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Wednesday 11 November 2026 04:33:48 GMT
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Buổi :
Nhà ai đó
2026-11-11 05:25:05
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Lia faked ✈️ :
Người có sao k em
2026-11-11 09:27:31
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nhà xóm nào á
2026-11-11 09:38:16
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Ở đâu vậy ah
2026-11-11 09:11:54
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nhà ak hả
2026-11-11 06:10:33
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![repost from @slash repost from @blueelephantbeats The Pretenders “The Wait” Alright Now, Tyne Tees Television, Newcastle upon Tyne, July 10, 1980 In the summer of 1978, Pete Farndon persuaded guitarist James Honeyman-Scott to come down from Hereford and meet an American singer named Chrissie Hynde. Honeyman-Scott had been working in a music shop and growing vegetables, and initially found the new band far too loud. They recorded a demo featuring “The Wait,” which Hynde had written with Farndon, and took it to her old friend Nick Lowe. He preferred their cover of the Kinks’ “Stop Your Sobbing” and agreed to produce it as a single, with “The Wait” on the reverse. The recording took one day. The following morning, the Pretenders travelled to Paris for their first concerts at the Gibus club. They later recorded a new version of “The Wait” with producer Chris Thomas for their debut album. Years later, Hynde remembered watching bassist T.M. Stevens play “The Wait” and feeling that something was missing. Stevens was an exceptionally accomplished musician who could navigate the song effortlessly, unlike Farndon, whose fingers sometimes bled from the effort of playing. Hynde felt that the struggle had been part of the original performance. She finally asked Stevens to play the song using just one finger. Suddenly, he had to work for every note, and Hynde recognised the quality she had been missing. She later recalled that making music look too easy could take away some of its excitement. iiii]; )'](/video/cover/7704747492742647054.webp)
