@hninphyusin2004: @Dr.Face #Hps #4u

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Saturday 14 November 2026 05:29:43 GMT

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Comments

khin thu zar :

နုဥနေတာပဲကွယ်💞💞@ nnoe431💞💞

2026-11-14 06:10:53

11

toxic1500 :

ကြည့်ကောင်းချက်@ nnoe431💯💯

2026-11-15 02:19:35

1

nay chi🍑 :

ရှယ်ကြိီးကွား🥰🥰@ noramoe223✨✨

2026-11-15 04:28:16

1

chouRo :

:ကြည်ပီပီးပေါ့🥰@ noramoe223🥰🥰

2026-11-15 04:03:09

1

herolay :

♥️herolay9955🥰

2026-11-15 03:55:31

1

DawPanEi :

အားပေးကြပါအုန်း😍 ╔══✨══╗ @ xwxw200 ⭐ ╚══✨══╝🩵

2026-11-15 06:10:47

1

Kaenji_🗯️ :

နုဥနေတာပဲကွယ်💞💞@ thiri2215 💞💞

2026-11-15 05:14:06

1

jixx still suffering :

အရင်က ဇီးကွက်လား ခိုလားမသိဘူး ငှက်လွှတ်တဲ့ vd လေးအစက pin ထားထားတာပါ အခုဘာလို့ ဖြုတ်ပစ်တာလဲ😞

2026-11-15 05:28:14

0

Hugo :

အသံက အော်ဒယ်ဂျင်နယ်လား

2026-11-14 08:26:30

0

K² :

မေမီကိုကိုအသံနဲ့ဆင်တယ်☹

2026-11-14 10:24:33

0

Kyaw Thet :

ဟအားကွာ ဝပီးလှလာဒါ လွန်ဒါပေါ့😍

2026-11-14 06:55:44

0

•S.V KUMARRUE.🩷✨🤦🏻 :

wow so cute

2026-11-14 07:15:51

0

Six :

စောက်ရမ်းကြိုက်တယ်ဗျာ

2026-11-14 08:06:28

0

မောင် Tommy :

First

2026-11-14 05:30:46

0

ယင်းမာ! ဗမာပြည် သာစည် :

WOW

2026-11-14 06:05:00

0

katidya :

2026-11-14 05:52:12

0

Myat Thu Aung :

2026-11-14 06:50:01

0

ᴍᴏsʜɪ ™ :

💗

2026-11-14 07:49:26

0

Luis l :

2026-11-14 05:31:23

0

𝐘𝐮𝐧𝐚𐙚 :

Frist ma"

2026-11-14 05:31:02

0

T :

ဂျိုင်းအတွက်ကော ဘာလိမ်းလဲ ဂျိုင်းလေးပြပေးပါလား

2026-11-15 06:37:52

0

(っ◔◡◔)っ ♥ A ♥ :

First idol

2026-11-14 05:38:03

0

aye chan Phyo :

2026-11-14 05:48:29

0

PYAE WAI SOE "✍♠K" :

ဒီလိုပုံစံလေးနဲ့မြင်ရတော့ သူလေးအတော်လှသားပဲ

2026-11-14 11:24:22

0

Neo :

တိုင်းရင်းသူလား

2026-11-14 05:54:53

0

To see more videos from user @hninphyusin2004, please go to the Tikwm homepage.

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Who did you almost call tonight? | Unsent Words | I Almost Called You Tonight The name is still in your contacts. The call never happens. I Almost Called You Tonight is late night music for missing someone, set against a bay where a few amber lights are still visible across the dark water. The Rooftops After Midnight starts the hour. The Tide Keeps Turning comes in at 13:44, part of an 18-track sequence that gives the hesitation a little room. Under the drifting stars, the question stays simple: who did you almost call tonight? The scene looks across a bay long after the day has gone. Far from the camera, a handful of shore lights break the line between the water and the hills. Their reflections are small enough that you have to sit with the view to see them. The open water fits the distance in this title, when a person can feel close enough to call and far enough away that you pause before touching the screen. The Rooftops After Midnight starts with a title that already puts some height and distance between you and the street. Blue Leaves the Door Ajar and Reflections in an Empty Room follow, as if you have gone inside but are still looking out. Where the Lamplight Falls narrows the picture before The Tide Keeps Turning gives it the length of the bay again. Those changes of scale are an invitation to leave the scene open. Night Gives Up Its Blue begins at 21:19, followed by The Last Boat Passes. Together their names make a good place to enter the hour on a night when you do not want to start from the beginning. Watch for a light near the waterline as the scene drifts. Its reflection makes a short vertical trace that comes and goes, like the thought that made you reach for your phone and then set it down. Around the middle, the sequence moves from the after-midnight view to the bridge, the water and the rooftop after the party. The Photograph in the Drawer starts at 40:51, taking the imagined story back to a small thing you can hold. You might picture remembering one particular night rather than the whole history between you. There is a lot a person can recall from a single picture while a call stays unmade. Blue Lingers in the Lamplight and Blue Is Blooming in the Space Between arrive one after the other in the later part of the mix. Then a coat, a sofa and a bookshelf bring the track names back to the scale of a room. The Bookshelf in the Shadows closes out the sequence. It gives the distant lights across the bay one last counterpart: an object nearby that is easy to see only after your eyes have adjusted. Play the whole hour when the evening feels wide open, or choose a place on the timeline that fits how long you want to sit with the feeling. If a name comes to mind, you can keep it to yourself and let the thought run its course. The shoreline will still be there when you look up again. Sometimes it is enough to watch a light from a distance and have music in the room while you do it. The nighttime bay is an AI-generated backdrop for this Unsent Words episode. Track timeline 00:00 The Rooftops After Midnight 02:59 Blue Leaves the Door Ajar 06:26 Reflections in an Empty Room 10:10 Where the Lamplight Falls 13:44 The Tide Keeps Turning 17:43 The Water Beyond the Garden 21:19 Night Gives Up Its Blue 24:11 The Last Boat Passes 27:46 The View After Midnight 31:13 The Bridge at the Corner 34:45 The Water Under Everything 37:29 The Rooftop After the Party 40:51 The Photograph in the Drawer 44:31 Blue Lingers in the Lamplight 48:04 Blue Is Blooming in the Space Between 51:56 A Coat Beside the Door 55:06 The Sofa Near the Window 58:01 The Bookshelf in the Shadows #IAlmostCalled #MissingSomeoneMusic #MidnightBay #LateNightInstrumentals #AlmostCalledTonight

Who did you almost call tonight? | Unsent Words | I Almost Called You Tonight The name is still in your contacts. The call never happens. I Almost Called You Tonight is late night music for missing someone, set against a bay where a few amber lights are still visible across the dark water. The Rooftops After Midnight starts the hour. The Tide Keeps Turning comes in at 13:44, part of an 18-track sequence that gives the hesitation a little room. Under the drifting stars, the question stays simple: who did you almost call tonight? The scene looks across a bay long after the day has gone. Far from the camera, a handful of shore lights break the line between the water and the hills. Their reflections are small enough that you have to sit with the view to see them. The open water fits the distance in this title, when a person can feel close enough to call and far enough away that you pause before touching the screen. The Rooftops After Midnight starts with a title that already puts some height and distance between you and the street. Blue Leaves the Door Ajar and Reflections in an Empty Room follow, as if you have gone inside but are still looking out. Where the Lamplight Falls narrows the picture before The Tide Keeps Turning gives it the length of the bay again. Those changes of scale are an invitation to leave the scene open. Night Gives Up Its Blue begins at 21:19, followed by The Last Boat Passes. Together their names make a good place to enter the hour on a night when you do not want to start from the beginning. Watch for a light near the waterline as the scene drifts. Its reflection makes a short vertical trace that comes and goes, like the thought that made you reach for your phone and then set it down. Around the middle, the sequence moves from the after-midnight view to the bridge, the water and the rooftop after the party. The Photograph in the Drawer starts at 40:51, taking the imagined story back to a small thing you can hold. You might picture remembering one particular night rather than the whole history between you. There is a lot a person can recall from a single picture while a call stays unmade. Blue Lingers in the Lamplight and Blue Is Blooming in the Space Between arrive one after the other in the later part of the mix. Then a coat, a sofa and a bookshelf bring the track names back to the scale of a room. The Bookshelf in the Shadows closes out the sequence. It gives the distant lights across the bay one last counterpart: an object nearby that is easy to see only after your eyes have adjusted. Play the whole hour when the evening feels wide open, or choose a place on the timeline that fits how long you want to sit with the feeling. If a name comes to mind, you can keep it to yourself and let the thought run its course. The shoreline will still be there when you look up again. Sometimes it is enough to watch a light from a distance and have music in the room while you do it. The nighttime bay is an AI-generated backdrop for this Unsent Words episode. Track timeline 00:00 The Rooftops After Midnight 02:59 Blue Leaves the Door Ajar 06:26 Reflections in an Empty Room 10:10 Where the Lamplight Falls 13:44 The Tide Keeps Turning 17:43 The Water Beyond the Garden 21:19 Night Gives Up Its Blue 24:11 The Last Boat Passes 27:46 The View After Midnight 31:13 The Bridge at the Corner 34:45 The Water Under Everything 37:29 The Rooftop After the Party 40:51 The Photograph in the Drawer 44:31 Blue Lingers in the Lamplight 48:04 Blue Is Blooming in the Space Between 51:56 A Coat Beside the Door 55:06 The Sofa Near the Window 58:01 The Bookshelf in the Shadows #IAlmostCalled #MissingSomeoneMusic #MidnightBay #LateNightInstrumentals #AlmostCalledTonight

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