@missflawlessss: So ano nga through process ko?! 🤨 Shampoo & conditioner na yan ha!!!

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Friday 06 November 2026 06:14:10 GMT
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amplngc
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Hoyyyyyy ate sazchhh
2026-11-06 06:24:38
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4rt po
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The before and after of my latest reduction firing, it was packed almost entirely with mugs and bowls and stock-fillers, not for hanging by the hearth, but for replenishing the items in my online shop restocks I generally sell the most of.   Let’s talk about the refires that are on the lowest layer as there’s always a heap of questions asking about what they’re doing there.   Whilst 95% of this chamber of pots fires to the correct temperature, this spot on the bottom shelf right by the door typically under-fires, resulting in matte surfaces swaddling the pots rather than the glossier one’s I expect. If these same under-fired pots are refired in this spot again it fixes them, so that’s why some of these are going in for a second dose of fire. Others might need some minor corrections, for instance, if that glaze originally crawled, (this is when the glass separates from itself, leaving regions of bare clay amongst glaze), I can fill these spots back up with new glaze, so that it’s sitting proud, then it’s fettled back flush and fired a second time. The last defect that can be corrected is boiling. If a pot is fired in a spot where the temperature is too hot, the glass can begin to bubble and spit, this normally results in quite a scratchy, pockmarked surface. Another round in the kiln can fix this, but not always, but if there’s space inside it’s worth a try.   Irritatingly, these refires often end up as some of the nicest pots as the iron-hue on those sharp edges intensifies and becomes more metallic and the green glaze deepens and takes on more character. In theory I could achieve this effect on every single piece if the entire kiln was just fired twice without moving anything, but that’s highly inefficient and truth be told, there are probably better ways of achieving those effects by altering the original glaze recipes, but maybe not.   #beforeandafter #craft #asmr #satisfying #pottery  
The before and after of my latest reduction firing, it was packed almost entirely with mugs and bowls and stock-fillers, not for hanging by the hearth, but for replenishing the items in my online shop restocks I generally sell the most of.   Let’s talk about the refires that are on the lowest layer as there’s always a heap of questions asking about what they’re doing there.   Whilst 95% of this chamber of pots fires to the correct temperature, this spot on the bottom shelf right by the door typically under-fires, resulting in matte surfaces swaddling the pots rather than the glossier one’s I expect. If these same under-fired pots are refired in this spot again it fixes them, so that’s why some of these are going in for a second dose of fire. Others might need some minor corrections, for instance, if that glaze originally crawled, (this is when the glass separates from itself, leaving regions of bare clay amongst glaze), I can fill these spots back up with new glaze, so that it’s sitting proud, then it’s fettled back flush and fired a second time. The last defect that can be corrected is boiling. If a pot is fired in a spot where the temperature is too hot, the glass can begin to bubble and spit, this normally results in quite a scratchy, pockmarked surface. Another round in the kiln can fix this, but not always, but if there’s space inside it’s worth a try.   Irritatingly, these refires often end up as some of the nicest pots as the iron-hue on those sharp edges intensifies and becomes more metallic and the green glaze deepens and takes on more character. In theory I could achieve this effect on every single piece if the entire kiln was just fired twice without moving anything, but that’s highly inefficient and truth be told, there are probably better ways of achieving those effects by altering the original glaze recipes, but maybe not.   #beforeandafter #craft #asmr #satisfying #pottery  

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