@pensandpoison: I recently finished reading Ottessa Moshfegh’s bestselling 2018 novel My Year of Rest and Relaxation. While I usually do not read books from the “Millennial Sad Girl Navigates Modern Life” genre, I was compelled to see what all the fuss is about. Suffice it to say that I was not impressed. But I could not quite put my finger on the source of my disdain until, several days ago, it hit me: Moshfegh’s unnamed narrator walks away learning absolutely nothing. The fault of this particular novel might be with Moshfegh’s nihilistic outlook on life, but the problem cuts even deeper. Today, the publishing industry as a whole turns its nose up to narratives that promote objective meaning. There’s a lot to unpack in that claim, but it is no accident that the publishing industry shies away from books that illustrate “the good life” in the Aristotelian sense. Reared on the postmodern spirit that dominates colleges and universities, publishing professionals favor ambiguous, open-ended narratives to stories with clear redemption arcs. But, at its core, literature should not only teach us to think critically but also to live our best lives. Full essay on my Substack.

Liza Libes

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Region: US

Saturday 17 October 2026 17:58:54 GMT