@jannahqueen.nasheeds: #fyp #aesthetic #nasheed #darkedit

Mo Farah151 :

Wow, that was beautiful. That was very nice poem.

Bin Umar :

I read the story behind this poem, it's all about a defeated warrior who had been a chief, a commander, a respected warrior, a man accustomed to commanding others and a horseman who had fought in battles. At the moment he sang the poem, he was captured, restrained, awaiting execution, separated from his people and unable to return home. His captors even tied his tongue with a leather strap because they feared that he would use his famous poetic ability to insult and ridicule them. They weren't merely afraid of his sword, they were afraid of his tongue because his poetry was powerful enough to damage their honour. When Abd Yaghuth realized that his death was unavoidable, he asked that his tongue be released so that he could speak and he apparently promised not to use his speech merely to abuse his captors. So they released him and instead of giving them an ordinary plea for mercy, he composed what became one of the most famous examples of “self-elegy” (رثاء النفس) He was writing/singing his own elegy while he was still alive and awaiting death. In one sentence, be is a defeated warrior-chief, captured in battle and condemned to death, used his final moments to say farewell to his friends, remember the man he once was, lament the loss of his freedom and honour, and compose an extraordinary poetic farewell to his own life. That is why the opening “ألا لا تلوماني” — “Do not blame me” carries much more weight than it appears to at first glance.

Wahid Abaoub :

@Wahid Abaoub ::الجمال البلاغي في هذا الشعر الجاهلي لا خلاف عليه، لكن المذهل حقاً هو أنه عندما جاء القرآن الكريم، أقرّهؤلاء الفصحاء والشعراء أنفسهم ببلاغته وعجزوا تماماً أمام جمال بيانه، رغم أنه تحداهم في ذروة قوتهم اللغوية أن يأتوا بسورة واحدة من مثله ولم يستطيعوا

 Ama💫  :

I love you janannat 🥰🥰🥰

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yaSsy :

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sarah :

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📚☝️ إِسْحَاق || 1431هـ :

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📚☝️ إِسْحَاق || 1431هـ :

حسابي ديني ارجوكم تابعوني