🐊 :
ty all so much for all the love and support on this edit 😭🫶 I put a lot of analysis into making this so here are some details i’m proud of in this edit/things I was thinking while making it: •fleabag is turning towards the priest in both the first two clips, showing her search for love •for “maybe there’s a god above”, fleabag is the one who is physically above the priest but the words “god above” appear with him on screen, showing both his faith and how she puts him on a pedestal •the words “god” for the priest and “love” for fleabag are shown in the same way, both behind and in front of them, showing how god and love are respectively their own main searches of the season. •fleabag looks at us for the “someone who outdrew ya” but then speaks to the priest. who is the one that outdrew (hurt) her — us, him, or the wall she put up? but also, he is mentally outdrawing her by being the only one to see through her fourth wall breaks. •”a cry you hear at night” is both religious and sexual, hence the scene where they’re intimate in the confessional booth. which cry wins out, the one of god or the one of sex? •the priest has “seen the light” both in his love of god and the clarity he has of his own life choices. fleabag has seen the light in understanding the priest and how she is not the life path he’s chosen. •the first “hallelujah” where fleabag is confessing is physically broken up into pieces — a broken hallelujah. •when the priest is speaking at the wedding, “hallelujah” is behind him in all caps, showing the religious meaning of the word within the song. when fleabag and the priest are together, it’s in lowercase in front of them, showing the romantic meaning of the word within the song. •when the priest says “when you find somebody that you love”, the words “you love” line up with fleabag saying “what if you meet someone *you love*”. I intended it to feel like his memory of that moment as he’s speaking.
2026-11-12 22:19:02