@ijazakrambacha_official: #ijazAkramBacha #goviral #liveforthechallenge #foryourpage #learnontiktok

IjazAkramBachaOfficial
IjazAkramBachaOfficial
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Wednesday 28 October 2026 16:22:22 GMT
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user293243689
. :
Mashallah
2026-10-28 16:59:53
0
hilaljani106
🔥🧿LADLA GAMING🧿🔥 :
Bacha saib 🤲❤️🙏
2026-10-28 17:29:02
0
umargul7129
Umargul :
mashallah 🥰🥰🥰🥰🥰
2026-10-28 16:32:04
0
aliyousafzai32
Ali Yousafzai :
Mashallah
2026-10-28 17:27:05
0
baiskhan06
Baiskhan yousafxay :
کو دسے گاڈے ما سرہ اوو ارامشہ چے اوس بہ مے پہ ویڈیو 4 یا 5 ہزار لائیک اوو۔۔[Snicker][Snicker][Snicker]
2026-10-28 19:12:35
0
ghuf.ran.khan
Ghuf Ran Khan :
❤️❤️❤️
2026-10-29 02:21:38
0
malakhasnainksk
💖🦋🥀Hasnain jan🥀 :
🌺🌺🌺
2026-10-28 20:39:52
0
sikandar.hayat611
❣️❤️‍🩹S.H.K❣️❤️‍🩹 :
🥰🥰🥰
2026-10-28 22:33:09
0
shah.sawar417
ننگیال حان :
❤️❤️❤️
2026-10-28 21:52:36
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youngparliamentaryleader
PK,53MPAمشاہداقبال خان :
❤️❤️❤️
2026-10-28 21:07:00
0
m.shahab.khan38
M Shahab khan :
🥰🥰🥰🥰🥰
2026-10-29 02:15:35
0
sabirkhan86903
sabirkhan86903 :
[Wilted rose][Wilted rose][Wilted rose]
2026-10-28 20:27:15
0
malik.khan3514
🇵🇰Malik Khan swabi🇵🇰 :
🥰🥰🥰
2026-10-28 20:02:49
0
arsalankha069
⚡𝐢𝐓𝐬 𝐀𝐫𝐒𝐚𝐋𝐚𝐍♡● :
🥰🥰🥰
2026-10-28 19:53:22
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shabirkhan93000
shabir khan :
🥰🥰🥰
2026-10-28 19:50:44
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qaisaralikhan48
قیصر خان :
😍😍😍
2026-10-28 19:50:10
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user9798774083778
zayarat khan swabiwal :
❤️❤️❤️
2026-10-28 19:25:54
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inaaskhan16
Inaaskhan 16 :
😘😘😘
2026-10-29 02:54:16
0
faiqbacha6651
FAIQ Bacha :
❤️❤️❤️
2026-10-28 18:39:48
0
karnalsherkhan111
karnalsherkhan111 :
❤️❤️❤️
2026-10-28 18:31:31
0
muhammadarif.000
Muhammad Arif yousafzai :
🤗🤗🤗
2026-10-28 18:24:44
0
hanifkhan9330
Hanif Khan :
🥰🥰🥰
2026-10-28 18:22:54
0
hamid.kha49
🏴‍☠️🥹Hamid🥹🇦🇫khan🥹🏴‍☠️ :
🌹🌹🌹
2026-10-28 18:14:59
0
1asad44
꧁☆*çãđ*☆꧂ :
@👍👍👍❤️❤️❤️
2026-10-28 18:04:00
0
ishtiaq.veterinarian
Dr.Ishtiaq Ahmad :
[Heartwarming][Heartwarming][Heartwarming]
2026-10-28 16:23:48
0
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I got on a plane to Los Angeles to see the new David Geffen Galleries at @LACMA , and somewhere between the architecture, the art, and my complete inability to understand the floor plan, I got very, very lost. I asked for directions twice. The collection moves across centuries, cultures, materials, and geographies in a way that makes you want to keep wandering rather than follow a particularly sensible route. So I stopped trying to be sensible. I wandered. I talked to strangers. I asked them to take photographs of me. I complained about the price of art. And I found a few things that were by artists that wer surprisingly attainable.  My favorite discovery was Harumi Nakashima’s Work 0808. I have always been susceptible to ceramics that feel almost biologically alive, and Nakashima’s work has that. It was probably the piece I was least prepared to love and the one I couldn’t stop looking at. Then there was Scherezade García’s Harvest of the Sea, a monumental triptych that completely changes the temperature of the room.  And then: Matisse’s 1953 La Gerbe.  I knew the work. I knew the photographs. I knew the story. But seeing it installed in the new Geffen Galleries was completely different. The enormous ceramic wall piece was commissioned by Los Angeles collectors Frances and Sidney Brody for their A. Quincy Jones-designed home, where it became, in Frances Brody’s words, the “heart of our home.” It eventually made its way to LACMA, and it now anchors one wall. It’s striking in person in the very best way.  There was something satisfying about seeing a work made for a collector’s home become part of a museum’s public life. You go to a museum thinking you’re going to see individual works of art, but eventually you start seeing the relationships between them. The artists, the collectors, the curators, the architecture, the history of the city itself. You start noticing what a museum chooses to put next to what, what it decides is worth carrying forward, and what stories it wants you to see together. That is the part of collecting I find so interesting, too. A collection is never just a pile of objects you happen to like. Over time, it becomes a way of thinking. Anyway, I came to LACMA with a list of things I wanted to see and left having wandered into rooms I hadn’t planned on visiting, fallen in love with works I hadn’t expected, and asked for directions twice. Which may actually be the best way to visit a museum. #LACMA #DavidGeffenGalleries #LosAngelesArt #LosAngelesMuseum #ArtMuseum
I got on a plane to Los Angeles to see the new David Geffen Galleries at @LACMA , and somewhere between the architecture, the art, and my complete inability to understand the floor plan, I got very, very lost. I asked for directions twice. The collection moves across centuries, cultures, materials, and geographies in a way that makes you want to keep wandering rather than follow a particularly sensible route. So I stopped trying to be sensible. I wandered. I talked to strangers. I asked them to take photographs of me. I complained about the price of art. And I found a few things that were by artists that wer surprisingly attainable. My favorite discovery was Harumi Nakashima’s Work 0808. I have always been susceptible to ceramics that feel almost biologically alive, and Nakashima’s work has that. It was probably the piece I was least prepared to love and the one I couldn’t stop looking at. Then there was Scherezade García’s Harvest of the Sea, a monumental triptych that completely changes the temperature of the room. And then: Matisse’s 1953 La Gerbe. I knew the work. I knew the photographs. I knew the story. But seeing it installed in the new Geffen Galleries was completely different. The enormous ceramic wall piece was commissioned by Los Angeles collectors Frances and Sidney Brody for their A. Quincy Jones-designed home, where it became, in Frances Brody’s words, the “heart of our home.” It eventually made its way to LACMA, and it now anchors one wall. It’s striking in person in the very best way. There was something satisfying about seeing a work made for a collector’s home become part of a museum’s public life. You go to a museum thinking you’re going to see individual works of art, but eventually you start seeing the relationships between them. The artists, the collectors, the curators, the architecture, the history of the city itself. You start noticing what a museum chooses to put next to what, what it decides is worth carrying forward, and what stories it wants you to see together. That is the part of collecting I find so interesting, too. A collection is never just a pile of objects you happen to like. Over time, it becomes a way of thinking. Anyway, I came to LACMA with a list of things I wanted to see and left having wandered into rooms I hadn’t planned on visiting, fallen in love with works I hadn’t expected, and asked for directions twice. Which may actually be the best way to visit a museum. #LACMA #DavidGeffenGalleries #LosAngelesArt #LosAngelesMuseum #ArtMuseum

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