@ultrashamaki: حلاوة الكوبليه 🫶🏼✨️ @Mohamed Hamaki #hamaki #حماقي #محمد_حماقي #التراس_حماقى #HamakiXKSA

Ultras Hamaki
Ultras Hamaki
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Sunday 16 August 2026 17:09:12 GMT
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maya109282
maya :
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2026-08-16 19:48:34
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miss.call.you3
👑彡 أميرة الورد 彡❤️‍🩹 :
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In their defence: 1. Keep in mind these artists have managers, labels, and marketing teams - marketing operations are not necessarily their direct decisions. 2. Not every Chaotic Good client has necessarily had the full on “psyop” treatment, this is an agency that plenty of managers and artists are also going to for regular digital marketing services. 3. Like I said in the video, I don’t think what they are doing is inherently evil (maybe more chaotic neutral lol). At the end of the day they are promoting enjoyable art. I think it is scary because it is indicative of a much larger problem - never before have opinions and narratives been more easy to manipulate.  This story first broke in April, when indie musician/writer Eliza McLamb published a Substack essay called
In their defence: 1. Keep in mind these artists have managers, labels, and marketing teams - marketing operations are not necessarily their direct decisions. 2. Not every Chaotic Good client has necessarily had the full on “psyop” treatment, this is an agency that plenty of managers and artists are also going to for regular digital marketing services. 3. Like I said in the video, I don’t think what they are doing is inherently evil (maybe more chaotic neutral lol). At the end of the day they are promoting enjoyable art. I think it is scary because it is indicative of a much larger problem - never before have opinions and narratives been more easy to manipulate. This story first broke in April, when indie musician/writer Eliza McLamb published a Substack essay called "Fake Fans" after digging into Chaotic Good's website and discovering a client list that included Geese, Cameron Winter, Mk.gee, Dijon, Oklou, Jane Remover, Wet Leg, Laufey, and Mitski - alongside pop giants like Dua Lipa, Justin Bieber, Coldplay, Shawn Mendes, Sombr, and Alex Warren (this is just a few of their clients, many more are unconfirmed/unknown). Wired then also wrote an article calling their operations a "psyop," specifically pointing to Geese's recent rise - for Geese, it’s confirmed that Chaotic Good ran ‘narrative campaigns’ around the album Getting Killed, and for Cameron Winter’s viral solo track "Love Takes Miles”. For others, the level of involvement is unknown - they may have only used Chaotic Good for legitimate digital PR, not the full fake-account treatment. A lot of their marketing services are just standard industry practice at this point (fake ‘fan’ accounts, paid UGC content, etc.), but the ‘narrative campaigns’ and sheer scale of their operations definitely seems ethically questionable and deceptive. The fact that they quietly removed their client list and narrative campaigns page from their website within days of the controversy tells you everything you need to know. At the end of the day, ‘fake-organic’ PR of this nature taking over was inevitable for the era of internet we are in. But the real scary part? If this is what's happening in music, just imagine what's happening in politics, news, and every other industry or business that wants to shape your opinion. Be critical about the media you consume! #chaoticgood #musicindustry #geesepsyop #industryplant #geeseband

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