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@sendit_a406: this is for real #fyp #eastlondon #a406
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Region: GB
Friday 30 October 2026 19:04:38 GMT
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stena🇦🇱 :
Nah man not the s class 😢
2026-10-30 20:24:30
1
أعيان :
2026-10-30 19:26:50
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To see more videos from user @sendit_a406, please go to the Tikwm homepage.
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#xh #fyp #doisong #bunny 5ph xoá
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There’s something that can happen when great actors get together — people who understand their characters so well, and are so present in the moment — they suddenly find themselves, as a group, in a place they never expected. "We could have filmed that monologue a thousand different times and it would have taken on new life with each take," director Ryan Coogler told The LA Times. "The gut-punch way he ends it, going from telling the story of a lynching to drumming along and humming ... it’s macabre, sorrowful and beautiful all at the same time. It shows you exactly why Delroy’s such a masterful actor. If you ever needed to give someone the world’s fastest lesson in what the blues is about, he gives it to you right there." It was a masterclass in acting, for sure, but Lindo is quick to point out that the moment wasn’t the creation of just one person. “It's important for me to articulate this every single time I talk about that aspect of the scene,” Lindo told Tonya Mosley on NPR’s Fresh Air. “We were very much working in concert. We were very much working as an ensemble at that point. “It happened organically on probably the sixth or seventh take, and what is so beautiful about that moment and its retention in the film is that it was born of a company of people all working together.” Because, as he said, “We had a finite amount of real estate to get the scene in. “We started at point A, and by the time we got to point B or point Z, I had to have finished the monologue. It was a three-page monologue.” So, they’d set everything up, and Michael B Jordan would drive him the short distance as he did his three page monologue, trying to pace it just right for the timing, while also staying in the pocket, emotionally. And then they’d turn around, set everything up, and do it all again. “I'm forever indebted to Mike playing Stack,” he continued. Because as they got to the end of the road, the magic happened. Everybody in the car could feel it, and Jordan had a quick decision to make. “Mike didn't stop the car. We got to what was supposed to be the endpoint, and he veered off into the underbrush and kept going.” But it wasn’t just a matter of two of the finest actors working being expertly in tune. The whole crew was right there with them, and present enough to make sure that what they were creating was not lost. “Ryan kept the cameras rolling. Autumn Durald Arkapaw — brilliant cinematographer — she was right there. “We continued filming. And as a result of that, it gave the scene more time to breathe and for us extra time, more time to be in that moment.” And they created, together, one of the most emotionally resonant beats in the film, a chord that continues to echo through your soul long after it was played. #popculturehistorian #sinners #delroylindo #michaelbjordan #ryancoogler
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