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@vneconomy.vn: Mô hình kinh doanh của chuỗi trà sữa Mixue bắt đầu gặp khó #vneconomy #economics #trending #economic #economy #kinhtế #kinhte

VnEconomy - Tạp chí Kinh tế VN
VnEconomy - Tạp chí Kinh tế VN
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Friday 13 November 2026 03:11:57 GMT
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Halloween - Zombies - Mummies? Is an Egyptian mummy a kind of zombie? Only in a very loose sense: both suggest that death might not be the end. But the ancient Egyptian hope was to become a complete, renewed person with memory, identity and freedom—not the mindless walking corpse familiar from modern zombie films. Mummification transformed the body into an enduring, sacred form associated with Osiris, the god who overcame death. Yet this transformation was far from guaranteed. The Book of the Dead—a collection of spells whose Egyptian title means “Coming Forth by Day”—reveals remarkably vivid fears about what might happen after burial. Spell 43 protects the deceased against having their head severed. This was more serious than the disturbing possibility of a mummy’s head becoming detached: bodily integrity mattered for continued existence, and decapitation threatened permanent destruction. Spell 44 guards against dying a second time, while Spell 154 protects the corpse from decay. Eternity could be lost. Even stranger is the fear of having to move upside down in the afterlife, addressed in Spell 53. This belonged to a terrifying reversal of the proper order of existence, sometimes associated with having to consume excrement and urine instead of normal food and drink. The desired afterlife preserved the pleasures and dignity of living; its nightmare opposite distorted them. Other spells restore the most basic freedoms: breathing, speaking, eating and moving. Spell 23 asks for the mouth to be opened and its obstructing bindings loosened. The image can sound like a horror film—a wrapped body struggling to free itself—but its religious meaning is the recovery of vital abilities. The bandages themselves were protective; the spell overcomes their imagined restraint rather than instructing someone to unwrap the corpse. Other formulas secure breathable air, ensuring that the deceased can draw breath again in the world beyond death. And Halloween? There is no established historical line connecting it to ancient Egyptian festivals. Halloween developed through European traditions associated with Samhain and the Christian eve of All Saints’ Day. Nevertheless, Egypt offers a striking parallel in the Beautiful Festival of the Valley at Thebes. Amun’s sacred image travelled from Karnak across the Nile to the western bank, while families gathered at the tombs of their relatives with offerings, food and drink. The dead remained part of the community, included in a celebration shared with the living. The connection is therefore thematic rather than ancestral: both invite us to imagine contact between the living and the dead. But where modern Halloween often turns the returning dead into something frightening, the Egyptian festival welcomed beloved relatives. Behind the mummy’s unsettling appearance lies a deeply human wish: to breathe again, remain oneself, and never be entirely separated from those one loves. #egypt #History #mystery #pyramids #halloweenmakeup
Halloween - Zombies - Mummies? Is an Egyptian mummy a kind of zombie? Only in a very loose sense: both suggest that death might not be the end. But the ancient Egyptian hope was to become a complete, renewed person with memory, identity and freedom—not the mindless walking corpse familiar from modern zombie films. Mummification transformed the body into an enduring, sacred form associated with Osiris, the god who overcame death. Yet this transformation was far from guaranteed. The Book of the Dead—a collection of spells whose Egyptian title means “Coming Forth by Day”—reveals remarkably vivid fears about what might happen after burial. Spell 43 protects the deceased against having their head severed. This was more serious than the disturbing possibility of a mummy’s head becoming detached: bodily integrity mattered for continued existence, and decapitation threatened permanent destruction. Spell 44 guards against dying a second time, while Spell 154 protects the corpse from decay. Eternity could be lost. Even stranger is the fear of having to move upside down in the afterlife, addressed in Spell 53. This belonged to a terrifying reversal of the proper order of existence, sometimes associated with having to consume excrement and urine instead of normal food and drink. The desired afterlife preserved the pleasures and dignity of living; its nightmare opposite distorted them. Other spells restore the most basic freedoms: breathing, speaking, eating and moving. Spell 23 asks for the mouth to be opened and its obstructing bindings loosened. The image can sound like a horror film—a wrapped body struggling to free itself—but its religious meaning is the recovery of vital abilities. The bandages themselves were protective; the spell overcomes their imagined restraint rather than instructing someone to unwrap the corpse. Other formulas secure breathable air, ensuring that the deceased can draw breath again in the world beyond death. And Halloween? There is no established historical line connecting it to ancient Egyptian festivals. Halloween developed through European traditions associated with Samhain and the Christian eve of All Saints’ Day. Nevertheless, Egypt offers a striking parallel in the Beautiful Festival of the Valley at Thebes. Amun’s sacred image travelled from Karnak across the Nile to the western bank, while families gathered at the tombs of their relatives with offerings, food and drink. The dead remained part of the community, included in a celebration shared with the living. The connection is therefore thematic rather than ancestral: both invite us to imagine contact between the living and the dead. But where modern Halloween often turns the returning dead into something frightening, the Egyptian festival welcomed beloved relatives. Behind the mummy’s unsettling appearance lies a deeply human wish: to breathe again, remain oneself, and never be entirely separated from those one loves. #egypt #History #mystery #pyramids #halloweenmakeup
Có những quyết định tưởng chỉ sai một lần, nhưng phải mất rất nhiều năm mới có thể sửa lại. #tamtrangbuon #xuhuong #sttdoi #viralvideo #ilovetiktok
Có những quyết định tưởng chỉ sai một lần, nhưng phải mất rất nhiều năm mới có thể sửa lại. #tamtrangbuon #xuhuong #sttdoi #viralvideo #ilovetiktok

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