@yoboy_th: Beatbox Sound Thailand Ep.4,341#beatbox#fyp #music#imitacion#Thailand

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Saturday 17 October 2026 01:30:13 GMT

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initial d 🇹🇭 (2) :

2026-10-17 01:44:59

80

อัมรินทร์ บินอาหมัด :

ผมใจแรก

2026-10-17 01:34:49

1

กีต้า :

คน67

2026-10-17 01:39:26

1

🤍(๑･̑◡･̑๑)🤍 :

คนแรก

2026-10-17 01:31:42

3

มาเตโอ 6️⃣7️⃣ 🧔🏻‍♀️ :

ทัน

2026-10-17 01:32:35

1

นาคา สองพิษ(137)คน :

คนไทยมั้ยครับ

2026-10-17 04:14:25

1

เดาดูกูใคร😪 :

ทันนน

2026-10-17 01:42:13

1

ชอบโชว์รั่ว :

พี่เป็นคนจังหวัดอะไรหรอครับ

2026-10-17 01:37:38

2

ฮุ๊ปปิ๊ :

2026-10-17 01:34:22

2

บุ้ววววว :

นี้

2026-10-17 04:15:08

0

° :

มีแต่คนคนไวอะ

2026-10-17 01:36:31

1

ต้มอึ่งเก :

2026-10-17 01:39:55

1

Bentennyson :

เเต่ละเพลง😂😂😂

2026-10-17 04:28:32

0

🤍jun×tin🖤 :

อยากรู้ทำเสียงยังไง

2026-10-17 04:31:41

0

ชื่ออะไร :

ทัน

2026-10-17 01:39:44

1

เอกชอบเล่น fisch :

2026-10-17 10:10:51

0

อัมรินทร์ บินอาหมัด :

2026-10-17 01:35:18

1

B🐉🪷 :

ทัน

2026-10-17 04:02:39

0

ออก้าเองใครล่ะ555 :

2026-10-17 03:18:06

0

ខ្ញុំចូលចិត្តធីវ។ :

ทันไหมครับ

2026-10-17 03:17:31

0

ลูกกะตาแมน :

สไปเดอร์แมนการเลี้ยงทุกอย่างเลยใช่ไหมครับ

2026-10-17 07:49:00

0

NEVERDIE :

ขนลุกคัก

2026-10-17 17:00:00

0

🧿𐔌՞. .՞𐦯ユキ˚⋆𐙚｡⋆🪬 :

ทัน

2026-10-17 01:33:15

1

Gus 🌷🩷 :

คนที่16

2026-10-17 01:42:31

1

ไทย_ครับ :

2026-10-17 03:05:36

0

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“Simplicity is the final achievement. After one has played a vast quantity of notes and more notes, it is simplicity that emerges as the crowning reward of art.” ― Frédéric Chopin Chopin’s Nocturne No. 20 in C-sharp minor was composed in 1830 and published posthumously in 1870. Though he never intended to publish it, Chopin dedicated the piece to his sister Ludwika, calling it “an exercise before beginning the study of my second Concerto.” The piece gained historical significance when Holocaust survivor Natalia Karp performed it before Amon Goeth, the commandant of a Nazi concentration camp. Moved by her playing, he spared her life. Menahem Pressler (1923–2023) was born in Germany, he fled the Nazis in 1939, later winning the Debussy International Piano Competition (1946), which launched his career. Pressler was one of the most distinguished pianists and chamber musicians of the 20th and 21st centuries. As the founding pianist of the Beaux Arts Trio, he dedicated his life to music, performing, teaching, and inspiring countless musicians over nearly eight decades. Alongside his performing career, Pressler was a dedicated teacher. He taught for nearly 70 years at Indiana University Bloomington, mentoring generations of pianists. Even in his later years, he continued to perform, making his debut with the Berlin Philharmonic at the age of 90 in a globally televised New Year’s Eve concert. We hope you enjoy this short clip of Menahem Pressler performing Chopin’s Nocturne No. 20. We strongly encourage you to listen to the full performance online. Menahem Pressler | Chopin – Nocturne No. 20 in C-sharp minor Op. posth 💡 Follow @kolico_art for more history and insights into the world of classical music! All rights reserved to their respective copyright holders. Video edited and curated by @kolico_art. . . . #chopin #menahempressler #classicalmusic #nocturne #piano #musichistory #timelessmusic

“Simplicity is the final achievement. After one has played a vast quantity of notes and more notes, it is simplicity that emerges as the crowning reward of art.” ― Frédéric Chopin Chopin’s Nocturne No. 20 in C-sharp minor was composed in 1830 and published posthumously in 1870. Though he never intended to publish it, Chopin dedicated the piece to his sister Ludwika, calling it “an exercise before beginning the study of my second Concerto.” The piece gained historical significance when Holocaust survivor Natalia Karp performed it before Amon Goeth, the commandant of a Nazi concentration camp. Moved by her playing, he spared her life. Menahem Pressler (1923–2023) was born in Germany, he fled the Nazis in 1939, later winning the Debussy International Piano Competition (1946), which launched his career. Pressler was one of the most distinguished pianists and chamber musicians of the 20th and 21st centuries. As the founding pianist of the Beaux Arts Trio, he dedicated his life to music, performing, teaching, and inspiring countless musicians over nearly eight decades. Alongside his performing career, Pressler was a dedicated teacher. He taught for nearly 70 years at Indiana University Bloomington, mentoring generations of pianists. Even in his later years, he continued to perform, making his debut with the Berlin Philharmonic at the age of 90 in a globally televised New Year’s Eve concert. We hope you enjoy this short clip of Menahem Pressler performing Chopin’s Nocturne No. 20. We strongly encourage you to listen to the full performance online. Menahem Pressler | Chopin – Nocturne No. 20 in C-sharp minor Op. posth 💡 Follow @kolico_art for more history and insights into the world of classical music! All rights reserved to their respective copyright holders. Video edited and curated by @kolico_art. . . . #chopin #menahempressler #classicalmusic #nocturne #piano #musichistory #timelessmusic

This fixed the hottest room in my house! @garveehomestore #Garvee #GarveeHome #HomeAppliances #AirConditioner #TikTokshopbacktoschool

This fixed the hottest room in my house! @garveehomestore #Garvee #GarveeHome #HomeAppliances #AirConditioner #TikTokshopbacktoschool

Баъзан Аллоҳ сени бир вақтлар ўзингга таниш ва яқин бўлиб қолган жойлардан, муносабатлардан ёки муҳитлардан олиб чиқади. Бу сени жазолаш учун эмас — сени асраш учун бўлади. Сен айрилиқ деб ўйлаган нарса, аслида унинг раҳмати бўлиши мумкин. Ёпилган эшикдек кўринган нарса эса, тинчлигингга, мақсадларингга ёки аллох билан бўлган йўлингга зарар етказиши мумкин бўлган нарсадан сени асраш учун ёпилган бўлиши мумкин. Агар Аллоҳ сени бир вақтлар ўзингга тегишли деб билган даврадан олиб чиққан бўлса, орқага қараб қолма. Сен кўра олмайдиган нарсаларни У кўради. У қалбингга нима таскин бераётганини, нималар эса сездирмай уни заҳарлаётганини ҳам билади. Бир эшикни ёпган Аллоҳ , ўзи энг муносиб деб билган вақтида ундан-да яхшироқ эшикни очишга қодир. У сендан орқада қолдиришни сўраган нарсани қўйиб юбор. Ва ишон: У сени олиб бораётган жой, сени олиб чиққан жойдан анча яхшироқ бўлади. #creatorsearchinsights #godiswithme

Баъзан Аллоҳ сени бир вақтлар ўзингга таниш ва яқин бўлиб қолган жойлардан, муносабатлардан ёки муҳитлардан олиб чиқади. Бу сени жазолаш учун эмас — сени асраш учун бўлади. Сен айрилиқ деб ўйлаган нарса, аслида унинг раҳмати бўлиши мумкин. Ёпилган эшикдек кўринган нарса эса, тинчлигингга, мақсадларингга ёки аллох билан бўлган йўлингга зарар етказиши мумкин бўлган нарсадан сени асраш учун ёпилган бўлиши мумкин. Агар Аллоҳ сени бир вақтлар ўзингга тегишли деб билган даврадан олиб чиққан бўлса, орқага қараб қолма. Сен кўра олмайдиган нарсаларни У кўради. У қалбингга нима таскин бераётганини, нималар эса сездирмай уни заҳарлаётганини ҳам билади. Бир эшикни ёпган Аллоҳ , ўзи энг муносиб деб билган вақтида ундан-да яхшироқ эшикни очишга қодир. У сендан орқада қолдиришни сўраган нарсани қўйиб юбор. Ва ишон: У сени олиб бораётган жой, сени олиб чиққан жойдан анча яхшироқ бўлади. #creatorsearchinsights #godiswithme

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