@nisathuraya: currently loving these G2G POMEGRANATE BRIGHT SERUM PADS 🍎💗✨ #brightserumpads #serumpads #g2gmy

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Friday 23 October 2026 09:39:07 GMT
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What makes someone go from liking an artist’s work to actually wanting to collect it? It isn’t always an immediate decision, and it doesn’t necessarily start with the intention to buy anything. In part two of Inside a Collector’s Brain, I’m continuing the story of how I eventually purchased a Graciela Iturbide photograph at auction. After discovering her photography at the Getty in Los Angeles, I spent time researching her work and looking through her catalogs. Then I broke my arm and spent several weeks recovering in bed, returning to her photographs again and again. I realized that her work had become a source of comfort. I was drawn to the stillness, atmosphere, and magical realism in her images. I wasn’t studying the photographs to convince myself to buy one. I simply wanted to spend time with them. Eventually, I emailed Iturbide to tell her how much her work had meant to me during my recovery. She replied with a very gracious note. At that point, I wasn’t trying to establish a relationship with an artist so I could buy her work. I just wanted to tell her that her photographs had made a difference to me. I think this is an important part of understanding how art collecting works. A collector’s interest in an artist can develop long before they are ready to make a purchase. Looking, researching, revisiting the work, and developing a personal connection to it are all part of the process. For artists, this is one reason it helps to make your work accessible beyond a single social media post. A website, exhibition history, catalog, or archive gives people a way to spend more time with your practice and understand what you’re doing. You may never know when someone first encounters your work, or how long they have been thinking about it before they reach out. And you don’t need to become friends with collectors to sell your art. The work itself comes first. But when a piece of art genuinely moves you, I think it’s worth telling the artist, without expecting anything in return. This is part two of Inside a Collector’s Brain, my series about the real thought process behind buying art. In the next part, I’ll get into how I found the actual photograph I eventually purchased and started figuring out whether buying it at auction made sense. If you’re an artist trying to understand how collectors think, a new collector learning how to build a collection, or someone interested in contemporary photography, follow along. #ArtCollecting #EmergingCollectors #ArtistTips #ContemporaryPhotography #artrookie
What makes someone go from liking an artist’s work to actually wanting to collect it? It isn’t always an immediate decision, and it doesn’t necessarily start with the intention to buy anything. In part two of Inside a Collector’s Brain, I’m continuing the story of how I eventually purchased a Graciela Iturbide photograph at auction. After discovering her photography at the Getty in Los Angeles, I spent time researching her work and looking through her catalogs. Then I broke my arm and spent several weeks recovering in bed, returning to her photographs again and again. I realized that her work had become a source of comfort. I was drawn to the stillness, atmosphere, and magical realism in her images. I wasn’t studying the photographs to convince myself to buy one. I simply wanted to spend time with them. Eventually, I emailed Iturbide to tell her how much her work had meant to me during my recovery. She replied with a very gracious note. At that point, I wasn’t trying to establish a relationship with an artist so I could buy her work. I just wanted to tell her that her photographs had made a difference to me. I think this is an important part of understanding how art collecting works. A collector’s interest in an artist can develop long before they are ready to make a purchase. Looking, researching, revisiting the work, and developing a personal connection to it are all part of the process. For artists, this is one reason it helps to make your work accessible beyond a single social media post. A website, exhibition history, catalog, or archive gives people a way to spend more time with your practice and understand what you’re doing. You may never know when someone first encounters your work, or how long they have been thinking about it before they reach out. And you don’t need to become friends with collectors to sell your art. The work itself comes first. But when a piece of art genuinely moves you, I think it’s worth telling the artist, without expecting anything in return. This is part two of Inside a Collector’s Brain, my series about the real thought process behind buying art. In the next part, I’ll get into how I found the actual photograph I eventually purchased and started figuring out whether buying it at auction made sense. If you’re an artist trying to understand how collectors think, a new collector learning how to build a collection, or someone interested in contemporary photography, follow along. #ArtCollecting #EmergingCollectors #ArtistTips #ContemporaryPhotography #artrookie

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