962 by Pery Ribeiro. The Stan Getz recording, featuring the vocal debut of Astrud Gilberto, became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964), which had also included the Portuguese lyrics sung by Astrud's then-husband João Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas, it peaked at number 29 on the UK singles chart and charted highly throughout the world. The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helô Pinheiro), a 17-year-old girl living on Montenegro Street in Ipanema. Every day, she would stroll past the Veloso bar-café, not just to the beach (
The first commercial recording was in 1962 by Pery Ribeiro. The Stan Getz recording, featuring the vocal debut of Astrud Gilberto, became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964), which had also included the Portuguese lyrics sung by Astrud's then-husband João Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas, it peaked at number 29 on the UK singles chart and charted highly throughout the world. The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helô Pinheiro), a 17-year-old girl living on Montenegro Street in Ipanema. Every day, she would stroll past the Veloso bar-café, not just to the beach ("each day when she walks to the sea"). She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf whistles. Later when they were writing the song, the composers remembered how they felt when the girl passed by the bar. She became famous after the song was released. In Revelação: a verdadeira Garôta de Ipanema ("Revealed: The Real Girl from Ipanema"), Moraes wrote that she was "the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone-it is a gift of life in its beautiful and melancholic constant ebb and flow."

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